{"id":926,"date":"2024-04-30T18:16:47","date_gmt":"2024-04-30T16:16:47","guid":{"rendered":"https:\/\/expoflamenco.com\/revistanew\/irra-torres-y-su-guitarra-artesanal-una-companera-para-siempre\/"},"modified":"2024-04-30T18:16:47","modified_gmt":"2024-04-30T16:16:47","slug":"irra-torres-y-su-guitarra-artesanal-una-companera-para-siempre","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/revista\/irra-torres-y-su-guitarra-artesanal-una-companera-para-siempre\/","title":{"rendered":"Irra Torres y su guitarra artesanal: una compa\u00f1era para siempre","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"<p>Israel Torres Toscano, <strong>Irra Torres<\/strong> (Huelva, 1977), es profesor de m\u00fasica, guitarrista y colaborador del presente portal, donde firma espl\u00e9ndidos textos bajo el t\u00edtulo <a href=\"https:\/\/expoflamenco.com\/prensa\/author\/irratorres\/\" target=\"_blank\" rel=\"noopener\"><em>De guitarreras maneras<\/em><\/a>. Su serie sobre la construcci\u00f3n artesanal de una guitarra flamenca en el taller onubense de <strong>Tato Rodr\u00edguez<\/strong> ha tenido un enorme seguimiento en este espacio en la Red. As\u00ed que era obligado hacerle una visita en su Huelva, concretamente en el estudio musical de su amigo <strong>Gaspar de Holanda<\/strong>, y grabarle una entrevista en la que contara los pormenores de la haza\u00f1a y presentara en c\u00e1mara su tesoro. \u00abEl proceso ha sido muy bonito, lo hemos disfrutado\u00bb, comenta. \u00abHa habido risas, ha habido llantos, pero sobre todo alegr\u00edas y grandes emociones\u00bb. Ahora ya tiene una fiel compa\u00f1era para toda la vida. Por cierto, \u00bfsab\u00e9is qu\u00e9 nombre ha elegido para su hermosa criatura? Al final del v\u00eddeo ten\u00e9is la sorpresa.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_49910\" aria-describedby=\"caption-attachment-49910\" style=\"width: 1600px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/expoflamenco.com\/prensa\/wp-content\/uploads\/sites\/17\/2024\/05\/expoflamenco-irra-torres-2-con-guitarra-artesanal-del-taller-tato-rodriguez-en-huelva-abr24.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-49910\" src=\"https:\/\/expoflamenco.com\/prensa\/wp-content\/uploads\/sites\/17\/2024\/05\/expoflamenco-irra-torres-2-con-guitarra-artesanal-del-taller-tato-rodriguez-en-huelva-abr24.jpg\" alt=\"\" width=\"1600\" height=\"898\" \/><\/a><figcaption id=\"caption-attachment-49910\" class=\"wp-caption-text\">Un tatuaje para la ocasi\u00f3n. Irra Torres, con su guitarra flamenca artesanal.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"<p>El m\u00fasico y profesor onubense presenta en sociedad la guitarra que ha estado cinco meses construyendo en el taller de Tato Rodr\u00edguez, y cuyo proceso artesanal ha ido narrando pieza a pieza, paso a paso, en una aplaudida serie para el presente portal.<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":7,"featured_media":927,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"_acf_changed":false,"pmpro_default_level":"","jnews-multi-image_gallery":[],"jnews_single_post":null,"jnews_primary_category":[],"jnews_override_bookmark_settings":{"override_bookmark_button":"0","override_show_bookmark_button":"0"},"jnews_social_meta":[],"jnews_review":[],"enable_review":"","type":"percentage","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[130],"tags":[852,195,853],"class_list":["post-926","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-entrevistas","tag-construccion-guitarra-flamenca-artesanal","tag-flamenco","tag-irra-torres","post_format-post-format-video","pmpro-has-access"],"acf":[],"aioseo_notices":[],"gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/926","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/comments?post=926"}],"version-history":[{"count":0,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/926\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media\/927"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media?parent=926"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/categories?post=926"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/tags?post=926"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}