{"id":8186,"date":"2026-06-28T18:57:12","date_gmt":"2026-06-28T16:57:12","guid":{"rendered":"https:\/\/expoflamenco.com\/revista\/?p=8186"},"modified":"2026-06-28T18:57:12","modified_gmt":"2026-06-28T16:57:12","slug":"adham-versus-cante-flamenco-expomusica-7-con-faustino-nunez","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/revista\/adham-versus-cante-flamenco-expomusica-7-con-faustino-nunez\/","title":{"rendered":"Adham versus cante flamenco \/ ExpoM\u00fasica #7 con Faustino N\u00fa\u00f1ez","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"<p>\u00bfExisten v\u00ednculos musicales entre la llamada a la oraci\u00f3n musulmana y algunos de los cantes m\u00e1s representativos del flamenco? En este s\u00e9ptimo episodio de <em>ExpoM\u00fasica<\/em>, <strong>Faustino N\u00fa\u00f1ez<\/strong> aborda una de las cuestiones m\u00e1s fascinantes de la musicolog\u00eda flamenca.<\/p>\n<p>El programa analiza las similitudes mel\u00f3dicas entre el adh\u0101n (la llamada isl\u00e1mica a la oraci\u00f3n), interpretado en el modo <strong>Hijaz<\/strong>, y tres cantes fundamentales del repertorio flamenco: el martinete natural, la primera variante de la sole\u00e1 de Alcal\u00e1 atribuida a <strong>Joaqu\u00edn el de la Paula<\/strong> y una de las seguiriyas m\u00e1s emblem\u00e1ticas del jerezano <strong>Manuel Molina<\/strong>. A trav\u00e9s de ejemplos sonoros y un an\u00e1lisis musical riguroso, el episodio plantea una pregunta que ha suscitado el inter\u00e9s de investigadores y aficionados durante d\u00e9cadas: \u00bfse trata de una herencia hist\u00f3rica o de una recreaci\u00f3n musical nacida de la evoluci\u00f3n del flamenco?<\/p>\n<p>Una nueva entrega de <em>ExpoM\u00fasica<\/em> que invita a escuchar el flamenco desde una perspectiva diferente, profundizando en sus posibles conexiones con otras tradiciones musicales y en la riqueza de su lenguaje sonoro.<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6\ufe0f Suscr\u00edbete al canal de Expoflamenco y activa las notificaciones para no perderte nuevos contenidos.<\/p>\n<p>&nbsp;<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"<p>\u00bfExisten v\u00ednculos musicales entre la llamada a la oraci\u00f3n musulmana y algunos de los cantes m\u00e1s representativos del flamenco? En este s\u00e9ptimo episodio de ExpoM\u00fasica, Faustino N\u00fa\u00f1ez aborda una de las cuestiones m\u00e1s fascinantes de la musicolog\u00eda flamenca.<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":21,"featured_media":8187,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"_acf_changed":false,"pmpro_default_level":"","jnews-multi-image_gallery":[],"jnews_single_post":null,"jnews_primary_category":{"id":"94"},"jnews_override_bookmark_settings":{"override_bookmark_button":"0","override_show_bookmark_button":"0"},"jnews_social_meta":[],"jnews_review":[],"enable_review":"","type":"percentage","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[98,38,94],"tags":[157,76,7666,7304,7639,7640],"class_list":["post-8186","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-a-cuerda-pela","category-en-portada","category-firmas","tag-estudios-flamencos","tag-investigacion-flamenca","tag-llamada-a-la-oracion-musulmana","tag-tecnica-flamenca","tag-teoria-flamenca","tag-universidad-flamenca","post_format-post-format-video","pmpro-has-access"],"acf":[],"gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/8186","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/comments?post=8186"}],"version-history":[{"count":1,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/8186\/revisions"}],"predecessor-version":[{"id":8189,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/8186\/revisions\/8189"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media\/8187"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media?parent=8186"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/categories?post=8186"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/tags?post=8186"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}