{"id":2554,"date":"2025-02-24T09:40:00","date_gmt":"2025-02-24T08:40:00","guid":{"rendered":"https:\/\/expoflamenco.com\/revistanew\/de-vidas-y-habemus-bailaora\/"},"modified":"2025-02-24T09:40:00","modified_gmt":"2025-02-24T08:40:00","slug":"de-vidas-y-habemus-bailaora","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/revista\/de-vidas-y-habemus-bailaora\/","title":{"rendered":"\u2018De vidas\u2019 y habemus bailaora","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"<p>El escenario del <strong>Centro Social Blas Infante<\/strong> se ha estrenado en esta 29\u00ba edici\u00f3n del <a href=\"https:\/\/www.festivaldejerez.es\/\" target=\"_blank\" rel=\"noopener\">Festival de Jerez<\/a>. Es digno de menci\u00f3n debido a un defecto arquitect\u00f3nico que impide que muchos espectadores, por no decir la mayor\u00eda, s\u00f3lo hemos podido ver a los artistas desde los hombros para arriba.<\/p>\n<p>Sin embargo, direcci\u00f3n art\u00edstica y coreograf\u00eda de <strong>Eva Yerbabuena<\/strong> ya son palabras mayores. La creativa personalidad de la querida figura granadina que se encarg\u00f3 de darle forma a esta obra se ha hecho sentir en el<em> filin<\/em> de todo momento. Movimientos obsesivamente repetidos o simplemente inesperados, taconeo fuerte y limpio, la cara expresiva, la oscuridad siempre (levanta la mano, plis, si quieres que las obras de baile o danza est\u00e9n mejor iluminadas).<\/p>\n<p>La se\u00f1ora bailaora de la obra se llama <strong>Roc\u00edo Garrido<\/strong>. Premio Desplante en el 2023 del Festival Internacional Cante de las Minas. Empieza con pantomima, la ausencia de sonido, m\u00ednimo movimiento. Luego, fragmentos auditivos que estimulan los sentidos y nos ubican en lo jondo. Grana\u00edna. La magn\u00edfica guitarra del joven <strong>David Caro<\/strong> que promete gloria. Se a\u00f1ade la voz de terciopelo viejo del subestimado <strong>Pepe de Pura<\/strong>. Bonito contraste cuando <strong>Esperanza Garrido<\/strong> pone su voz de miel tostada. Petenera fragmentada, alusiones a la ca\u00f1a, o al abandolao. Pepe de Pura pone orden con su siguiriya, y Roc\u00edo le responde con su baile temperamental.<\/p>\n<p>Ahora le toca a la joven Roc\u00edo cortar el cord\u00f3n umbilical y marcar camino propio hacia el futuro de lo jondo.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Ficha art\u00edstica<\/strong><\/p>\n<p><em>De vidas<\/em>, de Roc\u00edo Garrido<br \/>\nXXIX Festival de Jerez<br \/>\nCentro Social Blas Infante<br \/>\n23 febrero de 2025<br \/>\nBaile: Roc\u00edo Garrido<br \/>\nCante: Esperanza Garrido, Pepe de Pura<br \/>\nGuitarra: David Caro<br \/>\nPalmas, baile e interpretaci\u00f3n: Jos\u00e9 Manuel Ramos \u201cOruco\u201d<br \/>\nDirecci\u00f3n art\u00edstica y coreograf\u00eda: Eva Yerbabuena<\/p>\n<p>&nbsp;<\/p>\n\n<p>&nbsp;<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"<p>Roc\u00edo Garrido llev\u00f3 al Festival de Jerez su baile temperamental. Ahora le toca a la joven almeriense cortar el cord\u00f3n umbilical y marcar camino propio hacia el futuro de lo jondo.<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":35,"featured_media":2555,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"pmpro_default_level":"","jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard","override":[{"template":"2","parallax":"1","fullscreen":"1","layout":"right-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"bottom","share_float_style":"share-monocrhome","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_reading_time":"1","post_reading_time_wpm":"250","post_calculate_word_method":"str_word_count","show_zoom_button":"1","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","show_popup_post":"1","number_popup_post":"1","show_author_box":"1","show_post_related":"1","show_inline_post_related":"1"}],"image_override":[{"single_post_thumbnail_size":"no-crop","single_post_gallery_size":"crop-500"}],"trending_post_position":"meta","trending_post_label":"Trending","sponsored_post_label":"Sponsored by","disable_ad":"0","subtitle":"Roc\u00edo Garrido llev\u00f3 al Festival de Jerez su baile temperamental. Ahora le toca a la joven almeriense cortar el cord\u00f3n umbilical y marcar camino propio hacia el futuro de lo jondo."},"jnews_primary_category":{"id":"248"},"jnews_override_bookmark_settings":{"override_bookmark_button":"0","override_show_bookmark_button":"0"},"jnews_social_meta":[],"jnews_review":[],"enable_review":"","type":"percentage","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[46,38,1888],"tags":[294,1160,2256,2131,2132],"class_list":["post-2554","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cronicas","category-en-portada","category-jerez-2025","tag-festival-de-jerez","tag-bailaora-granadina","tag-centro-blas-infante","tag-de-vidas","tag-rocio-garrido","pmpro-has-access"],"acf":[],"aioseo_notices":[],"gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/2554","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/comments?post=2554"}],"version-history":[{"count":0,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/2554\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media\/2555"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media?parent=2554"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/categories?post=2554"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/tags?post=2554"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}