{"id":10288,"date":"2026-09-20T16:06:25","date_gmt":"2026-09-20T14:06:25","guid":{"rendered":"https:\/\/expoflamenco.com\/revista\/?p=10288"},"modified":"2026-09-20T16:06:25","modified_gmt":"2026-09-20T14:06:25","slug":"chloe-brule-lleva-montelirio-a-la-bienal-de-flamenco","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/revista\/chloe-brule-lleva-montelirio-a-la-bienal-de-flamenco\/","title":{"rendered":"Chlo\u00e9 Br\u00fbl\u00e9 lleva \u2018Montelirio\u2019 a la Bienal de Flamenco","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"<p class=\"PDq2pG_selectionAnchorContainer\" dir=\"auto\" data-start=\"243\" data-end=\"615\">La bailaora y core\u00f3grafa <strong>Chlo\u00e9 Br\u00fbl\u00e9-Dauphin<\/strong> presenta este domingo 20 de septiembre en la <a href=\"https:\/\/www.labienal.com\/\" target=\"_blank\" rel=\"noopener\">Bienal de Flamenco de Sevilla<\/a> <strong><em data-start=\"363\" data-end=\"375\">Montelirio<\/em><\/strong>, un proyecto de creaci\u00f3n coreogr\u00e1fica que propone un di\u00e1logo entre el flamenco, la improvisaci\u00f3n y el espacio que acoge cada intervenci\u00f3n. La cita tiene lugar a las 12 horas en el Espacio Santa Clara.<\/p>\n<p dir=\"auto\" data-start=\"617\" data-end=\"1099\">Dirigido por Br\u00fbl\u00e9-Dauphin en colaboraci\u00f3n con el colectivo <strong>LaCosAde,<\/strong> <em data-start=\"687\" data-end=\"699\">Montelirio<\/em> nace como una propuesta <em data-start=\"724\" data-end=\"739\">site-specific<\/em>. La arquitectura, la historia y las personas que habitan cada lugar se convierten as\u00ed en elementos de la propia composici\u00f3n. <strong>Su lenguaje transita entre lo ritual y lo contempor\u00e1neo, lo flamenco y lo performativo. La improvisaci\u00f3n estructurada y la escucha colectiva permiten que cada intervenci\u00f3n tenga un car\u00e1cter \u00fanico.<\/strong><\/p>\n<p dir=\"auto\" data-start=\"1101\" data-end=\"1622\">El nombre del proyecto remite al tholos de Montelirio, en Castilleja de Guzm\u00e1n (Sevilla), uno de los grandes yacimientos arqueol\u00f3gicos de la Pen\u00ednsula Ib\u00e9rica. All\u00ed fueron encontrados los restos de un grupo de mujeres reunidas en un contexto ritual. Sin buscar una reconstrucci\u00f3n hist\u00f3rica, la propuesta toma aquella imagen de cuerpos reunidos alrededor de una experiencia com\u00fan como punto de partida para reflexionar sobre la comunidad desde el flamenco y la creaci\u00f3n contempor\u00e1nea.<\/p>\n<p dir=\"auto\" data-start=\"1624\" data-end=\"2118\" data-is-last-node=\"\" data-is-only-node=\"\">Para su presentaci\u00f3n en Santa Clara, <em data-start=\"1661\" data-end=\"1673\">Montelirio<\/em> re\u00fane a <strong>Laura Guastini, Costanza Verzieri, Ad\u00e8le Brugidou, Carmela Mu\u00f1oz, Rosa de Algeciras<\/strong> y la propia Chlo\u00e9 Br\u00fbl\u00e9-Dauphin. El proyecto cuenta adem\u00e1s con las colaboraciones de <strong>Antonio Godoy<\/strong> en el apartado art\u00edstico, <strong>Jorge Ferral<\/strong>\u00a0en arquitectura y <strong>Evaristo Romero<\/strong> en dramaturgia, junto a <strong>Francisco Reina<\/strong> en fotograf\u00eda y <strong>Auxi Guti\u00e9rrez<\/strong> en dise\u00f1o gr\u00e1fico. La producci\u00f3n corresponde a \u00c1ngeles Roquero.<\/p>\n<p dir=\"auto\" data-start=\"1624\" data-end=\"2118\" data-is-last-node=\"\" data-is-only-node=\"\">\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"<p>La bailaora y core\u00f3grafa presenta este domingo 20 en el Espacio Santa Clara un proyecto de creaci\u00f3n colectiva que conecta el flamenco, la improvisaci\u00f3n y la memoria de los espacios.<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":5,"featured_media":10289,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"pmpro_default_level":"","jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard","featured_image_fetch_priority_high":"1","override":[{"template":"3","parallax":"1","fullscreen":"1","layout":"right-sidebar-narrow","sidebar":"default-sidebar","main_content_tag":"div","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"top","share_float_style":"share-monocrhome","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_reading_time":"1","post_reading_time_wpm":"300","post_calculate_word_method":"str_word_count","show_zoom_button":"1","zoom_button_out_step":"2","zoom_button_in_step":"3","show_popup_post":"1","show_comment_section":"1","number_popup_post":"1","show_author_box":"1","show_post_related":"1","show_inline_post_related":"1"}],"image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}],"trending_post_position":"meta","trending_post_label":"Trending","sponsored_post_label":"Sponsored by","disable_ad":"0","subtitle":"La bailaora y core\u00f3grafa presenta este domingo 20 en el Espacio Santa Clara un proyecto de creaci\u00f3n colectiva que conecta el flamenco, la improvisaci\u00f3n y la memoria de los espacios."},"jnews_primary_category":{"id":"37"},"jnews_override_bookmark_settings":{"override_bookmark_button":"0","override_show_bookmark_button":"0"},"jnews_review":[],"enable_review":"","type":"percentage","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[37,7905,7822,38],"tags":[2489,8022,65],"class_list":["post-10288","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualidad","category-actualidad-bienal-2026","category-bienal-2026","category-en-portada","tag-chloe-brule","tag-montelirio","tag-xxiv-bienal-de-flamenco-de-sevilla","pmpro-has-access"],"acf":[],"gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/10288","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/comments?post=10288"}],"version-history":[{"count":1,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/10288\/revisions"}],"predecessor-version":[{"id":10290,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/posts\/10288\/revisions\/10290"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media\/10289"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/media?parent=10288"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/categories?post=10288"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/revista\/wp-json\/wp\/v2\/tags?post=10288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}