{"id":10535,"date":"2026-09-28T10:00:13","date_gmt":"2026-09-28T08:00:13","guid":{"rendered":"https:\/\/expoflamenco.com\/revista\/?p=10535"},"modified":"2026-09-28T10:00:13","modified_gmt":"2026-09-28T08:00:13","slug":"de-la-jota-a-las-alegrias-expomusica-15-con-faustino-nunez","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/revista\/de-la-jota-a-las-alegrias-expomusica-15-con-faustino-nunez\/","title":{"rendered":"De la jota a las alegr\u00edas \/ ExpoM\u00fasica #15 con Faustino N\u00fa\u00f1ez","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"<p><span style=\"font-family: -apple-system, BlinkMacSystemFont, &#039;Segoe UI&#039;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &#039;Helvetica Neue&#039;, sans-serif\">\u00bfC\u00f3mo lleg\u00f3 <strong>la jota<\/strong>, uno de los g\u00e9neros m\u00e1s populares de la m\u00fasica tradicional espa\u00f1ola, a convertirse en parte del lenguaje flamenco? <\/span><\/p>\n<p><span style=\"font-family: -apple-system, BlinkMacSystemFont, &#039;Segoe UI&#039;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &#039;Helvetica Neue&#039;, sans-serif\">A partir de los a\u00f1os sesenta del siglo XIX, los flamencos supieron adaptar la jota al lenguaje de la m\u00fasica jonda, dando lugar a uno de los estilos fundamentales del flamenco: <strong>las alegr\u00edas<\/strong>. <\/span><\/p>\n<p><span style=\"font-family: -apple-system, BlinkMacSystemFont, &#039;Segoe UI&#039;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &#039;Helvetica Neue&#039;, sans-serif\">En este nuevo cap\u00edtulo de <em>ExpoM\u00fasica<\/em>, <strong>Faustino N\u00fa\u00f1ez<\/strong> nos descubre el origen y la evoluci\u00f3n de esta transformaci\u00f3n musical y c\u00f3mo las alegr\u00edas llegaron a convertirse en el contrapunto luminoso de los llamados \u00abcantes de soledad\u00bb. <\/span><\/p>\n<p><span style=\"font-family: -apple-system, BlinkMacSystemFont, &#039;Segoe UI&#039;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &#039;Helvetica Neue&#039;, sans-serif\">Un recorrido por la historia del flamenco para comprender c\u00f3mo la tradici\u00f3n, la adaptaci\u00f3n y la creatividad dieron forma a uno de sus g\u00e9neros m\u00e1s populares.<\/span><\/p>\n<p><span style=\"font-family: -apple-system, BlinkMacSystemFont, &#039;Segoe UI&#039;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &#039;Helvetica Neue&#039;, sans-serif\"> \ud83c\udfa7 De la jota a las alegr\u00edas: escucha, descubre y comprende las conexiones que dieron forma al flamenco.<\/span><\/p>\n<p><span style=\"font-family: -apple-system, BlinkMacSystemFont, &#039;Segoe UI&#039;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &#039;Helvetica Neue&#039;, sans-serif\"> \ud83d\udcfa ExpoM\u00fasica, con Faustino N\u00fa\u00f1ez. Una mirada al flamenco desde la escucha, el an\u00e1lisis y el conocimiento.<\/span><\/p>\n<p>\u25b6\ufe0f <a href=\"https:\/\/www.youtube.com\/@Expoflamenco\" target=\"_blank\" rel=\"noopener\">Suscr\u00edbete al canal de <em>ExpoFlamenco<\/em><\/a> y no te pierdas ning\u00fan cap\u00edtulo.<\/p>\n<p>&nbsp;<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"<p>\u00bfC\u00f3mo lleg\u00f3 la jota, uno de los g\u00e9neros m\u00e1s populares de la m\u00fasica tradicional espa\u00f1ola, a convertirse en parte del lenguaje flamenco?<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":21,"featured_media":10536,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"_acf_changed":false,"pmpro_default_level":"","jnews-multi-image_gallery":[],"jnews_single_post":null,"jnews_primary_category":{"id":"94"},"jnews_override_bookmark_settings":{"override_bookmark_button":"0","override_show_bookmark_button":"0"},"jnews_review":[],"enable_review":"","type":"percentage","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[98,38,94],"tags":[1293,7619,8056,7304],"class_list":["post-10535","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-a-cuerda-pela","category-en-portada","category-firmas","tag-academia-de-expoflamenco","tag-expomusica","tag-jota-y-alegrias","tag-tecnica-flamenca","post_format-post-format-video","pmpro-has-access"],"acf":[],"gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/10535","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/comments?post=10535"}],"version-history":[{"count":1,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/10535\/revisions"}],"predecessor-version":[{"id":10538,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/10535\/revisions\/10538"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media\/10536"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media?parent=10535"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/categories?post=10535"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/tags?post=10535"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}