{"id":9510,"date":"2026-08-30T20:24:04","date_gmt":"2026-08-30T18:24:04","guid":{"rendered":"https:\/\/expoflamenco.com\/revista\/?p=9510"},"modified":"2026-08-30T20:26:32","modified_gmt":"2026-08-30T18:26:32","slug":"el-medio-compas-en-las-bulerias-por-solea-expomusica-12-con-faustino-nunez","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/revista\/el-medio-compas-en-las-bulerias-por-solea-expomusica-12-con-faustino-nunez\/","title":{"rendered":"El &#8216;medio comp\u00e1s&#8217; en las buler\u00edas por sole\u00e1 \/ ExpoM\u00fasica #12 con Faustino N\u00fa\u00f1ez","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"<p>En este nuevo cap\u00edtulo de <strong><em>ExpoM\u00fasica<\/em><\/strong>, nos adentramos en uno de los recursos r\u00edtmicos m\u00e1s singulares de las buler\u00edas por sole\u00e1: el llamado &#8216;medio comp\u00e1s&#8217;.<\/p>\n<p>El medio comp\u00e1s es la denominaci\u00f3n que recibe la hemiolia que aparece en algunas versiones de estos cantes. En el \u00faltimo tercio, se a\u00f1ade medio comp\u00e1s con el objetivo de cuadrar la melod\u00eda final, generando una particular tensi\u00f3n r\u00edtmica que se convierte en una de las caracter\u00edsticas distintivas del estilo.<\/p>\n<p>\ud83c\udf99\ufe0f En este programa podremos escuchar este recurso en las voces de dos figuras fundamentales del cante flamenco: <strong>La Ni\u00f1a de los Peines<\/strong> y <strong>Manuel Vallejo<\/strong>.<\/p>\n<p>Un nuevo viaje por la m\u00fasica flamenca de la mano de <strong>Faustino N\u00fa\u00f1ez<\/strong>, para descubrir, escuchar y comprender los detalles que hacen \u00fanico nuestro arte.<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6\ufe0f Descubre el episodio completo y sigue aprendiendo sobre la historia y la evoluci\u00f3n de nuestra m\u00fasica.<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6\ufe0f <a href=\"https:\/\/www.youtube.com\/@Expoflamenco\" target=\"_blank\" rel=\"noopener\">Suscr\u00edbete al canal de <em>ExpoFlamenco<\/em><\/a> y no te pierdas ning\u00fan cap\u00edtulo.<\/p>\n<p>&nbsp;<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"<p>En este programa podremos escuchar este recurso en las voces de dos figuras fundamentales del cante flamenco: La Ni\u00f1a de los Peines y Manuel Vallejo.<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":21,"featured_media":9511,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"_acf_changed":false,"pmpro_default_level":"","jnews-multi-image_gallery":[],"jnews_single_post":null,"jnews_primary_category":{"id":"94"},"jnews_override_bookmark_settings":{"override_bookmark_button":"0","override_show_bookmark_button":"0"},"jnews_social_meta":[],"jnews_review":[],"enable_review":"","type":"percentage","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[98,38,94],"tags":[1293,7619,7912,7304],"class_list":["post-9510","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-a-cuerda-pela","category-en-portada","category-firmas","tag-academia-de-expoflamenco","tag-expomusica","tag-medio-compas","tag-tecnica-flamenca","post_format-post-format-video","pmpro-has-access"],"acf":[],"gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/9510","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/comments?post=9510"}],"version-history":[{"count":1,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/9510\/revisions"}],"predecessor-version":[{"id":9512,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/9510\/revisions\/9512"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media\/9511"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media?parent=9510"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/categories?post=9510"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/tags?post=9510"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}