{"id":8883,"date":"2026-08-02T21:03:01","date_gmt":"2026-08-02T19:03:01","guid":{"rendered":"https:\/\/expoflamenco.com\/revista\/?p=8883"},"modified":"2026-08-02T22:10:08","modified_gmt":"2026-08-02T20:10:08","slug":"el-flamenco-ni-se-crea-ni-se-destruye-solo-se-transforma-expomusica-10-con-faustino-nunez","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/revista\/el-flamenco-ni-se-crea-ni-se-destruye-solo-se-transforma-expomusica-10-con-faustino-nunez\/","title":{"rendered":"El flamenco ni se crea ni se destruye, solo se transforma \/ ExpoM\u00fasica #10 con Faustino N\u00fa\u00f1ez","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"<p>En el d\u00e9cimo programa de <strong><em>ExpoM\u00fasica<\/em><\/strong>, <strong>Faustino N\u00fa\u00f1ez<\/strong> nos invita a descubrir una fascinante conexi\u00f3n entre el flamenco y la m\u00fasica cl\u00e1sica bajo un sugerente t\u00edtulo: <em>El flamenco ni se crea ni se destruye, solo se transforma<\/em>.<\/p>\n<p>\u00bfPuede una misma idea musical viajar a trav\u00e9s de los siglos y reaparecer en distintos estilos? En este episodio comprobamos c\u00f3mo una variaci\u00f3n de guitarra presente en las versiones m\u00e1s antiguas de la ca\u00f1a coincide de forma sorprendente con una de las variaciones del fandango atribuido a Domenico Scarlatti. Un apasionante recorrido que demuestra que la m\u00fasica evoluciona, se adapta y se transforma sin perder su esencia.<\/p>\n<p>Una nueva entrega para escuchar, aprender y descubrir los v\u00ednculos ocultos que han enriquecido el patrimonio musical y el universo del flamenco.<strong> \ud83c\udfbc Con Faustino N\u00fa\u00f1ez, cada episodio de <em>ExpoM\u00fasica<\/em> es una invitaci\u00f3n a comprender mejor la historia y la riqueza de nuestro arte.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6\ufe0f <a href=\"https:\/\/www.youtube.com\/@Expoflamenco\" target=\"_blank\" rel=\"noopener\">Suscr\u00edbete al canal de Expoflamenco<\/a> y no te pierdas ning\u00fan cap\u00edtulo.<\/p>\n<p>&nbsp;<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"<p>\u00bfExisten v\u00ednculos musicales entre la llamada a la oraci\u00f3n musulmana y algunos de los cantes m\u00e1s representativos del flamenco? En este s\u00e9ptimo episodio de ExpoM\u00fasica, Faustino N\u00fa\u00f1ez aborda una de las cuestiones m\u00e1s fascinantes de la musicolog\u00eda flamenca.<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":21,"featured_media":8884,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"_acf_changed":false,"pmpro_default_level":"","jnews-multi-image_gallery":[],"jnews_single_post":null,"jnews_primary_category":{"id":"94"},"jnews_override_bookmark_settings":{"override_bookmark_button":"0","override_show_bookmark_button":"0"},"jnews_social_meta":[],"jnews_review":[],"enable_review":"","type":"percentage","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[98,38,94],"tags":[157,7811,76,7304,7639,7640],"class_list":["post-8883","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-a-cuerda-pela","category-en-portada","category-firmas","tag-estudios-flamencos","tag-evolucion-de-la-musica-flamenca","tag-investigacion-flamenca","tag-tecnica-flamenca","tag-teoria-flamenca","tag-universidad-flamenca","post_format-post-format-video","pmpro-has-access"],"acf":[],"gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/8883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/comments?post=8883"}],"version-history":[{"count":1,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/8883\/revisions"}],"predecessor-version":[{"id":8886,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/8883\/revisions\/8886"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media\/8884"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media?parent=8883"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/categories?post=8883"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/tags?post=8883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}