Dentro de las efem\u00e9rides de este a\u00f1o 2025 destaca el centenario del nacimiento de Manuel Cano Tamayo (Granada, 1925 \u2013 1990). Un int\u00e9rprete que se orient\u00f3 a la guitarra flamenca de concierto dejando unos 20 discos de larga duraci\u00f3n, todos con una calidad exquisita y con una cierta inclinaci\u00f3n a trasegar entre el repertorio culto andaluz y lo popular; siempre presente su admiraci\u00f3n por la escuela montoyista.<\/p>\n\n\n\n
Para unirnos a tan se\u00f1alada conmemoraci\u00f3n he seleccionado algunos pasajes de su extensa obra. Primero, del aclamado trabajo Evocaci\u00f3n a la guitarra de Ram\u00f3n Montoya (Hispavox, 1964) del que extraigo granadina y ronde\u00f1a. Luego, del disco grabado un a\u00f1o antes Temas Flamencos para concierto (Hispavox, 1963) los cortes Romance a la sole\u00e1 y Duendes de Don Antonio Chac\u00f3n en forma de taranta. Y para finalizar con un homenaje a su tierra natal con la zambra Cuevas del Sacromonte del LP El Flamenco Fabuloso de Manuel Cano \u2013 Andaluc\u00eda en la guitarra (Hispavox, 1966).<\/p>\n\n\n\n
Serie Caminos con Jos\u00e9 Mar\u00eda Casta\u00f1o #146<\/p>\n\n\n\n
expoflamenco<\/p>\n\n\n\n
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Dentro de las efem\u00e9rides de este a\u00f1o 2025 destaca el centenario del nacimiento de Manuel Cano Tamayo (Granada, 1925 \u2013 1990). Un int\u00e9rprete que se orient\u00f3 a la guitarra flamenca de concierto dejando unos 20 discos de larga duraci\u00f3n, todos con una calidad exquisita y con una cierta inclinaci\u00f3n a trasegar entre el repertorio culto […]<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":62,"featured_media":57974,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"pmpro_default_level":"","jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard","override":[{"template":"7","parallax":"1","layout":"no-sidebar","sidebar":"single-post","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"bottom","share_float_style":"share-normal","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_reading_time":"0","post_reading_time_wpm":"300","post_calculate_word_method":"str_word_count","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","number_popup_post":"1","show_author_box":"0","show_inline_post_related":"0"}],"image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}],"trending_post_position":"meta","trending_post_label":"Trending","sponsored_post_label":"Sponsored by","disable_ad":"0"},"jnews_primary_category":{"id":"141"},"jnews_override_bookmark_settings":[],"jnews_social_meta":[],"jnews_review":[],"enable_review":"","type":"","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"jnews_post_split":[],"jnews_podcast_option":{"upload":"https:\/\/episodes.castos.com\/6720e16b375b24-61331758\/2072211\/c1e-jzxzps5qdv1h0xmgx-0vkg6583unm-egdqdl.mp3","podcast_duration":"24:05","enable_podcast":"1"},"jnews_podcast_series":{"id":"95"},"footnotes":""},"categories":[141],"tags":[1393,1392,604,1241,1391],"jnews-series":[95],"class_list":["post-57973","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jose-maria-castano","tag-catedra-de-flamencologia-de-jerez","tag-guitarra-flamenca","tag-historia-del-flamenco","tag-los-caminos-del-cante","tag-manuel-cano","jnews-series-los-caminos","pmpro-has-access"],"acf":[],"aioseo_notices":[],"gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts\/57973","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/users\/62"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/comments?post=57973"}],"version-history":[{"count":1,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts\/57973\/revisions"}],"predecessor-version":[{"id":57978,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts\/57973\/revisions\/57978"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/media\/57974"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/media?parent=57973"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/categories?post=57973"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/tags?post=57973"},{"taxonomy":"jnews-series","embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/jnews-series?post=57973"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}