{"id":54632,"date":"2022-06-26T09:09:41","date_gmt":"2022-06-26T07:09:41","guid":{"rendered":"https:\/\/expoflamenco.online\/podcast\/el-tenazas-y-el-concurso-del-22-i\/"},"modified":"2024-09-05T08:18:11","modified_gmt":"2024-09-05T06:18:11","slug":"el-tenazas-y-el-concurso-del-22","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/podcast\/el-tenazas-y-el-concurso-del-22\/","title":{"rendered":"El Tenazas y el Concurso del 22 (I)","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"<h3><em>expoflamenco P\u00f3dcast \u2192&nbsp; Aula Flamenca <\/em><em>\u2192 El Tenazas y el Concurso del 22 (I)<br \/>\n<\/em><\/h3>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><iframe id=\"audio_88974242\" style=\"width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_88974242_6_1.html\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Si mi compa\u00f1ero <strong>Jos\u00e9 Mar\u00eda Casta\u00f1o<\/strong> hace un par de semanas se centr\u00f3 en uno de los grandes protagonistas del concurso, como fue el jovenc\u00edsimo <strong>Caracol<\/strong>, yo lo har\u00e9 en el otro gran protagonista, el moronense <strong>Diego Berm\u00fadez Cala<\/strong>, apodado como <strong><em>El Tenazas<\/em><\/strong>. Pero antes, con la presente <em>Aula Flamenca<\/em>, te voy a contextualizar, de una a manera muy breve, dicho concurso. \u00bfDe qui\u00e9n parti\u00f3 la idea? \u00bfAcert\u00f3 en sus pretensiones? \u00bfQu\u00e9 consecuencias tuvo?<\/p>\n<p>&nbsp;<\/p>\n<p>M\u00fasica<\/p>\n<p><em>12 canciones de Garc\u00eda Lorca para guitarra<\/em> (1965), de <strong>Paco de Luc\u00eda<\/strong> y <strong>Ricardo Modrego<\/strong>.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>\u2192&nbsp;<a href=\"https:\/\/www.expoflamenco.com\/author\/alvarodelafuente\" target=\"_blank\" rel=\"noopener\">Ver aqu\u00ed las entregas anteriores de la serie p\u00f3dcast <em>Aula Flamenca<\/em> de <strong>\u00c1lvaro de la Fuente Espejo<\/strong>.<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"P\u00f3dcast \u2192 El Tenazas y el Concurso del 22 (1)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Cp2E586ja3M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>&nbsp;<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"<p>Vig\u00e9simo s\u00e9ptima entrega de la serie AULA FLAMENCA de \u00c1lvaro de la Fuente Espejo en el canal p\u00f3dcast de expoflamenco. Nos centramos en la actuaci\u00f3n del moronense Diego Berm\u00fadez Cala El Tenazas en el Concurso de Cante Jondo de Granada 1922.<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":62,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"audio","meta":{"_acf_changed":false,"pmpro_default_level":"","jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_override_bookmark_settings":[],"jnews_social_meta":[],"jnews_review":[],"enable_review":"","type":"","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":[],"jnews_post_split":[],"jnews_podcast_option":[],"jnews_podcast_series":[],"footnotes":""},"categories":[141],"tags":[47,252,253,49],"jnews-series":[],"class_list":["post-54632","post","type-post","status-publish","format-audio","hentry","category-jose-maria-castano","tag-aula-flamenca","tag-concurso-de-cante-jondo-de-granada-1922","tag-el-tenazas-de-moron","tag-flamenco","post_format-post-format-audio","pmpro-has-access"],"acf":[],"aioseo_notices":[],"gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts\/54632","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/users\/62"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/comments?post=54632"}],"version-history":[{"count":0,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/posts\/54632\/revisions"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/media?parent=54632"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/categories?post=54632"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/tags?post=54632"},{"taxonomy":"jnews-series","embeddable":true,"href":"https:\/\/expoflamenco.com\/podcast\/wp-json\/wp\/v2\/jnews-series?post=54632"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}