{"id":1251,"date":"2024-07-16T12:04:34","date_gmt":"2024-07-16T10:04:34","guid":{"rendered":"https:\/\/expoflamenco.com\/revistanew\/luis-ybarra-los-artistas-ven-la-bienal-como-el-gran-escaparate\/"},"modified":"2024-07-16T12:04:34","modified_gmt":"2024-07-16T10:04:34","slug":"luis-ybarra-los-artistas-ven-la-bienal-como-el-gran-escaparate","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/revista\/luis-ybarra-los-artistas-ven-la-bienal-como-el-gran-escaparate\/","title":{"rendered":"Luis Ybarra: \u00abLos artistas ven La Bienal como el gran escaparate\u00bb","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"<p><strong>Luis Ybarra<\/strong>\u00a0es el director de la\u00a0<a href=\"https:\/\/www.labienal.com\/\" target=\"_blank\" rel=\"noopener\">Bienal de Flamenco de Sevilla<\/a>, adem\u00e1s de periodista y poeta. Tiene 28 a\u00f1os y ha asumido un cargo con \u201ctodas las responsabilidades\u201d hace ahora un a\u00f1o. \u201cUno tiene una Bienal en la cabeza y va cambiando seg\u00fan la trabajas\u201d, dice Luis. Cuando se habla de juventud, algo que marc\u00f3 su nombramiento, pone como ejemplo la aportaci\u00f3n de\u00a0<strong>Lebrijano<\/strong>\u00a0o\u00a0<strong>Camar\u00f3n<\/strong>\u00a0en el flamenco cuando\u00a0empezaban a despuntar. No se considera un director t\u00edtere, tiene ahora poco tiempo para escribir, \u201csolo algo de poes\u00eda\u201d, y tiene al d\u00eda much\u00edsimas llamadas de artistas o programadores. \u201cEs criticable cualquier decisi\u00f3n\u201d, entiende el director, que reconoce que \u201chay una tensi\u00f3n medi\u00e1tica alrededor de la Bienal positiva, es la que marca el canon de otras propuestas, aqu\u00ed y en el extranjero\u201d. Piensa en la siguiente edici\u00f3n de la muestra, por eso ha esbozado una programaci\u00f3n para \u00e9sta teniendo en cuenta las ausencias para que est\u00e9n en la siguiente.<\/p>\n<blockquote><p><em>\u00abLa aportaci\u00f3n de la juventud en la cultura ha sido hist\u00f3ricamente trascendental\u00bb<\/em><\/p><\/blockquote>\n<p>&nbsp;<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"<p>El director de la Bienal de Flamenco de Sevilla charla con Juan Garrido en exclusiva para expoflamenco desde Cer\u00e1micas Triana, Sevilla. \u00abDices en el mundo Bienal y es una marca, como Coca-Cola. La Bienal se asocia a calidad\u00bb, afirma.<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":34,"featured_media":1252,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"_acf_changed":false,"pmpro_default_level":"","jnews-multi-image_gallery":[],"jnews_single_post":null,"jnews_primary_category":[],"jnews_override_bookmark_settings":{"override_bookmark_button":"0","override_show_bookmark_button":"0"},"jnews_social_meta":[],"jnews_review":[],"enable_review":"","type":"percentage","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[1049,38,130],"tags":[1105,195,1106],"class_list":["post-1251","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-bienal","category-en-portada","category-entrevistas","tag-director-bienal-sevilla","tag-flamenco","tag-luis-ybarra","post_format-post-format-video","pmpro-has-access"],"acf":[],"aioseo_notices":[],"gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/1251","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/comments?post=1251"}],"version-history":[{"count":0,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/1251\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media\/1252"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media?parent=1251"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/categories?post=1251"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/tags?post=1251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}