{"id":69666,"date":"2025-03-21T12:05:43","date_gmt":"2025-03-21T11:05:43","guid":{"rendered":"https:\/\/expoflamenco.com\/espacio\/?p=69666"},"modified":"2025-03-31T11:46:21","modified_gmt":"2025-03-31T09:46:21","slug":"un-completo-estudio-en-playlist-sobre-la-solea-de-fernanda-de-utrera","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/espacio\/un-completo-estudio-en-playlist-sobre-la-solea-de-fernanda-de-utrera\/","title":{"rendered":"Un completo estudio en playlist sobre la sole\u00e1 de Fernanda de Utrera","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"\n<p class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio\">Calixto Li, un estimado amigo del Espacio expoflamenco que nos sigue desde Taiwan, nos ha enviado una recopilaci\u00f3n sobre el cante de Fernanda Jim\u00e9nez Pe\u00f1a, la ilustr\u00edsima se\u00f1ora del cante Do\u00f1a Fernanda de Utrera. El autor desea su publicaci\u00f3n con el fin de compartir sus contenidos pero tambi\u00e9n plantear sus inquietudes y dudas para que, entre todos, podamos completar el cat\u00e1logo que nos ha remitido.<\/p>\n\n\n\n<p class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio\">En realidad, estamos ante un <strong>muestreo de grabaciones<\/strong>; muchas de las cuales se han subido desde la plataforma YouTube en<strong> formato playlist. <\/strong>Con independencia del resultado final, lo cierto es que estamos ante una excelente catalogaci\u00f3n y sistematizaci\u00f3n de cuanto aparece publicado de la sole\u00e1 de Do\u00f1a Fernanda de Utrera. Ni qu\u00e9 decir tiene que su base fundamental est\u00e1 en la clasificaci\u00f3n de estilos y variantes que en su d\u00eda publicaron Luis y Ram\u00f3n Soler (t\u00edo y sobrino) en el libro &#8216;Antonio Mairena en el mundo de la siguiriya y la sole\u00e1&#8217;. Un libro de referencia que public\u00f3 la Fundaci\u00f3n Antonio Mairena y La Junta de Andaluc\u00eda en 1992 con pr\u00f3logo del compa\u00f1ero Manuel Mart\u00edn Mart\u00edn. <\/p>\n\n\n\n<p class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio\">Comenta el autor desde el remite de este minucioso trabajo que<strong> &#8216;ha recopilado 54 videos de Sole\u00e1 de Fernanda de Utrera (dos de los cuales son de su hermana Bernarda) en YouTube y he editado m\u00e1s de 370 clips. <\/strong>A continuaci\u00f3n, le detallo mi investigaci\u00f3n y organizaci\u00f3n.<\/p>\n\n\n\n<h2 class=\"wp-block-heading wp-embed-aspect-16-9 wp-has-aspect-ratio\"><strong>Puntos claves de la investigaci\u00f3n de Calixto Li:<\/strong><\/h2>\n\n\n\n<p class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio\"><\/p>\n\n\n\n<p class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio\">1.- He clasificado estos 54 cantes seg\u00fan los diferentes estilos de sole\u00e1 y he creado una lista de reproducci\u00f3n para identificar los 10 estilos m\u00e1s comunes que canta Fernanda. 54 cantes:<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"La Reina de Sole\u00e1 \uff5cFernanda de Utrera\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLs3Wao2ap9ut_7VVn51vzpfpYUN4F2UM-\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p><strong>Recopilaci\u00f3n de 54 cantes de Fernanda de Utrera en la plataforma YouTube<\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Los estilos y variantes de sole\u00e1 m\u00e1s cantadas por Fernanda de Utrera:<\/h2>\n\n\n\n<p>Los estilos m\u00e1s cantada por Fernanda: (En el archivo adjunto tambi\u00e9n he incluido un PDF, cuyo nombre es La Sole\u00e1 que m\u00e1s canta Fernanda de Utrera) <\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-background-color has-background\"><strong>001.Buler\u00edas por Sole\u00e1 (a)<\/strong> | Fernanda de Utrera&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"001.Buler\u00edas por Sole\u00e1 (a) | Fernanda de Utrera\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLs3Wao2ap9uu1OKdeyO4_utMVAfMeuJq1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\"><strong>Buler\u00edas por sole\u00e1 como cante de preparaci\u00f3n<\/strong><\/figcaption><\/figure>\n\n\n\n<p class=\"has-cyan-bluish-gray-background-color has-background\"><strong>002.