{"id":11077,"date":"2026-10-25T10:40:19","date_gmt":"2026-10-25T09:40:19","guid":{"rendered":"https:\/\/expoflamenco.com\/revista\/?p=11077"},"modified":"2026-10-25T10:40:19","modified_gmt":"2026-10-25T09:40:19","slug":"los-tres-modos-de-la-guitarra-flamenca-expomusica-17-con-faustino-nunez","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/revista\/los-tres-modos-de-la-guitarra-flamenca-expomusica-17-con-faustino-nunez\/","title":{"rendered":"Los tres modos de la guitarra flamenca \/ ExpoM\u00fasica #17 con Faustino N\u00fa\u00f1ez","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"<p>\u00bfC\u00f3mo influyen la armon\u00eda y los modos musicales en el sonido del flamenco? En este nuevo cap\u00edtulo de <em>ExpoM\u00fasica<\/em>, <strong>Faustino N\u00fa\u00f1ez<\/strong> nos descubre los tres modos arm\u00f3nicos fundamentales que utiliza la guitarra flamenca: el modo mayor, el modo menor y el modo flamenco, tambi\u00e9n conocido como modo frigio o modo de Mi. A trav\u00e9s de sus explicaciones, descubriremos c\u00f3mo estos modos dan forma a la identidad musical de los diferentes estilos flamencos. La sole\u00e1 y la seguiriya se acompa\u00f1an en modo flamenco; las canti\u00f1as y otros estilos recurren al modo mayor, mientras que la farruca se desarrolla en modo menor.<\/p>\n<p>\ud83c\udfb8 Un recorrido por la armon\u00eda flamenca para comprender mejor la riqueza sonora de la guitarra y las caracter\u00edsticas musicales que distinguen a cada estilo.<\/p>\n<p>\ud83c\udfa7 Escucha, aprende y descubre los secretos de la guitarra flamenca con Faustino N\u00fa\u00f1ez.<\/p>\n<p>\ud83d\udcfa ExpoM\u00fasica, un espacio para profundizar en la historia, la teor\u00eda y el conocimiento del arte flamenco.<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6\ufe0f <a href=\"https:\/\/www.youtube.com\/@Expoflamenco\" target=\"_blank\" rel=\"noopener\">Suscr\u00edbete al canal de <em>ExpoFlamenco<\/em><\/a> y no te pierdas ning\u00fan cap\u00edtulo.<\/p>\n<p>&nbsp;<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"<p>\u00bfC\u00f3mo influyen la armon\u00eda y los modos musicales en el sonido del flamenco? Hablamos de los tres modos arm\u00f3nicos fundamentales que utiliza la guitarra flamenca: el modo mayor, el modo menor y el modo flamenco.<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":21,"featured_media":11081,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"pmpro_default_level":"","jnews-multi-image_gallery":[],"jnews_single_post":null,"jnews_primary_category":{"id":"94"},"jnews_override_bookmark_settings":{"override_bookmark_button":"0","override_show_bookmark_button":"0"},"jnews_review":[],"enable_review":"","type":"percentage","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[98,38,94],"tags":[1293,8127,7619,7304],"class_list":["post-11077","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-a-cuerda-pela","category-en-portada","category-firmas","tag-academia-de-expoflamenco","tag-compas-de-la-seguiriya","tag-expomusica","tag-tecnica-flamenca","post_format-post-format-video","pmpro-has-access"],"gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/11077","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/comments?post=11077"}],"version-history":[{"count":2,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/11077\/revisions"}],"predecessor-version":[{"id":11082,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/11077\/revisions\/11082"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media\/11081"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media?parent=11077"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/categories?post=11077"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/tags?post=11077"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}