{"id":58341,"date":"2025-10-28T10:28:57","date_gmt":"2025-10-28T09:28:57","guid":{"rendered":"https:\/\/expoflamenco.com\/podcast\/?p=58341"},"modified":"2025-10-28T16:17:51","modified_gmt":"2025-10-28T15:17:51","slug":"joaquin-el-de-la-paula-y-su-solea-150-anos-ii","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/podcast\/joaquin-el-de-la-paula-y-su-solea-150-anos-ii\/","title":{"rendered":"Joaqu\u00edn el de la Paula y su sole\u00e1, 150 a\u00f1os (II)","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"\n<p>En esta segunda entrega del estudio de la sole\u00e1, y sus distintas variantes, de Joaqu\u00edn el de la Paula en su 150 aniversario me centro en algunas aportaciones registradas en el vinilo. Si record\u00e1is, en el anterior episodio, acot\u00e9 el contenido en la \u00e9poca de los disco de pizarra. Foto por Juan Talega por Colita Archivo.<\/p>\n\n\n\n<p>Conviene establecer unas consideraciones previas:<\/p>\n\n\n\n<p>En esta etapa result\u00f3 primordial la grabaci\u00f3n de distintas variantes de sole\u00e1 atribuidas a Joaqu\u00edn el de la Paula por <strong>descendientes directos<\/strong>: Juan Talega y Manolito de Mar\u00eda, sobrinos, y su hijo Enrique.<\/p>\n\n\n\n<p>Tal vez, por contar con mayor duraci\u00f3n para cada corte de grabaci\u00f3n,<strong> comienza a aparecer el estilo valiente o de cierre<\/strong> (el llamado 3 por Los Soler) que no se encuentra en la pizarra. Tal vez fuera por ser de m\u00e1s tarde aparici\u00f3n.<\/p>\n\n\n\n<p>Nos hubiera gustado a\u00f1adir m\u00e1s nombres a la muestra pero por razones de espacio no ha sido posible de momento. Int\u00e9rpretes de la talla de <strong>El Perrate de Utrera, Joselero de Mor\u00f3n o Fernanda de Utrera<\/strong>, entre otros muchos, nos legaron grandes muestras.<\/p>\n\n\n\n<p>Destacar<strong> la gran contribuci\u00f3n de Antonio Mairena<\/strong> en difundir el legado de Joaqu\u00edn el de la Paula, incluso incorporando algo de su cosecha al configurar otra variante con matices personales. Un estilo de cambio, el llamado 4, que se conoce por letras como &#8216;Est\u00e1n sentaos en la Plazuela&#8217;.<\/p>\n\n\n\n<p>Dicho lo cual, hago <strong>acopio del itinerario seguido:<\/strong> Bernardo el de los Lobitos, Juan Talega (*), Manolito de Mar\u00eda, Enrique el de la Paula, Manolo Caracol y Antonio Mairena, en distintas fechas de grabaci\u00f3n.<\/p>\n\n\n\n<p><em>(*) En su toma de 1959 (1960) con Paco Aguilera, el tercer cante &#8216;Se meneaban cuando yo paso&#8217;, se adeuda a Agust\u00edn Talega, su padre y, por consiguiente, hermano de nuestro protagonista Joaqu\u00edn el de la Paula.<\/em><\/p>\n\n\n\n<p>Continuar\u00e1&#8230;<\/p>\n\n\n\n<p>Serie Caminos con Jos\u00e9 Mar\u00eda Casta\u00f1o #153<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"<p>En esta segunda entrega del estudio de la sole\u00e1, y sus distintas variantes, de Joaqu\u00edn el de la Paula en su 150 aniversario me centro en algunas aportaciones registradas en el vinilo. Si record\u00e1is, en el anterior episodio, acot\u00e9 el contenido en la \u00e9poca de los disco de pizarra. Foto por Juan Talega por Colita [&hellip;]<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":62,"featured_media":58342,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"pmpro_default_level":"","jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard","jnews_video_option_group":[[]],"override":[{"template":"7","parallax":"1","layout":"no-sidebar","sidebar":"single-post","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"bottom","share_float_style":"share-normal","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_reading_time":"0","post_reading_time_wpm":"300","post_calculate_word_method":"str_word_count","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","show_comment_section":"1","number_popup_post":"1","show_author_box":"0","show_inline_post_related":"0"}],"image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}],"trending_post_position":"meta","trending_post_label":"Trending","sponsored_post_label":"Sponsored by","disable_ad":"0"},"jnews_primary_category":[],"jnews_override_bookmark_settings":{"override_bookmark_button":"0","override_show_bookmark_button":"0"},"jnews_social_meta":[],"jnews_review":[],"enable_review":"","type":"","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"jnews_post_split":{"post_split":[{"template":"1","tag":"h2","numbering":"asc","mode":"normal","first":"0","enable_toc":"0","toc_type":"normal"}]},"jnews_podcast_option":{"enable_podcast":"1","upload":"https:\/\/episodes.castos.com\/6720e16b375b24-61331758\/2173974\/c1e-drjrmimnmmmbpdd8g-1p7793g7uvnk-mc1fai.mp3","podcast_duration":"26:33"},"jnews_podcast_series":{"id":"95"},"footnotes":""},"categories":[141],"tags":[1091,1467,1469,65,1087,1468,163],"jnews-series":[95],"class_list":["post-58341","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jose-maria-castano","tag-antonio-mairena-2","tag-bernardo-de-los-lobitos","tag-enrique-el-de-la-paula","tag-joaquin-el-de-la-paula","tag-juan-talega","tag-manolito-de-maria","tag-manolo-caracol","jnews-series-los-caminos","pmpro-has-access"],"acf":[],"aioseo_notices":[],"gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts\/58341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/users\/62"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/comments?post=58341"}],"version-history":[{"count":1,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts\/58341\/revisions"}],"predecessor-version":[{"id":58346,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts\/58341\/revisions\/58346"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/media\/58342"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/media?parent=58341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/categories?post=58341"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/tags?post=58341"},{"taxonomy":"jnews-series","embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/jnews-series?post=58341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}