- La sole\u00e1 de La Andonda<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"002.Sole\u00e1 de la Andonda 1 | Fernanda de Utrera\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLs3Wao2ap9uvBUUp3YfA4EDfkMCL9zGjy\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\"><strong>Playlist con la sole\u00e1 de La Andonda, siempre bajo la versi\u00f3n de Fernanda<\/strong><\/figcaption><\/figure>\n\n\n\n<p class=\"has-cyan-bluish-gray-background-color has-background\"><strong>003.- La sole\u00e1 de Juaniqu\u00ed:<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"003.Sole\u00e1 de Juaniqu\u00ed 2 | Fernanda de Utrera\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLs3Wao2ap9uvx3M3lwNcVRYiXtZPgnG-Y\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\"><strong>La sole\u00e1 de Juanqiu\u00ed<\/strong><\/figcaption><\/figure>\n\n\n\n<p class=\"has-cyan-bluish-gray-background-color has-background\"><strong>004.- La sole\u00e1 de Juan Talega<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"004.Sole\u00e1 de Juan Talega | Fernanda de Utrera\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLs3Wao2ap9uuXmdUSsnmKA7gC3dpjsgL-\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\"><strong>La sole\u00e1 de Juan Talega<\/strong><\/figcaption><\/figure>\n\n\n\n<p class=\"has-cyan-bluish-gray-background-color has-background\">005.- Sole\u00e1 de Joaqu\u00edn el de la Paula<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"005.Sole\u00e1 de Joaqu\u00edn de Paula 2 | Fernanda de Utrera\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLs3Wao2ap9uv4oj1SjawAAcKuctCYIh6R\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\"><strong>La sole\u00e1 de Joaqu\u00edn el de la Paula<\/strong><\/figcaption><\/figure>\n\n\n\n<p class=\"has-cyan-bluish-gray-background-color has-background\">006.- Sole\u00e1 de la Serneta (cante corto de desarrollo, correspondencia con el llamado estilo 5)<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"006.Sole\u00e1 de la Serneta 5 | Fernanda de Utrera\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLs3Wao2ap9usVyjK8gOIvla5rvGjIEdIr\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\"><strong>El llamado estilo n\u00famero 5 de La Serneta<\/strong><\/figcaption><\/figure>\n\n\n\n<p><em><span style=\"text-decoration: underline;\">Anotaci\u00f3n con respecto a los estilos de cierre atribuidos a Joaqu\u00edn el de la Paula que a continuaci\u00f3n se exponen (*) :<\/span><\/em><\/p>\n\n\n\n<p>(*) Tras comparar y analizar cuidadosamente dos tandas de cantes, he notado que muestran diferencias significativas en la melod\u00eda de la segunda l\u00ednea de la letra: una tiene un tono m\u00e1s elevado y expresivo, mientras que la otra mantiene una l\u00ednea mel\u00f3dica m\u00e1s estable y tranquila. Por esta raz\u00f3n, aunque ambas pertenecen al mismo estilo, he decidido clasificarlas en dos categor\u00edas: a) y b). Adem\u00e1s, esta clasificaci\u00f3n tambi\u00e9n se refleja en el orden en que suelen interpretarse cuando ambas se cantan juntas<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-background-color has-background\"><strong>007 Sole\u00e1 de Joaqu\u00edn el de la Paula (estilo de cierre o denominado como 3 A)<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"007 Sole\u00e1 de Joaqu\u00edn de Paula 3a\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLs3Wao2ap9utOZXjt-ZB6FjC8B5wyTrv0\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\"><strong>Sole\u00e1 de Joaqu\u00edn el de la Paula estilo 3<\/strong> A<\/figcaption><\/figure>\n\n\n\n<p class=\"has-cyan-bluish-gray-background-color has-background\"><strong>008.- Sole\u00e1 de Joaqu\u00edn el de la Paula (de cierre o denominada como 3B)<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"008 Sole\u00e1 de Joaqu\u00edn de Paula 3b\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLs3Wao2ap9uuAlEWmmX9C6Ie_CmhvW7pZ\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\">Sole\u00e1 de cierre de Joaqu\u00edn el de la Paula de cierre se\u00f1anada por el autor como 3B<\/figcaption><\/figure>\n\n\n\n<p class=\"has-cyan-bluish-gray-background-color has-background\"><strong>009 Sole\u00e1 de la Serneta (de desarrollo corta tambi\u00e9n denominada como Serneta 4)<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"009 Sole\u00e1 de la Serneta 4 | Fernanda de Utrera\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLs3Wao2ap9uuU2EAvLaDsqvqV9uNxPahJ\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\"><strong>Estilo de La Serneta n\u00famero 4 son sole\u00e1 de transici\u00f3n, de las llamadas cortas<\/strong><\/figcaption><\/figure>\n\n\n\n<p class=\"has-cyan-bluish-gray-background-color has-background\">010.