tuesday, december 3, 2024

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MAGAZINE
News

Paco de Lucía's legacy grows in the hands of his fellow travelers

'The Machados, a family portrait' (and IV): Antonio: the – least?– flamenco

El flamenco joins Miguel Hernandez in Orihuela

Rancapino Chico gives a master class in cante in Torrelodones

Paco Manzano and his portraits of Paco de Lucía inaugurate the 21st Torrelodones Flamenco Festival

Puertollano celebrates the XXX Festival Flamenco Miner's Day

Flamenco at the Talia Theatre in Valencia

The Simof International Flamenco Fashion Show celebrates its thirtieth anniversary

The city of Cáceres hosts the exhibition 'Jondo to Nothing'

Expoflamenco, in the renewed edition of El Sabor de la Marchena Flamenca

The UCO and Caja Rural del Sur present the 2nd Córdoba Art Awards Flamenco

The festival Flamenco of Cáceres celebrates its 50th anniversary
Opinion

Osuna stabilizes with seguiriya

'The Machados, family portrait' (III): the deep flamenco of Manuel Machado

'The Machados, family portrait' (II): Demófilo, the first flamenco house

Rabasco dances in silver to Argentina

The associative loyalty of Córdoba

Sabicas' father was a guitarist for Carmen Amaya (and II)

Sabicas' father was Carmen Amaya's guitarist (I)

A book full of life and art flamenco

'The Machados, family portrait' (I): Cipriana, the woman from the stories

Jaén celebrates Pepe Polluelas' centenary

Madrid as a reference destination

Manuel Curao cuts his ponytail (and II)
Chronicles

Make way for Mercedes Luján

Ana Morales, intimacy and a piano

More Shepherdess!

IV Huelva Flamenco Guitar Convention: ten years without Paco de Lucía

Federico and his work 'Poveda del cante jondo'

Israel Galván and Marlene Monteiro Freitas, children's games

The centuries-old hippie by Manuel de la Tomasa

'The Legend of Time' festival ended flamenco from Umbrete

La Bata or flamenco research put on stage

Israel Fernandez and the formula for success

The creaking of El Mijita at Torres Macarena

Ramón Amador, guitar of silk and fire
Interviews

Herminia Borja: «Paco said that the artist who loses his fear of the stage should retire»

Perlita de Huelva, days before her great tribute

Alfredo Tejada: «My intervention at the Met has represented all the flamenco"of the world"

David Pino pays tribute to Fosforito

Farru: «Paco de Lucía confessed to me one day that he didn't like dancing»

Manuel Bohórquez: «Without Madrid we could not understand the history of flamenco»

Montse Cortés: «Paco advised young people to keep the pot boiling»

La Tana: “Paco said that Camarón It was for enjoyment, but to study you had to go to the old people”

Pepe Pereira: «Paco had a lack of musical self-esteem»

Juan Ramírez: «When Paco died, the oil ran out, now there are only puddles left»

Three looks, three voices

Antonio Sánchez: «Paco was not the only creator, but being anti-Pakistan is being an idiot»
Authors
Remembering Marchena with sweet manners

Cancanilla de Málaga: classic flamenco and a dose of humor

Flamenco of rebels with a cause and humor

This sounds flamenco (and IV)

Do flamenco artists improvise?

Requiem for the maestro Pepe Justicia

The guitar in the last quarter of the 20th century

This sounds flamenco (III)

Faustino Rodríguez: «Art is what saves the world»

Flamenco’s breeding-ground

This sounds flamenco (II)

The guitar from the 60s onwards

A Cenizo at the Biennial, and there are many

Juana Amaya, profile of Morón’s noteworthy flamenco dancer

Polyhedral research on social aspects of flamenco
BIENNIAL2024
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Three looks, three voices

Manuela Carrasco, the goddess of dance from Olympus flamenco

Flamenco Room

Flamenco hall

Opinion

Flamenco hall

We inaugurated a new space in Expoflamenco which invites reflection and healthy debate. Let's analyze what it is like...

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