{"id":28330,"date":"2021-08-01T15:49:36","date_gmt":"2021-08-01T13:49:36","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?page_id=28330"},"modified":"2021-08-01T15:49:36","modified_gmt":"2021-08-01T13:49:36","slug":"fe-debida-memorias-flamencas-de-luis-suarez-avila","status":"publish","type":"page","link":"https:\/\/expoflamenco.com\/archivo\/fe-debida-memorias-flamencas-de-luis-suarez-avila\/","title":{"rendered":"Fe debida"},"content":{"rendered":"

[vc_row css=\u00bb.vc_custom_1550519224565{background-image: url(https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/02\/cabecera-twitter.jpg?id=8010) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}\u00bb][vc_column][vc_empty_space height=\u00bb150px\u00bb][vc_column_text]<\/p>\n

Fe debida – Memorias flamencas de Luis Su\u00e1rez \u00c1vila<\/span><\/h1>\n

[\/vc_column_text][vc_empty_space height=\u00bb150px\u00bb][\/vc_column][\/vc_row][vc_row content_width=\u00bbgrid\u00bb css=\u00bb.vc_custom_1548272622205{padding-top: 50px !important;}\u00bb][vc_column width=\u00bb1\/6″][\/vc_column][vc_column width=\u00bb2\/3″][\/vc_column][vc_column width=\u00bb1\/6″][\/vc_column][\/vc_row][vc_row content_width=\u00bbgrid\u00bb css=\u00bb.vc_custom_1548272622205{padding-top: 50px !important;}\u00bb][vc_column]

\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
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\n Sobre los or\u00edgenes de la c\u00e9lebre ton\u00e1 de los pajaritos<\/a>\n <\/h5>\n <\/div>\n
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Luis Su\u00e1rez \u00c1vila<\/a><\/div>
\n \t\n Feb 26, 2022<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n La tradici\u00f3n at\u00edpica textualmente transculturada<\/a>\n <\/h5>\n <\/div>\n
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Luis Su\u00e1rez \u00c1vila<\/a><\/div>
\n \t\n Ene 30, 2022<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n La tradici\u00f3n mediata en los romances grabados por Antonio Mairena<\/a>\n <\/h5>\n <\/div>\n
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Luis Su\u00e1rez \u00c1vila<\/a><\/div>
\n \t\n Ene 14, 2022<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n El repertorio romanc\u00edstico de Antonio Mairena, sin prejuicios ni misterios<\/a>\n <\/h5>\n <\/div>\n
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Luis Su\u00e1rez \u00c1vila<\/a><\/div>
\n \t\n Nov 19, 2021<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n El Bar Pinto, el magisterio de Mairena y el flamenco en la universidad<\/a>\n <\/h5>\n <\/div>\n
\n
Luis Su\u00e1rez \u00c1vila<\/a><\/div>
\n \t\n Sep 27, 2021<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n La tertulia de Antonio Galea, los libros de Fernando el de Triana y la madre de Silverio<\/a>\n <\/h5>\n <\/div>\n
\n
Luis Su\u00e1rez \u00c1vila<\/a><\/div>
\n \t\n Sep 12, 2021<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Los libros de flamenco, la prosa de Azor\u00edn y el comercio de cal de Bernardo del Carpio<\/a>\n <\/h5>\n <\/div>\n
\n
Luis Su\u00e1rez \u00c1vila<\/a><\/div>
\n \t\n Ago 17, 2021<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
\n
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\n El saludo a Mairena, el espaldarazo de D\u00e1maso Alonso y la luz del romancero<\/a>\n <\/h5>\n <\/div>\n
\n
Luis Su\u00e1rez \u00c1vila<\/a><\/div>
\n \t\n Jul 30, 2021<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n El Bengala, la libretita de Pepe Torre y la foto de El Nitri en el ata\u00fad<\/a>\n <\/h5>\n <\/div>\n
\n
Luis Su\u00e1rez \u00c1vila<\/a><\/div>
\n \t\n Jul 15, 2021<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n El electricista de la Transmediterr\u00e1nea y la reuni\u00f3n de Mairena en El Burladero<\/a>\n <\/h5>\n <\/div>\n
\n
Luis Su\u00e1rez \u00c1vila<\/a><\/div>
\n \t\n Jun 16, 2021<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n De Agust\u00edn El Melu y las met\u00e1foras gitanas de Lorca<\/a>\n <\/h5>\n <\/div>\n
\n
Luis Su\u00e1rez \u00c1vila<\/a><\/div>
\n \t\n May 31, 2021<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Pepe Cantos, el Cortijo de El Gallo y las cintas magnetof\u00f3nicas<\/a>\n <\/h5>\n <\/div>\n
\n
Luis Su\u00e1rez \u00c1vila<\/a><\/div>
\n \t\n May 17, 2021<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Anzonini de El Puerto: los boquetes en las suelas y la carne de bragueta<\/a>\n <\/h5>\n <\/div>\n
\n
Luis Su\u00e1rez \u00c1vila<\/a><\/div>
\n \t\n Abr 24, 2021<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n La fragua de Curro Canales y la vueltecita de C\u00e1ndida La Negra<\/a>\n <\/h5>\n <\/div>\n
\n
Luis Su\u00e1rez \u00c1vila<\/a><\/div>
\n \t\n Mar 27, 2021<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Fe debida: memorias flamencas de Luis Su\u00e1rez \u00c1vila (1)<\/a>\n <\/h5>\n <\/div>\n
\n
Luis Su\u00e1rez \u00c1vila<\/a><\/div>
\n \t\n Mar 11, 2021<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div> <\/div><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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