{"id":3370,"date":"2025-08-07T20:19:18","date_gmt":"2025-08-07T18:19:18","guid":{"rendered":"https:\/\/expoflamenco.com\/revistanew\/las-minas-una-primera-semifinal-entre-piano-flauta-quejio-toque-y-baile\/"},"modified":"2026-01-15T19:36:30","modified_gmt":"2026-01-15T18:36:30","slug":"las-minas-una-primera-semifinal-entre-piano-flauta-quejio-toque-y-baile","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/revista\/las-minas-una-primera-semifinal-entre-piano-flauta-quejio-toque-y-baile\/","title":{"rendered":"Las Minas: una primera semifinal entre piano, flauta, quej\u00edo, toque y baile","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"

Ya ha comenzado el concurso del LXIV Festival Internacional del Cante de las Minas<\/a>. La noche del mi\u00e9rcoles 6 se celebr\u00f3 la primera semifinal, de las tres programadas, para empezar a conocer al talento sobre las tablas de la Catedral del Cante y los posibles aspirantes a los m\u00e1ximos galardones del encuentro flamenco.<\/p>\n

Esta primera cita comenz\u00f3 con los candidatos en la categor\u00eda de instrumentista flamenco: Lorenzo Moya<\/strong> (Ciudad Real), que interpret\u00f3 minera y buler\u00edas con su piano, y Ostalinda Su\u00e1rez<\/strong> (Badajoz), que hizo taranta cartagenera y flautas\u00eda flamenca con su flauta.<\/p>\n

En la categor\u00eda de cante, concursaron Raquel Salas<\/strong> (Huelva), con minera y grana\u00edna; Iv\u00e1n Chask\u00edo<\/strong> (Alicante), con minera, cartagenera, seguiriya y alegr\u00edas; Andreles Amador<\/strong> (Almer\u00eda), con fandangos y seguiriya; y Rosi Campos<\/strong> (M\u00e1laga), con levantica y malague\u00f1a.<\/p>\n

El toque corri\u00f3 a cargo de Samuel de Encarni<\/strong> (C\u00e1diz), con minera y guajira. Y el baile, por Ofelia M\u00e1rquez<\/strong> (C\u00e1diz), con taranto y ca\u00f1a.<\/p>\n

 <\/p>\n

\"Ostalinda.<\/a>
Ostalinda Su\u00e1rez. Primera semifinal del Concurso Cante de las Minas. Fotos: Fund Las Minas<\/figcaption><\/figure>\n

 <\/p>\n

Segunda semifinal<\/strong><\/h3>\n

En la segunda semifinal del concurso del Cante de las Minas participar\u00e1n Jos\u00e9 Carlos Hanza Fern\u00e1ndez<\/strong> (Almer\u00eda) con su piano por taranta y sole\u00e1 por buler\u00edas, y Ra\u00fal Herrera Moreno<\/strong> (Madrid) con el chelo con taranto y sole\u00e1 por buler\u00edas, en la categor\u00eda de instrumentista.<\/span><\/p>\n

La guitarra flamenca la protagonizar\u00e1n Mercedes Luj\u00e1n<\/strong> (Murcia) con taranta y buler\u00eda, y el baile del gaditano Jos\u00e9 Vi\u00f1as<\/strong> con taranto y seguiriya.<\/p>\n

El cante correr\u00e1 a cargo de Francisco Heredia<\/strong> (Ja\u00e9n) con minera, taranta, grana\u00edna y sole\u00e1; Anabel de Vico<\/strong> (Sevilla) con minera, murciana, grana\u00edna y seguiriya; Gregorio Moya<\/strong> (Ciudad Real) con minera, cartagenera, malague\u00f1a y mariana; y Lidia Rodr\u00edguez<\/strong> (Sevilla) con malague\u00f1a y abandolao.<\/p>\n

Isco Heredia al cante y Juan Mart\u00ednez a la guitarra protagonizan la madrug\u00e1 en El Almac\u00e9n Lounge Bar, patrocinada por Sistecarp.<\/p>\n

 <\/p>\n

\"Lorenzo<\/a>
Lorenzo Moya. Primera semifinal del Concurso Cante de las Minas. Fotos: Fund Las Minas<\/figcaption><\/figure>\n
\"Andreles<\/a>
Andreles Amador. Primera semifinal del Concurso Cante de las Minas. Fotos: Fund Las Minas<\/figcaption><\/figure>\n

 <\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"

El mi\u00e9rcoles 6 de agosto se celebr\u00f3 la primera convocatoria del concurso en la Catedral del Cante, con ocho artistas que se jugaron su paso a la final, a celebrar el s\u00e1bado 9.<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":5,"featured_media":3371,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"pmpro_default_level":"","jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard","override":[{"template":"2","parallax":"1","fullscreen":"1","layout":"right-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"top","share_float_style":"share-monocrhome","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_reading_time":"1","post_reading_time_wpm":"250","post_calculate_word_method":"str_word_count","show_zoom_button":"1","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","show_popup_post":"1","number_popup_post":"1","show_author_box":"1","show_post_related":"1","show_inline_post_related":"1"}],"image_override":[{"single_post_thumbnail_size":"no-crop","single_post_gallery_size":"crop-500"}],"trending_post_position":"meta","trending_post_label":"Trending","sponsored_post_label":"Sponsored by","disable_ad":"0","subtitle":"El mi\u00e9rcoles 6 de agosto se celebr\u00f3 la primera convocatoria del concurso en la Catedral del Cante, con ocho artistas que se jugaron su paso a la final, a celebrar el s\u00e1bado 9."},"jnews_primary_category":{"id":"4226"},"jnews_override_bookmark_settings":{"override_bookmark_button":"0","override_show_bookmark_button":"0"},"jnews_social_meta":[],"jnews_review":[],"enable_review":"","type":"percentage","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[37,38],"tags":[193,3035],"class_list":["post-3370","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualidad","category-en-portada","tag-festival-internacional-del-cante-de-las-minas","tag-semifinal","pmpro-has-access"],"acf":[],"aioseo_notices":[],"gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/3370","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/comments?post=3370"}],"version-history":[{"count":1,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/3370\/revisions"}],"predecessor-version":[{"id":3426,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/3370\/revisions\/3426"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media\/3371"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media?parent=3370"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/categories?post=3370"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/tags?post=3370"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}