{"id":56712,"date":"2024-11-29T10:00:00","date_gmt":"2024-11-29T09:00:00","guid":{"rendered":"https:\/\/expoflamenco.com\/podcast\/?p=56712"},"modified":"2024-12-13T11:10:41","modified_gmt":"2024-12-13T10:10:41","slug":"amalgamaalterno-12-tiempos-hemiolia","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/podcast\/amalgamaalterno-12-tiempos-hemiolia\/","title":{"rendered":"\u00bfAmalgama, alterno, 12 tiempos, hemiolia?","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"<p><span data-contrast=\"auto\">Estoy seguro de que no pocas veces habr\u00e1s escuchado o le\u00eddo, de estudiosos y aficionados, aquello de comp\u00e1s de amalgama, alterno, de 12 tiempos o de hemiolia para describir la naturaleza r\u00edtmica de determinados cantes flamencos. Una variedad terminol\u00f3gica que crea confusi\u00f3n en el momento que se utiliza como sin\u00f3nima, para referirse a un mismo comp\u00e1s y combinaci\u00f3n m\u00e9trica.\u00a0\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Con el Aula Flamenca\u00a0 de hoy, voy a intentar aclararte \u2013quede claro, no estoy en posesi\u00f3n de la verdad- esta confusi\u00f3n d\u00e1ndote mi opini\u00f3n. Para ello, como hago siempre, huir\u00e9 de los t\u00e9rminos t\u00e9cnicos habituales de la teor\u00eda musical centr\u00e1ndome en una manera amena y did\u00e1ctica de explic\u00e1rtelo, sin entrar en detalles y particularidades t\u00e9cnicas.\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"none\">M\u00fasica:\u00a0<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:200,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">-Guitarra: Rafael Ortega Cruz.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:200,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">-Grabada en <\/span><i><span data-contrast=\"none\">Puente Genil Estudio Digital<\/span><\/i><span data-contrast=\"none\"> de Lorenzo Rivas.\u00a0<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:200,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n\n\n<p><\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"<p>Estoy seguro de que no pocas veces habr\u00e1s escuchado o le\u00eddo, de estudiosos y aficionados, aquello de comp\u00e1s de amalgama, alterno, de 12 tiempos o de hemiolia para describir la naturaleza r\u00edtmica de determinados cantes flamencos. Una variedad terminol\u00f3gica que crea confusi\u00f3n en el momento que se utiliza como sin\u00f3nima, para referirse a un mismo [&hellip;]<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":14,"featured_media":56741,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"pmpro_default_level":"","jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard","override":[{"template":"1","parallax":"1","fullscreen":"1","layout":"right-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"float","share_float_style":"share-normal","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_reading_time":"0","post_reading_time_wpm":"300","post_calculate_word_method":"str_word_count","show_zoom_button":"1","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","show_prev_next_post":"1","show_popup_post":"1","number_popup_post":"1","show_author_box":"0","show_post_related":"0","show_inline_post_related":"0"}],"image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}],"trending_post_position":"meta","trending_post_label":"Tendencias","sponsored_post_label":"Patrocinado por","disable_ad":"0"},"jnews_primary_category":{"id":"1"},"jnews_override_bookmark_settings":{"override_bookmark_button":"0","override_show_bookmark_button":"0"},"jnews_social_meta":[],"jnews_review":[],"enable_review":"","type":"percentage","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"jnews_post_split":[],"jnews_podcast_option":{"enable_podcast":"1","podcast_duration":"18:21","upload":"https:\/\/episodes.castos.com\/6720e16b375b24-61331758\/1909961\/c1e-0w0wvajxo45s2kpzv-v6zqgvwvan8k-xrtplb.mp3"},"jnews_podcast_series":{"id":"1008"},"footnotes":""},"categories":[134],"tags":[47,1040,233,1155],"jnews-series":[1008],"class_list":["post-56712","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-alvaro-de-la-fuente","tag-aula-flamenca","tag-flamencologia-tradicional","tag-puente-genil","tag-rafael-ortega-cruz","jnews-series-aula-flamenca","pmpro-has-access"],"acf":[],"aioseo_notices":[],"gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts\/56712","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/comments?post=56712"}],"version-history":[{"count":0,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts\/56712\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/media\/56741"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/media?parent=56712"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/categories?post=56712"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/tags?post=56712"},{"taxonomy":"jnews-series","embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/jnews-series?post=56712"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}