{"id":58335,"date":"2025-10-21T12:28:02","date_gmt":"2025-10-21T10:28:02","guid":{"rendered":"https:\/\/expoflamenco.com\/podcast\/?p=58335"},"modified":"2025-10-22T11:50:31","modified_gmt":"2025-10-22T09:50:31","slug":"joaquin-el-de-la-paula-y-su-solea-150-anos-i","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/podcast\/joaquin-el-de-la-paula-y-su-solea-150-anos-i\/","title":{"rendered":"Joaqu\u00edn el de la Paula y su sole\u00e1, 150 a\u00f1os (I)","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"\n<p>Joaqu\u00edn Fern\u00e1ndez Franco naci\u00f3 en Alcal\u00e1 de Guadaira en 1875. Por tanto, se han cumplido 150 a\u00f1os de su alumbramiento. Conocido como Joaqu\u00edn el de la Paula se le atribuyen varios estilos de sole\u00e1, alguno de ellos entre los m\u00e1s grabados de la historia. (En portada, conocido retrato del cantaor actualizado con la IA)<\/p>\n\n\n\n<p>Por desgracia, y pese a fallecer en la misma localidad en 1933, no tenemos ninguna grabaci\u00f3n de sus cantes, pero no es \u00f3bice para intentar seguir su huella con los materiales que tenemos. En tres episodios planteo, siguiendo la tradici\u00f3n oral, este acercamiento: la pizarra, el vinilo y lo digital.<\/p>\n\n\n\n<p>Comenzando por las 78 rpm en aquellas placas de finales de los a\u00f1os 20 y principios del 30 del siglo pasado comparto una galer\u00eda de grabaciones significativas. Destaca eso s\u00ed, una aparici\u00f3n un poco tard\u00eda en la pizarra con respecto a otros estilos de sole\u00e1, como La Serneta o Triana, a los que ir\u00e1 desplazando poco a poco. Tambi\u00e9n llama a la atenci\u00f3n que en la \u00e9poca referencida no parece el estilo de cierre de la sole\u00e1 de Joaqu\u00edn el de la Paula para concretarse en la exposici\u00f3n: cante de preparaci\u00f3n + cantes de cambio. Los llamados estilos 1 y 2 de Joaqu\u00edn el de la Paula de Alcal\u00e1, como certificaron Luis y Ram\u00f3n Soler en su libro &#8216;Antonio Mairena en el mundo de la siguiriya y la sole\u00e1&#8217;.<\/p>\n\n\n\n<p>El muestreo comprende grabaciones, entre 1925 y 1931, registradas por int\u00e9rpretes de la talla de Pepe Marchena, La Ni\u00f1a de los Peines, Tom\u00e1s Pab\u00f3n, Manuel Torre, Isabelita de Jerez, Manuel Vallejo y Jos\u00e9 Cepero.<\/p>\n\n\n\n<p>Continuar\u00e1&#8230;<\/p>\n\n\n\n<p>Serie Caminos con Jos\u00e9 Mar\u00eda Casta\u00f1o #153<\/p>\n\n\n\n<p><\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"<p>Joaqu\u00edn Fern\u00e1ndez Franco naci\u00f3 en Alcal\u00e1 de Guadaira en 1875. Por tanto, se han cumplido 150 a\u00f1os de su alumbramiento. Conocido como Joaqu\u00edn el de la Paula se le atribuyen varios estilos de sole\u00e1, alguno de ellos entre los m\u00e1s grabados de la historia. (En portada, conocido retrato del cantaor actualizado con la IA) Por [&hellip;]<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":62,"featured_media":58336,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"pmpro_default_level":"","jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard","jnews_video_option_group":[[]],"override":[{"template":"7","parallax":"1","layout":"no-sidebar","sidebar":"single-post","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"bottom","share_float_style":"share-normal","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_reading_time":"0","post_reading_time_wpm":"300","post_calculate_word_method":"str_word_count","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","show_comment_section":"1","number_popup_post":"1","show_author_box":"0","show_inline_post_related":"0"}],"image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}],"trending_post_position":"meta","trending_post_label":"Trending","sponsored_post_label":"Sponsored by","disable_ad":"0"},"jnews_primary_category":[],"jnews_override_bookmark_settings":{"override_bookmark_button":"0","override_show_bookmark_button":"0"},"jnews_social_meta":[],"jnews_review":[],"enable_review":"","type":"","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"jnews_post_split":{"post_split":[{"template":"1","tag":"h2","numbering":"asc","mode":"normal","first":"0","enable_toc":"0","toc_type":"normal"}]},"jnews_podcast_option":{"enable_podcast":"1","upload":"https:\/\/episodes.castos.com\/6720e16b375b24-61331758\/2169232\/c1e-wq4qwc3q5jgij3rd9-gp9zzj9gsvo1-k1wnw9.mp3","podcast_duration":"22:31"},"jnews_podcast_series":{"id":"95"},"footnotes":""},"categories":[141],"tags":[1461,65,1460,1318,1181],"jnews-series":[95],"class_list":["post-58335","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jose-maria-castano","tag-flamenco-alcala-de-guadaira","tag-joaquin-el-de-la-paula","tag-manolito-el-de-maria","tag-manuel-torre","tag-tomas-pavon","jnews-series-los-caminos","pmpro-has-access"],"acf":[],"aioseo_notices":[],"gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts\/58335","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/users\/62"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/comments?post=58335"}],"version-history":[{"count":1,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts\/58335\/revisions"}],"predecessor-version":[{"id":58340,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts\/58335\/revisions\/58340"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/media\/58336"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/media?parent=58335"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/categories?post=58335"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/tags?post=58335"},{"taxonomy":"jnews-series","embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/jnews-series?post=58335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}