- Sole\u00e1 de Manchango (Triana)<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"010 Sole\u00e1 del Machango | Fernanda de Utrera\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLs3Wao2ap9utSRi9Z54jJYSOYs3G0N2cY\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\"><strong>La sole\u00e1 trianera de Manchango que tambi\u00e9n la sol\u00eda hacer Perrate de Utrera<\/strong><\/figcaption><\/figure>\n\n\n\n<p class=\"has-cyan-bluish-gray-background-color has-background\"><strong>011. Sole\u00e1 de Paquirr\u00ed el Guant\u00e9 ( de cierre o valiente tambi\u00e9n denominada 3 dentro de los estilos gaditanos)<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"011 Sole\u00e1 de Paquirri El Guante 3 | Fernanda de Utrera\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLs3Wao2ap9usEzhpvQZcnqXuMtJdJdJ4h\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\"><strong>El valiente adeudado a Paquirri el Guant\u00e9 que sol\u00eda uitlizar Fernanda para culminar sus tandas de sole\u00e1<\/strong><\/figcaption><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-vivid-red-color has-alpha-channel-opacity has-vivid-red-background-color has-background is-style-wide\"\/>\n\n\n\n<p><\/p>\n\n\n\n<p>A continuaci\u00f3n Calixto Li, <strong>plantea una serie de dudas sobre algunas varientes menos conocidas<\/strong> en el repertorio por sole\u00e1 de Fernanda de Utrera. A saber:<\/p>\n\n\n\n<p class=\"has-light-green-cyan-background-color has-background\"><strong>012 La sole\u00e1 de Noriega<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"013 Sole\u00e1 de Noriega\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLs3Wao2ap9uvKygnaLKht0hUK8uNz_ZzK\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\">La sole\u00e1 trianera de Noriega<\/figcaption><\/figure>\n\n\n\n<p class=\"has-light-green-cyan-background-color has-background\"><strong>013 La sole\u00e1 de Frijones:<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"014 Sole\u00e1 de Frijones\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLs3Wao2ap9usRN8BpHvEQBYsWhnq8NiOc\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\"><strong>Sole\u00e1 de Frijones<\/strong><\/figcaption><\/figure>\n\n\n\n<p class=\"has-light-green-cyan-background-color has-background\"><strong>014 La sole\u00e1 de Joaqu\u00edn el de la Paula de cierre (porque se parece m\u00e1s a la que hace todo el mundo)<\/strong>:<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"015 Sole\u00e1 de Joaqu\u00edn de Paula 3\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLs3Wao2ap9usInORLj3Ub23VcQpbgqMca\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\"><strong>Sole\u00e1 de Joaqu\u00edn el de la Paula 3, m\u00e1s com\u00fan<\/strong><\/figcaption><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-vivid-red-color has-alpha-channel-opacity has-vivid-red-background-color has-background is-style-wide\"\/>\n\n\n\n<p>Para finalizar Calixto Li <strong>propone algunas dudas:<\/strong><\/p>\n\n\n\n<p>a) Durante la b\u00fasqueda de las letras, descubr\u00ed que Fernanda usaba una gran flexibilidad en sus letras, empleando varios tiempos verbales, inversiones, omisiones o adiciones de palabras, y sustituciones. As\u00ed que he compilado las letras m\u00e1s frecuentes de Sole\u00e1 en una lista de reproducci\u00f3n titulada \u201cMisma letra, distinta melod\u00eda\u201d.