{"id":11155,"date":"2026-11-01T20:17:04","date_gmt":"2026-11-01T19:17:04","guid":{"rendered":"https:\/\/expoflamenco.com\/revista\/?p=11155"},"modified":"2026-11-01T20:17:04","modified_gmt":"2026-11-01T19:17:04","slug":"alegrias-tridimensionales","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/revista\/alegrias-tridimensionales\/","title":{"rendered":"Alegr\u00edas tridimensionales \/ ExpoM\u00fasica #19 con Faustino N\u00fa\u00f1ez","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"<p>\u00bfPuede un cante flamenco recorrer tres mundos arm\u00f3nicos diferentes? <strong>Enrique Morente<\/strong> demostr\u00f3 que s\u00ed.<\/p>\n<p>En este nuevo cap\u00edtulo de <em>ExpoM\u00fasica<\/em>, <strong>Faustino N\u00fa\u00f1ez<\/strong> nos acerca a las sorprendentes <strong>Alegr\u00edas tridimensionales<\/strong> del genial cantaor granadino, incluidas en su disco <strong><em>Negra, si t\u00fa supieras<\/em><\/strong>, publicado en 1992. A trav\u00e9s de esta composici\u00f3n, Morente despliega su extraordinaria creatividad musical recorriendo, tanto en la melod\u00eda como en la guitarra, los tres modos arm\u00f3nicos fundamentales del flamenco: el frigio o flamenco, el mayor y el menor. Una obra que revela la capacidad de Enrique Morente para explorar nuevas posibilidades musicales y ampliar los horizontes del cante sin renunciar a sus ra\u00edces.<\/p>\n<p>\ud83d\udcfa ExpoM\u00fasica, con Faustino N\u00fa\u00f1ez: un espacio para escuchar, comprender y descubrir los secretos musicales de nuestro arte.<\/p>\n<p>\ud83c\udfa7 Escucha, descubre y d\u00e9jate llevar por el comp\u00e1s de la seguiriya.<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6\ufe0f <a href=\"https:\/\/www.youtube.com\/@Expoflamenco\" target=\"_blank\" rel=\"noopener\">Suscr\u00edbete al canal de <em>ExpoFlamenco<\/em><\/a> y no te pierdas ning\u00fan cap\u00edtulo.<\/p>\n<p>&nbsp;<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"<p>En las sorprendentes &#8216;Alegr\u00edas tridimensionales&#8217; de Enrique Morente, incluidas en su disco &#8216;Negra, si t\u00fa supieras&#8217; (1992), el cantaor despliega su extraordinaria creatividad musical recorriendo los tres modos arm\u00f3nicos fundamentales del flamenco: el frigio o flamenco, el mayor y el menor.<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":21,"featured_media":11158,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"pmpro_default_level":"","jnews-multi-image_gallery":[],"jnews_single_post":null,"jnews_primary_category":{"id":"94"},"jnews_override_bookmark_settings":{"override_bookmark_button":"0","override_show_bookmark_button":"0"},"jnews_review":[],"enable_review":"","type":"percentage","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[98,38,94],"tags":[1293,9196,7619,7304],"class_list":["post-11155","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-a-cuerda-pela","category-en-portada","category-firmas","tag-academia-de-expoflamenco","tag-alegrias-tridimensionales","tag-expomusica","tag-tecnica-flamenca","post_format-post-format-video","pmpro-has-access"],"gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/11155","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/comments?post=11155"}],"version-history":[{"count":2,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/11155\/revisions"}],"predecessor-version":[{"id":11160,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/11155\/revisions\/11160"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media\/11158"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media?parent=11155"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/categories?post=11155"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/tags?post=11155"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}