{"id":8093,"date":"2026-06-21T21:00:03","date_gmt":"2026-06-21T19:00:03","guid":{"rendered":"https:\/\/expoflamenco.com\/revista\/?p=8093"},"modified":"2026-06-21T21:00:03","modified_gmt":"2026-06-21T19:00:03","slug":"el-polirritmo-del-tanguillo-expomusica-6-con-faustino-nunez","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/revista\/el-polirritmo-del-tanguillo-expomusica-6-con-faustino-nunez\/","title":{"rendered":"El polirritmo del tanguillo \/ ExpoM\u00fasica #6 con Faustino N\u00fa\u00f1ez","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"<p>\u00bfPor qu\u00e9 el tanguillo de C\u00e1diz tiene una sonoridad tan \u00fanica? En este sexto cap\u00edtulo de <strong><em>ExpoM\u00fasica<\/em><\/strong>, el music\u00f3logo y guitarrista <strong>Faustino N\u00fa\u00f1ez<\/strong> nos gu\u00eda por uno de los aspectos m\u00e1s fascinantes del flamenco: el polirritmo del tanguillo.<\/p>\n<p>A trav\u00e9s de un an\u00e1lisis claro y did\u00e1ctico, descubriremos c\u00f3mo este estilo se construye mediante la superposici\u00f3n de tres m\u00e9tricas diferentes: 6\/8, 2\/4 y 3\/4. Se crea as\u00ed una riqueza r\u00edtmica excepcional que lo convierte en una de las expresiones m\u00e1s originales del repertorio gaditano. La explicaci\u00f3n tambi\u00e9n nos invita a mirar el mapa. Si el 6\/8 es un comp\u00e1s profundamente ligado a \u00c1frica, el 2\/4 evoca las m\u00fasicas de Am\u00e9rica y el 3\/4 pertenece a la tradici\u00f3n europea, r<strong>esulta revelador que C\u00e1diz, situada en el encuentro geogr\u00e1fico e hist\u00f3rico de estos tres continentes, haya dado origen a un ritmo tan singular y lleno de matices<\/strong>. Un viaje por la historia, la teor\u00eda musical y el flamenco de la mano de uno de sus mayores especialistas.<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6\ufe0f Suscr\u00edbete al canal de Expoflamenco y activa las notificaciones para no perderte nuevos contenidos.<\/p>\n<p>&nbsp;<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"<p>En este sexto cap\u00edtulo de ExpoM\u00fasica, el music\u00f3logo y guitarrista Faustino N\u00fa\u00f1ez nos gu\u00eda por uno de los aspectos m\u00e1s fascinantes del flamenco: el polirritmo del tanguillo.<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":5,"featured_media":8097,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"_acf_changed":false,"pmpro_default_level":"","jnews-multi-image_gallery":[],"jnews_single_post":null,"jnews_primary_category":{"id":"94"},"jnews_override_bookmark_settings":{"override_bookmark_button":"0","override_show_bookmark_button":"0"},"jnews_social_meta":[],"jnews_review":[],"enable_review":"","type":"percentage","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[98,38,94],"tags":[157,76,7641,7304,7639,7640],"class_list":["post-8093","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-a-cuerda-pela","category-en-portada","category-firmas","tag-estudios-flamencos","tag-investigacion-flamenca","tag-polirritmo-del-tanguillo","tag-tecnica-flamenca","tag-teoria-flamenca","tag-universidad-flamenca","post_format-post-format-video","pmpro-has-access"],"acf":[],"gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/8093","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/comments?post=8093"}],"version-history":[{"count":1,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/8093\/revisions"}],"predecessor-version":[{"id":8099,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/8093\/revisions\/8099"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media\/8097"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media?parent=8093"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/categories?post=8093"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/tags?post=8093"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}