{"id":54651,"date":"2023-09-28T07:15:14","date_gmt":"2023-09-28T05:15:14","guid":{"rendered":"https:\/\/expoflamenco.online\/podcast\/genesis-musical-del-cante-flamenco-de-guillermo-castro\/"},"modified":"2024-09-05T08:18:10","modified_gmt":"2024-09-05T06:18:10","slug":"genesis-musical-del-cante-flamenco-de-guillermo-castro","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/podcast\/genesis-musical-del-cante-flamenco-de-guillermo-castro\/","title":{"rendered":"G\u00e9nesis musical del cante flamenco, de Guillermo Castro","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"<h3><em>expoflamenco P\u00f3dcast&nbsp; \u2192&nbsp; Aula Flamenca #45&nbsp; <\/em><em>\u2192&nbsp; G\u00e9nesis musical del cante flamenco, de Guillermo Castro<br \/>\n<\/em><\/h3>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><iframe style=\"width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_116805913_6_1.html?c1=e3241c\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Uno de los trabajos bibliogr\u00e1ficos m\u00e1s interesantes en el \u00e1mbito del an\u00e1lisis musicol\u00f3gico del flamenco lo encontramos en la tesis doctoral <strong><em>G\u00e9nesis Musical del Cante Flamenco<\/em><\/strong>, del music\u00f3logo madrile\u00f1o <strong>Guillermo Castro Buend\u00eda<\/strong>, publicada en el a\u00f1o 2014 por la editorial <a href=\"http:\/\/librosconduende.es\/\" target=\"_blank\" rel=\"noopener\">Libros con Duende<\/a>. Un extenso estudio sobre el origen y desarrollo de la m\u00fasica flamenca que, en opini\u00f3n de su prologuista, el tambi\u00e9n music\u00f3logo <strong>Faustino N\u00fa\u00f1ez<\/strong>, constituye \u201cuna gu\u00eda de referencia para cuando queramos intercambiar ideas acerca de este misterioso g\u00e9nero cuyas ra\u00edces se hunden en la m\u00e1s antigua tradici\u00f3n musical hispana\u201d. Aqu\u00ed te lo cuento.<\/p>\n<p>&nbsp;<\/p>\n<p>M\u00fasica:<br \/>\n&#8211; Guitarra: <strong>Rafael Ortega Cruz<\/strong><br \/>\n&#8211; Grabada en Puente Genil Estudio Digital de <strong>Lorenzo Rivas<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>\u2192&nbsp;<a href=\"https:\/\/www.expoflamenco.com\/author\/alvarodelafuente\" target=\"_blank\" rel=\"noopener\">Ver aqu\u00ed las entregas anteriores de la serie p\u00f3dcast <em>Aula Flamenca<\/em> de <strong>\u00c1lvaro de la Fuente Espejo<\/strong>.<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"P\u00f3dcast \u2192 G\u00e9nesis musical del cante flamenco, de Guillermo Castro\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/M659-dWNN0Q?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"<p>Cuadrag\u00e9simo quinta entrega de la serie AULA FLAMENCA de \u00c1lvaro de la Fuente Espejo en el canal p\u00f3dcast de expoflamenco. Hablamos de la tesis &#8216;G\u00e9nesis Musical del Cante Flamenco&#8217;, del music\u00f3logo madrile\u00f1o Guillermo Castro Buend\u00eda.<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":62,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"audio","meta":{"_acf_changed":false,"pmpro_default_level":"","jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_override_bookmark_settings":[],"jnews_social_meta":[],"jnews_review":[],"enable_review":"","type":"","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":[],"jnews_post_split":[],"jnews_podcast_option":[],"jnews_podcast_series":[],"footnotes":""},"categories":[141],"tags":[47,49,276,277],"jnews-series":[],"class_list":["post-54651","post","type-post","status-publish","format-audio","hentry","category-jose-maria-castano","tag-aula-flamenca","tag-flamenco","tag-genesis-musical-del-cante-flamenco","tag-guillermo-castro-buendia","post_format-post-format-audio","pmpro-has-access"],"acf":[],"aioseo_notices":[],"gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts\/54651","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/users\/62"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/comments?post=54651"}],"version-history":[{"count":0,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts\/54651\/revisions"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/media?parent=54651"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/categories?post=54651"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/tags?post=54651"},{"taxonomy":"jnews-series","embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/jnews-series?post=54651"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}