{"id":58597,"date":"2026-03-30T11:25:54","date_gmt":"2026-03-30T09:25:54","guid":{"rendered":"https:\/\/expoflamenco.com\/podcast\/?p=58597"},"modified":"2026-04-01T11:37:33","modified_gmt":"2026-04-01T09:37:33","slug":"de-santiago-a-sevilla-la-saeta-de-el-gloria","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/podcast\/de-santiago-a-sevilla-la-saeta-de-el-gloria\/","title":{"rendered":"De Santiago a Sevilla, la saeta de El Gloria","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"\n<p>La <strong>Pe\u00f1a La Buena Gente de Jerez <\/strong>decidi\u00f3 dedicar su Concurso Nacional de Saetas a la pret\u00e9rita figura de El Ni\u00f1o Gloria. Para sumarme a este reconocimiento he decidido agrupar y compartir las cuatro grabaciones saeteras del cantaor santiaguero, registradas entre 1929 y 1930.<\/p>\n\n\n\n<p>No cabe duda que <strong>Rafael Ramos Ant\u00fanez<\/strong> (Jerez de la Frontera, 27 de abril de 1893 \u2013 Sevilla, 11 de febrero de 1954) fue uno de los firmes puntales flamencos del rezo cantado. Nacido en el barrio de Santiago pero recriado art\u00edsticamente en la capital hispalense, nos leg\u00f3 unas saetas portentosas y llenas de una gran expresividad. El <strong>jip\u00edo santiaguero esculpido con la gubia del barroco sevillano<\/strong>, dir\u00edase.<\/p>\n\n\n\n<p>Comienzo con el <strong>martinete y ton\u00e1 chica <\/strong>a modo de bienvenida sonora y, tras unos someros datos briogr\u00e1ficos, propongo la escucha de <strong>dos saetas de corte jerezano<\/strong>: &#8216;Hab\u00eda sonao un clar\u00edn ronco&#8217; y &#8216;Todas las mares tienen pena y amargura&#8217; y <strong>otras dos con tintes sevillanos:<\/strong> &#8216;Miradle al Se\u00f1or la cara&#8217; y &#8216;Eres guapa y sevillana&#8217;.<\/p>\n\n\n\n<p>Serie Caminos con Jos\u00e9 Mar\u00eda Casta\u00f1o #166 Dedicado al Concurso Nacional de Saetas de la Pe\u00f1a Buena Gente.<\/p>\n\n\n\n<p>Si te gustan estos contenidos,&nbsp;<a href=\"https:\/\/expoflamenco.com\/membresias\/pago-de-membresias\/?pmpro_level=1\" target=\"_blank\" rel=\"noreferrer noopener\">Haz clic aqu\u00ed para registrarte como FAN<\/a>&nbsp;de forma gratuita y descubre el universo flamenco desde dentro. Te invitamos a qu\u00e9 formes parte de nuestra familia de expoflamencos repartidos por el mundo.<\/p>\n\n\n\n<p><\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"<p>La Pe\u00f1a La Buena Gente de Jerez decidi\u00f3 dedicar su Concurso Nacional de Saetas a la pret\u00e9rita figura de El Ni\u00f1o Gloria. Para sumarme a este reconocimiento he decidido agrupar y compartir las cuatro grabaciones saeteras del cantaor santiaguero, registradas entre 1929 y 1930. No cabe duda que Rafael Ramos Ant\u00fanez (Jerez de la Frontera, [&hellip;]<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":62,"featured_media":58598,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"pmpro_default_level":"","jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard","jnews_video_option_group":[[]],"override":[{"template":"7","parallax":"1","layout":"no-sidebar","sidebar":"single-post","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"bottom","share_float_style":"share-normal","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_reading_time":"0","post_reading_time_wpm":"300","post_calculate_word_method":"str_word_count","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","show_comment_section":"1","number_popup_post":"1","show_author_box":"0","show_inline_post_related":"0"}],"image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}],"trending_post_position":"meta","trending_post_label":"Trending","sponsored_post_label":"Sponsored by","disable_ad":"0"},"jnews_primary_category":[],"jnews_override_bookmark_settings":{"override_bookmark_button":"0","override_show_bookmark_button":"0"},"jnews_social_meta":[],"jnews_review":[],"enable_review":"","type":"","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"jnews_post_split":{"post_split":[{"template":"1","tag":"h2","numbering":"asc","mode":"normal","first":"0","enable_toc":"0","toc_type":"normal"}]},"jnews_podcast_option":{"upload":"https:\/\/episodes.castos.com\/6720e16b375b24-61331758\/2409070\/c1e-pqnqkcw11ovav8jd3-mkgn737ou4q-r9y1xy.mp3","podcast_duration":"19:42","enable_podcast":"1"},"jnews_podcast_series":{"id":"95"},"footnotes":""},"categories":[141],"tags":[1545,1428,1548,1544,1546],"jnews-series":[95],"class_list":["post-58597","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jose-maria-castano","tag-concurso-nacional-de-saetas","tag-el-nino-gloria","tag-luisa-la-pompi","tag-pena-buena-gente","tag-rafael-ramos-antunez","jnews-series-los-caminos","pmpro-has-access"],"acf":[],"aioseo_notices":[],"gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts\/58597","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/users\/62"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/comments?post=58597"}],"version-history":[{"count":1,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts\/58597\/revisions"}],"predecessor-version":[{"id":58603,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts\/58597\/revisions\/58603"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/media\/58598"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/media?parent=58597"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/categories?post=58597"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/tags?post=58597"},{"taxonomy":"jnews-series","embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/jnews-series?post=58597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}