{"id":4845,"date":"2019-01-24T15:35:54","date_gmt":"2019-01-24T15:35:54","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?page_id=4845"},"modified":"2021-07-22T17:17:12","modified_gmt":"2021-07-22T15:17:12","slug":"estela-flamenca","status":"publish","type":"page","link":"https:\/\/expoflamenco.com\/archivo\/estela-flamenca\/","title":{"rendered":"Estela Flamenca"},"content":{"rendered":"

[vc_row css=\u00bb.vc_custom_1550519095118{background-image: url(https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/02\/1905x390banner-1.jpg?id=9023) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}\u00bb][vc_column][vc_empty_space height=\u00bb150px\u00bb][vc_column_text]<\/p>\n

Estela Flamenca | Blog de Estela Zatania<\/span><\/span><\/h1>\n

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\n Pedro Pe\u00f1a, 1939-2023<\/a>\n <\/h5>\n <\/div>\n
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\n Antonio Mairena, retrato de un cantaor y su \u00e9poca<\/a>\n <\/h5>\n <\/div>\n
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\n Mora\u00edto, Palma de Plata 2023<\/a>\n <\/h5>\n <\/div>\n
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\n El legado de Carmen Amaya sesenta a\u00f1os despu\u00e9s de su desaparici\u00f3n<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Nov 02, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n Paco de Luc\u00eda y familia: el plan maestro<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Oct 19, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n Pastora Galv\u00e1n: valiente, distinta, libre<\/a>\n <\/h5>\n <\/div>\n
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\n Marote, un genio olvidado<\/a>\n <\/h5>\n <\/div>\n
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\n ‘Flamenco – La tierra est\u00e1 viva’: un nuevo documental defiende el flamenco m\u00e1s cl\u00e1sico<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Sep 07, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n Joselero de Mor\u00f3n en el recuerdo<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Ago 24, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n Farruquito: an\u00e1lisis de un genio<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Ago 07, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n Manuela Carrasco de los Jeros: vivencias que dejan escuela<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Jul 20, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n Utrera, un sabor distinto<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Jul 09, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n Jos\u00e9 Luis Greco, hijo de una leyenda<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Jun 19, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n Pe\u00f1as: \u00bfel ox\u00edgeno del flamenco o anacronismo?<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Jun 05, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n Camar\u00f3n, \u00bfgenerador de copistas?<\/a>\n <\/h5>\n <\/div>\n
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\n Consecuencias no intencionadas: c\u00f3mo el acompa\u00f1amiento contempor\u00e1neo est\u00e1 cambiando el flamenco<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n May 06, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n Luisa Triana: 90 a\u00f1os de recuerdos y sabidur\u00eda<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Abr 19, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n Lola y la austeridad actual del arte jondo<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Abr 06, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div> <\/div>
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