{"id":11385,"date":"2026-11-15T21:08:43","date_gmt":"2026-11-15T20:08:43","guid":{"rendered":"https:\/\/expoflamenco.com\/revista\/?p=11385"},"modified":"2026-11-15T21:08:43","modified_gmt":"2026-11-15T20:08:43","slug":"milonga-de-pepa-oro-expomusica-21-con-faustino-nunez","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/revista\/milonga-de-pepa-oro-expomusica-21-con-faustino-nunez\/","title":{"rendered":"Milonga, \u00bfde Pepa Oro? \/ ExpoM\u00fasica #21 con Faustino N\u00fa\u00f1ez","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"<p>\u00bfEs realmente de <strong>Pepa Oro<\/strong> la milonga que lleva su nombre? \u00bfO estamos ante una atribuci\u00f3n que merece ser revisada?<\/p>\n<p>En este episodio de <em>ExpoM\u00fasica<\/em>, <strong>Faustino N\u00fa\u00f1ez<\/strong> nos propone un viaje por los or\u00edgenes y la historia de una de las piezas m\u00e1s singulares del repertorio flamenco: la milonga atribuida a Pepa Oro.<\/p>\n<p>La investigaci\u00f3n parte de una grabaci\u00f3n de <strong>Antonio Chac\u00f3n<\/strong> realizada en 1913, apenas un a\u00f1o despu\u00e9s de su regreso de Buenos Aires. Una fecha que abre una interesante hip\u00f3tesis: \u00bfy si fue el propio Chac\u00f3n quien cre\u00f3 esta milonga y a\u00f1adi\u00f3 al final la rumbita de Pepa Oro a modo de estribillo?<\/p>\n<p>Una cuesti\u00f3n que nos invita a escuchar con atenci\u00f3n, investigar las fuentes y revisar algunas de las atribuciones que forman parte de la historia del flamenco.<\/p>\n<p>Faustino N\u00fa\u00f1ez nos acerca, una vez m\u00e1s, a los misterios, las conexiones y las claves musicales de nuestro arte.<\/p>\n<p>&nbsp;<\/p>\n<p>\ud83c\udfb6 ExpoM\u00fasica: aprender, escuchar y comprender el flamenco.<\/p>\n<p>\ud83d\udc49 <a href=\"https:\/\/expoflamenco.com\/suscripcion-gratis-fan\/\" target=\"_blank\" rel=\"noopener\">Suscr\u00edbete gratuitamente como FAN a ExpoFlamenco<\/a> y descubre todo nuestro universo de contenidos.<\/p>\n<p>&nbsp;<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"<p>\u00bfEs realmente de Pepa Oro la milonga que lleva su nombre? \u00bfO estamos ante una atribuci\u00f3n que merece ser revisada?<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":21,"featured_media":11386,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"pmpro_default_level":"","jnews-multi-image_gallery":[],"jnews_single_post":null,"jnews_primary_category":{"id":"94"},"jnews_override_bookmark_settings":{"override_bookmark_button":"0","override_show_bookmark_button":"0"},"jnews_review":[],"enable_review":"","type":"percentage","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[98,38,94],"tags":[1293,7619,9354,7304],"class_list":["post-11385","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-a-cuerda-pela","category-en-portada","category-firmas","tag-academia-de-expoflamenco","tag-expomusica","tag-milonga-de-pepa-oro","tag-tecnica-flamenca","post_format-post-format-video","pmpro-has-access"],"gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/11385","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/comments?post=11385"}],"version-history":[{"count":1,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/11385\/revisions"}],"predecessor-version":[{"id":11388,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/11385\/revisions\/11388"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media\/11386"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media?parent=11385"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/categories?post=11385"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/tags?post=11385"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}