{"id":2368,"date":"2025-01-05T10:59:05","date_gmt":"2025-01-05T09:59:05","guid":{"rendered":"https:\/\/expoflamenco.com\/revistanew\/guillermo-castro-catedratico-de-flamencologia-se-incorpora-a-expoflamenco\/"},"modified":"2025-01-05T10:59:05","modified_gmt":"2025-01-05T09:59:05","slug":"guillermo-castro-catedratico-de-flamencologia-se-incorpora-a-expoflamenco","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/revista\/guillermo-castro-catedratico-de-flamencologia-se-incorpora-a-expoflamenco\/","title":{"rendered":"Guillermo Castro, catedr\u00e1tico de flamencolog\u00eda, se incorpora a expoflamenco","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"<p><strong>Guillermo Castro Buend\u00eda<\/strong> (Madrid, 1973), prestigioso especialista en arte flamenco, se incorpora desde enero de 2025 al plantel de colaboradores de <em>expoflamenco<\/em>. En concreto, publicar\u00e1 art\u00edculos de investigaci\u00f3n y opini\u00f3n con una periodicidad de uno o dos textos al mes. Adem\u00e1s, est\u00e1 preparando un curso sobre los <strong>Antecedentes Musicales del Flamenco<\/strong> a impartir en la nueva <a href=\"https:\/\/expoflamenco.com\/academia\/\" target=\"_blank\" rel=\"noopener\">Academia expoflamenco<\/a>.<\/p>\n<p>Castro Buend\u00eda, que ya public\u00f3 ocasionalmente en este portal <a href=\"https:\/\/www.expoflamenco.com\/archivo\/firmas\/critica-libro-antonio-manuel-flamenco-arqueologia-de-lo-jondo-pseudoflamencologia-en-el-siglo-xxi-farsa-de-lo-flamenco\/\">alg\u00fan texto de gran impacto<\/a>, es catedr\u00e1tico de Flamencolog\u00eda por oposici\u00f3n en el Conservatorio Superior de M\u00fasica de C\u00f3rdoba desde el a\u00f1o 2021 y profesor invitado del <strong>M\u00e1ster en Flamenco ESMUC y Universidad de C\u00e1diz<\/strong>. Doctor en Historia del Arte y titulado superior en la especialidad de guitarra cl\u00e1sica, su campo de estudio es la m\u00fasica espa\u00f1ola del siglo XX, la m\u00fasica contempor\u00e1nea y especialmente el Flamenco. Su especial inter\u00e9s por este arte le ha llevado a profundizar desde hace muchos a\u00f1os en <strong>su estudio y academizaci\u00f3n, aplicando sus conocimientos a las distintas ense\u00f1anzas del conservatorio<\/strong>. Son numerosas sus publicaciones especializadas, con trabajos que abordan un estudio hist\u00f3rico-musical del arte flamenco desde un enfoque moderno y actualizado, as\u00ed como sus intervenciones en congresos especializados.<\/p>\n<p>&nbsp;<\/p>\n<blockquote><p><em>\u00abSon numerosas sus publicaciones especializadas, con trabajos que abordan un estudio hist\u00f3rico-musical del arte flamenco desde un enfoque moderno y actualizado\u00bb<\/em><\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p>Destacan sus libros <em>Los manuscritos de guitarra del Fondo Manuela V\u00e1zquez-Barros<\/em> (2022), <em>El Flamenco: Baile, M\u00fasica y L\u00edrica. Precedentes hist\u00f3rico-culturales y primer desarrollo (1780-1890)<\/em> (2021), <em>Don Antonio Chac\u00f3n. Colecci\u00f3n Carlos Mart\u00edn Ballester<\/em> (2016), <em>G\u00e9nesis Musical del Cante Flamenco. De lo remoto a lo tangible en la m\u00fasica flamenca hasta la muerte de Silverio Franconetti<\/em> (2014) y <em>Las Mudanzas del Cante en tiempos de Silverio, an\u00e1lisis hist\u00f3rico-musical de su escuela de cante<\/em> (2010). Sus publicaciones especializadas superan la treintena, en revistas como la Revista Universitaria de Investigaci\u00f3n sobre Flamenco <em>La Madrug\u00e1<\/em>, la revista del Centro de Investigaci\u00f3n Flamenco Telethusa o la revista digital <em>Sinfon\u00eda Virtual<\/em>, en la que asume la coordinaci\u00f3n de su secci\u00f3n de flamenco.<\/p>\n<p>&nbsp;<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"<p>Es catedr\u00e1tico de Flamencolog\u00eda en el Conservatorio Superior de M\u00fasica de C\u00f3rdoba y profesor invitado del M\u00e1ster en Flamenco ESMUC. Publicar\u00e1 art\u00edculos de investigaci\u00f3n y opini\u00f3n.<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":5,"featured_media":2370,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"pmpro_default_level":"","jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard","override":[{"template":"2","parallax":"1","fullscreen":"1","layout":"right-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"bottom","share_float_style":"share-monocrhome","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_reading_time":"1","post_reading_time_wpm":"250","post_calculate_word_method":"str_word_count","show_zoom_button":"1","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","show_popup_post":"1","number_popup_post":"1","show_author_box":"1","show_post_related":"1","show_inline_post_related":"1"}],"image_override":[{"single_post_thumbnail_size":"no-crop","single_post_gallery_size":"crop-500"}],"trending_post_position":"meta","trending_post_label":"Tendencias","sponsored_post_label":"Patrocinado por","disable_ad":"0","subtitle":"Es catedr\u00e1tico de Flamencolog\u00eda en el Conservatorio Superior de M\u00fasica de C\u00f3rdoba y profesor invitado del M\u00e1ster en Flamenco ESMUC y Universidad de C\u00e1diz. 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