{"id":9135,"date":"2026-08-16T19:16:48","date_gmt":"2026-08-16T17:16:48","guid":{"rendered":"https:\/\/expoflamenco.com\/revista\/?p=9135"},"modified":"2026-08-16T19:33:16","modified_gmt":"2026-08-16T17:33:16","slug":"el-origen-de-la-rumba-flamenca-expomusica-11-con-faustino-nunez","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/revista\/el-origen-de-la-rumba-flamenca-expomusica-11-con-faustino-nunez\/","title":{"rendered":"El origen de la rumba flamenca \/ ExpoM\u00fasica #11 con Faustino N\u00fa\u00f1ez","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"<p>\u00bfDe d\u00f3nde viene la rumba flamenca? En el programa und\u00e9cimo de <strong><em>ExpoM\u00fasica<\/em><\/strong>, <strong>Faustino N\u00fa\u00f1ez<\/strong> se adentra en los or\u00edgenes de uno de los estilos m\u00e1s populares y celebrados por el p\u00fablico: <strong>la rumba flamenca<\/strong>.<\/p>\n<p>Su historia nos lleva hasta la guaracha cubana, cuyas formas llegaron a C\u00e1diz a finales del siglo XIX y comenzaron a aclimatarse a trav\u00e9s de los repertorios de los coros a pie de carnaval y de las piezas l\u00edricas que sonaban en teatros y cabarets durante las primeras d\u00e9cadas del siglo XX.<\/p>\n<p>A partir de ah\u00ed, los flamencos hicieron suyo aquel lenguaje musical, transform\u00e1ndolo y llev\u00e1ndolo a su propio terreno hasta dar forma a la rumba flamenca. Una historia de viajes, mezclas y transformaciones que continuaron con dos grandes etapas de esplendor: la Barcelona de los a\u00f1os sesenta y el Madrid de los setenta.<\/p>\n<p>\u25b6\ufe0f Descubre el episodio completo y sigue aprendiendo sobre la historia y la evoluci\u00f3n de nuestra m\u00fasica.<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6\ufe0f <a href=\"https:\/\/www.youtube.com\/@Expoflamenco\" target=\"_blank\" rel=\"noopener\">Suscr\u00edbete al canal de <em>ExpoFlamenco<\/em><\/a> y no te pierdas ning\u00fan cap\u00edtulo.<\/p>\n<p>&nbsp;<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"<p>\u00bfExisten v\u00ednculos musicales entre la llamada a la oraci\u00f3n musulmana y algunos de los cantes m\u00e1s representativos del flamenco? En este s\u00e9ptimo episodio de ExpoM\u00fasica, Faustino N\u00fa\u00f1ez aborda una de las cuestiones m\u00e1s fascinantes de la musicolog\u00eda flamenca.<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":21,"featured_media":9136,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"_acf_changed":false,"pmpro_default_level":"","jnews-multi-image_gallery":[],"jnews_single_post":null,"jnews_primary_category":{"id":"94"},"jnews_override_bookmark_settings":{"override_bookmark_button":"0","override_show_bookmark_button":"0"},"jnews_social_meta":[],"jnews_review":[],"enable_review":"","type":"percentage","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[98,38,94],"tags":[157,7811,7619,76,7862,7304,7639,7640],"class_list":["post-9135","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-a-cuerda-pela","category-en-portada","category-firmas","tag-estudios-flamencos","tag-evolucion-de-la-musica-flamenca","tag-expomusica","tag-investigacion-flamenca","tag-rumba-flamenca","tag-tecnica-flamenca","tag-teoria-flamenca","tag-universidad-flamenca","post_format-post-format-video","pmpro-has-access"],"acf":[],"gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/9135","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/comments?post=9135"}],"version-history":[{"count":1,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/9135\/revisions"}],"predecessor-version":[{"id":9137,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/9135\/revisions\/9137"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media\/9136"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media?parent=9135"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/categories?post=9135"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/tags?post=9135"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}