{"id":58378,"date":"2025-11-17T13:32:50","date_gmt":"2025-11-17T12:32:50","guid":{"rendered":"https:\/\/expoflamenco.com\/podcast\/?p=58378"},"modified":"2025-11-18T11:22:55","modified_gmt":"2025-11-18T10:22:55","slug":"joaquin-el-de-la-paula-y-su-solea-150-anos-iii","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/podcast\/joaquin-el-de-la-paula-y-su-solea-150-anos-iii\/","title":{"rendered":"Joaqu\u00edn el de la Paula y su sole\u00e1, 150 a\u00f1os (III)","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"\n

<\/h4>\n\n\n\n

Continuo con el muestreo de grabaciones que tienen como referencia la huella que se cree dejada por el cantaor Joaqu\u00edn el de la Paula.<\/strong> Empleo estos t\u00e9rminos porque el alcalare\u00f1o no dej\u00f3 nada grabado y tenemos que dar fe a la tradici\u00f3n oral, siempre guardando la cuarentena antes de asegurar ning\u00fan extremo. (Forto de El Perrate de portada de la web del sello Senador)<\/p>\n\n\n\n

Tras la pizarra y la primera \u00e9poca del vinilo nos acercamos en esta tercera entrega a una serie de maestros<\/strong> que se me antojan todos ellos muy influyentes <\/strong>en los sucesivos int\u00e9rpretes que les siguieron hasta situarnos en nuestra \u00e9poca. Todas las muestras, seleccionadas de este rep\u00f3ker de figuras, curiosamente fueron registradas en 1971 por Fosforito <\/strong>(fallecido como sabemos hace unos d\u00edas), Chocolate, Camar\u00f3n de la Isla <\/strong>y Enrique Morente.<\/strong> Excepto, la que comparto de Lebrijano <\/strong>que est\u00e1 datada en 1969 y la de Perrate de Utrera<\/strong> (1962) 1968, que empleo adem\u00e1s como bienvenida sonora.<\/p>\n\n\n\n

Unos ejemplos que nos vienen adem\u00e1s muy bien para comprobar como los cantaores conjugan las variantes de sole\u00e1<\/strong> que suelen ser ciertamente afines por naturaleza, en especial vemos la armon\u00eda de los estilos de Joaqu\u00edn el de la Paula con el estilo de la Andonda. Por intuici\u00f3n creo que estas sole\u00e1s tuvieran algo que ver con los Negros de Ronda, aunque es s\u00f3lo una conjetura. Continuar\u00e1\u2026<\/p>\n\n\n\n

Serie Caminos con Jos\u00e9 Mar\u00eda Casta\u00f1o #156<\/p>\n\n\n\n

Por otro lado, si te gustan estos contenidos,\u00a0Haz clic aqu\u00ed para registrarte como FAN<\/a>\u00a0de forma gratuita y descubre el universo flamenco desde dentro. Te invitamos a qu\u00e9 formes parte de nuestra familia de expoflamencos repartidos por el mundo.<\/p>\n\n\n\n

<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"

Continuo con el muestreo de grabaciones que tienen como referencia la huella que se cree dejada por el cantaor Joaqu\u00edn el de la Paula. Empleo estos t\u00e9rminos porque el alcalare\u00f1o no dej\u00f3 nada grabado y tenemos que dar fe a la tradici\u00f3n oral, siempre guardando la cuarentena antes de asegurar ning\u00fan extremo. (Forto de El […]<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":62,"featured_media":58379,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"pmpro_default_level":"","jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard","jnews_video_option_group":[[]],"override":[{"template":"7","parallax":"1","layout":"no-sidebar","sidebar":"single-post","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"bottom","share_float_style":"share-normal","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_reading_time":"0","post_reading_time_wpm":"300","post_calculate_word_method":"str_word_count","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","show_comment_section":"1","number_popup_post":"1","show_author_box":"0","show_inline_post_related":"0"}],"image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}],"trending_post_position":"meta","trending_post_label":"Trending","sponsored_post_label":"Sponsored by","disable_ad":"0"},"jnews_primary_category":[],"jnews_override_bookmark_settings":{"override_bookmark_button":"0","override_show_bookmark_button":"0"},"jnews_social_meta":[],"jnews_review":[],"enable_review":"","type":"","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"jnews_post_split":{"post_split":[{"template":"1","tag":"h2","numbering":"asc","mode":"normal","first":"0","enable_toc":"0","toc_type":"normal"}]},"jnews_podcast_option":{"upload":"https:\/\/episodes.castos.com\/6720e16b375b24-61331758\/2221922\/c1e-drjrmimxz47c0wqqw-5zd4dom4sz81-fwwcmd.mp3","podcast_duration":"24:59","enable_podcast":"1"},"jnews_podcast_series":{"id":"95"},"footnotes":""},"categories":[141],"tags":[1091,1477,65,1087,1318,1406,1181],"jnews-series":[95],"class_list":["post-58378","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jose-maria-castano","tag-antonio-mairena-2","tag-flamenco-alcala-de-guadaira-2","tag-joaquin-el-de-la-paula","tag-juan-talega","tag-manuel-torre","tag-manuel-vallejo","tag-tomas-pavon","jnews-series-los-caminos","pmpro-has-access"],"acf":[],"aioseo_notices":[],"gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts\/58378","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/users\/62"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/comments?post=58378"}],"version-history":[{"count":1,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts\/58378\/revisions"}],"predecessor-version":[{"id":58382,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts\/58378\/revisions\/58382"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/media\/58379"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/media?parent=58378"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/categories?post=58378"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/tags?post=58378"},{"taxonomy":"jnews-series","embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/jnews-series?post=58378"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}