Interviews

Enrique el Extremeño: «In cante for baile, It’s necessary not only to know how to sing, but also to have knowledge about baile, guitar, choreography, lightning…»

Manuel Bohórquez

Mar 16, 2019

Antonio Canales: «We’re in a barren, fallow age of baile flamenco»

Quico Perez-Ventana

Mar 09, 2019

Pedro Sierra: «My concept of flamenco guitar is clear: foundations, riveting falsetas, melodies»

Manuel Bohórquez

Mar 08, 2019

La Reina Gitana: «I love the piano since I was a girl and my family supported me»

Juan Garrido

Feb 24, 2019

Manuel de la Tomasa: «You learn who tells you the truth, not who says compliments»

Juan Garrido

Feb 09, 2019

Ana María López: “If you want to live in flamenco, you must love First”

Juan Garrido

Jan 18, 2019

Niño de la Fragua: «At school I am known as a singer, and in the stages, as a teacher»

Juan Garrido

Jan 11, 2019

Alonso ‘El Purili’: «I like the party of many hours, although I do not drink alcohol»

Juan Garrido

Dec 21, 2018

Alicia Gil: «I earn my living with traditional flamenco»

Luis Pérez

Dec 12, 2018

José Mercé and Tomatito: «Regarding traditional, true ‘flamenco jondo’, the fact is that there’s not much to talk about»

Quico Perez-Ventana

Dec 05, 2018

María José Santiago: «Christmas before was different, but I still inspire good feelings»

Juan Garrido

Dec 01, 2018

Carlos Merino: «In my house they were surprised to see me play the cajon flamenco, they did not believe»

Juan Garrido

Nov 23, 2018

Paco León: “This recording studio is a dream come true”

Juan Garrido

Nov 09, 2018

Macarena de Jerez: «At this time I miss the humility of the great singers of Jerez»

Juan Garrido

Oct 26, 2018

La Truco: «Teaching should be better appreciated»

Enrique el Extremeño: «In cante for baile, It’s necessary not only to know how to sing, but also to have knowledge about baile, guitar, choreography, lightning…»

Antonio Canales: «We’re in a barren, fallow age of baile flamenco»

Pedro Sierra: «My concept of flamenco guitar is clear: foundations, riveting falsetas, melodies»

La Reina Gitana: «I love the piano since I was a girl and my family supported me»

Manuel de la Tomasa: «You learn who tells you the truth, not who says compliments»

Ana María López: “If you want to live in flamenco, you must love First”

Niño de la Fragua: «At school I am known as a singer, and in the stages, as a teacher»

Alonso ‘El Purili’: «I like the party of many hours, although I do not drink alcohol»

Alicia Gil: «I earn my living with traditional flamenco»

José Mercé and Tomatito: «Regarding traditional, true ‘flamenco jondo’, the fact is that there’s not much to talk about»

María José Santiago: «Christmas before was different, but I still inspire good feelings»

Carlos Merino: «In my house they were surprised to see me play the cajon flamenco, they did not believe»

Paco León: “This recording studio is a dream come true”

Macarena de Jerez: «At this time I miss the humility of the great singers of Jerez»

María Vargas: «I want to stay on stage, I’m the only survivor of my generation»

Audiovisual interview to the dancer María del Mar Moreno (2/2)

Audiovisual interview to the dancer Jerezana María del Mar Moreno (1/2)

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