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Misma letra, distinta melod\u00eda | \u540c\u6b4c\u8a5e\u4e0d\u540c\u65cb\u5f8b | Fernanda de Utrera\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLs3Wao2ap9uvwKimnJVpz8ojD8K_d9blH\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\">Mimas letras con diferentes melod\u00edas<\/figcaption><\/figure>\n\n\n\n<p>b) \u00bfEst\u00e1 correcta la clasificaci\u00f3n que he realizado de las Sole\u00e1s?;  \u00bfPor qu\u00e9 Fernanda sol\u00eda empezar sus Sole\u00e1s con buler\u00edas por sole\u00e1? He notado que sus grabaciones m\u00e1s tempranas no lo hacen, \u00bfEs por alguna raz\u00f3n particular o es una forma com\u00fan de cantar que surgi\u00f3 en cierto periodo? Tambi\u00e9n escuch\u00e9 que Camar\u00f3n lo hac\u00eda de la misma manera&#8230;  <\/p>\n\n\n\n<p>c) \u00bfFue Fernanda la primera cantaora femenina con una voz tan ronca? <\/p>\n\n\n\n<p>d) Fernanda y Bernarda tienen un comp\u00e1s repetido un poco diferente al que estamos acostumbrados. Mientras nosotros solemos usar el comp\u00e1s 3-6-8-10-12, ellas utilizan frecuentemente 1-2-3 5-7-8 10, y suena bastante fluido. \u00bfHay alguna raz\u00f3n especial para esto? Adem\u00e1s, not\u00e9 que esto tiene cierta similitud con el comp\u00e1s de buler\u00edas&#8230;<\/p>\n\n\n\n<p>e) Las grabaciones de fandango por sole\u00e1 de Fernanda tienen melod\u00edas que no son muy comunes. Me pregunto si estas melod\u00edas son producto de su estilo personal.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"016 Fandango por Sole\u00e1\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLs3Wao2ap9utrzqTPFvhJVWDjWGV6q6-S\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\">Los Fandangos por sole\u00e1 de Fernanda <\/figcaption><\/figure>\n\n\n\n<p>Otros recursos:<\/p>\n\n\n\n<p>R 1.- El autor ha transcrito las sole\u00e1s m\u00e1s cantadas por Fernanda en partituras, junto con grabaciones de guitarra, para facilitar el aprendizaje a los dem\u00e1s;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Los estilos de la Sole\u00e1 | Sole\u00e1 \u5c0e\u5531\u6e05\u55ae | Fernanda de Utrera\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLs3Wao2ap9usJwBg70ssRo5gimt6B_8Nd\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\">Recurso de la sole\u00e1 de Fernanda cifrado para guitarra<\/figcaption><\/figure>\n\n\n\n<p>Autor del art\u00edculo <strong>Calixto Li<\/strong> de Taiwan<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"<p>Calixto Li, un estimado amigo del Espacio expoflamenco que nos sigue desde Taiwan, nos ha enviado una recopilaci\u00f3n sobre el cante de Fernanda Jim\u00e9nez Pe\u00f1a, la ilustr\u00edsima se\u00f1ora del cante Do\u00f1a Fernanda de Utrera. El autor desea su publicaci\u00f3n con el fin de compartir sus contenidos pero tambi\u00e9n plantear sus inquietudes y dudas para que, [&hellip;]<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":62,"featured_media":69681,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"pmpro_default_level":"","jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard"},"jnews_primary_category":[],"jnews_override_bookmark_settings":[],"jnews_social_meta":[],"jnews_review":[],"enable_review":"","type":"","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":[],"jnews_post_split":[],"footnotes":""},"categories":[46,2273,2003],"tags":[2478,2476,2477,2475],"class_list":["post-69666","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualidad","category-articulos","category-espacio-expoflamenco","tag-calixto-li-taiwan","tag-estudio-de-la-solea-de-fernanda-de-utrera","tag-las-soleas-mas-cantadas-por-fernanda-de-utrera","tag-playlist-fernanda-de-utrera","pmpro-has-access"],"acf":[],"aioseo_notices":[],"gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/espacio\/wp-json\/wp\/v2\/posts\/69666","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/espacio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/espacio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/espacio\/wp-json\/wp\/v2\/users\/62"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/espacio\/wp-json\/wp\/v2\/comments?post=69666"}],"version-history":[{"count":1,"href":"https:\/\/expoflamenco.com\/espacio\/wp-json\/wp\/v2\/posts\/69666\/revisions"}],"predecessor-version":[{"id":69741,"href":"https:\/\/expoflamenco.com\/espacio\/wp-json\/wp\/v2\/posts\/69666\/revisions\/69741"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/espacio\/wp-json\/wp\/v2\/media\/69681"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/espacio\/wp-json\/wp\/v2\/media?parent=69666"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/espacio\/wp-json\/wp\/v2\/categories?post=69666"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/espacio\/wp-json\/wp\/v2\/tags?post=69666"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}