{"id":19478,"date":"2020-05-11T11:44:11","date_gmt":"2020-05-11T09:44:11","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?page_id=19478"},"modified":"2021-07-23T06:01:28","modified_gmt":"2021-07-23T04:01:28","slug":"serie-oro-clasicos-cante-jondo","status":"publish","type":"page","link":"https:\/\/expoflamenco.com\/archivo\/serie-oro-clasicos-cante-jondo\/","title":{"rendered":"Serie Oro"},"content":{"rendered":"

[vc_row css=\u00bb.vc_custom_1550519671227{background-image: url(https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/02\/cabecera-twitter.jpg?id=8010) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}\u00bb][vc_column][vc_empty_space height=\u00bb150px\u00bb][vc_column_text]<\/p>\n

SERIE ORO<\/span><\/span><\/h1>\n

[\/vc_column_text][vc_empty_space height=\u00bb150px\u00bb][\/vc_column][\/vc_row][vc_row content_width=\u00bbgrid\u00bb css=\u00bb.vc_custom_1548272622205{padding-top: 50px !important;}\u00bb][vc_column width=\u00bb1\/6″][\/vc_column][vc_column width=\u00bb2\/3″][\/vc_column][vc_column width=\u00bb1\/6″][\/vc_column][\/vc_row][vc_row content_width=\u00bbgrid\u00bb css=\u00bb.vc_custom_1548272622205{padding-top: 50px !important;}\u00bb][vc_column]

\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n La voz de cristal fino de Manuel Escacena<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Dic 16, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Concha la Cantaora o la falsa Pe\u00f1aranda<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Dic 07, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n El Portugu\u00e9s en el centenario de su muerte<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Nov 29, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Paca Aguilera o la valiente ronde\u00f1a<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Nov 23, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n La Mejorana o la ni\u00f1a sin padres que triunf\u00f3 en el baile<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Nov 16, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n La Trini, de ni\u00f1a de la Iglesia a Reina de la Malague\u00f1a (y 2)<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Nov 09, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n La Trini, de ni\u00f1a de la Iglesia a reina de la malague\u00f1a (1)<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Nov 02, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Un Canario flauta de \u00c1lora<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Oct 26, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"cantaor\n <\/a>\n <\/div>\n
\n
\n
\n Juan Trujillo El \u2018Perote\u2019 o el malague\u00f1ero de la voz campera<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Oct 19, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Salvaorillo o uno de los maestros de Chac\u00f3n<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Oct 12, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Jos\u00e9 Lorente o la voz de oro del Barrio de la Feria<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Oct 05, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Silverio Franconetti o el Rey de los Cantaores (y 3)<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Sep 28, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Silverio Franconetti o el Rey de los Cantaores (2)<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Sep 21, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Silverio Franconetti o el Rey de los Cantaores (1)<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Sep 07, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Medina el Viejo o el Rey de la Petenera<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Ago 29, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Joaqu\u00edn Loreto La Cherna o el rajo elegante (y 2)<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Ago 17, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Joaqu\u00edn Loreto La Cherna o el rajo elegante (1)<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Ago 10, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Manuel Molina o el brillo de la seguiriya<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Ago 03, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Mercedes la Sarneta o la Reina de Sole\u00e1<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Jul 26, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n El Marrurro, el ni\u00f1o cunero que revolucion\u00f3 la seguiriya<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Jul 19, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n El eterno enigma de Tom\u00e1s el Nitri<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Jul 13, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"Antonio\n <\/a>\n <\/div>\n
\n
\n
\n La Casa de Antonio el Fillo<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Jul 06, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"Cantaor\n <\/a>\n <\/div>\n
\n
\n
\n Frijones, entre Jerez, Sevilla y Sanl\u00facar<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Jun 29, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Los Pelaos y Francisco la Perla<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Jun 22, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Carito de Jerez o un olvido injusto<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Jun 15, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"El\n <\/a>\n <\/div>\n
\n
\n
\n Ram\u00f3n el Ollero o la voz alfarera<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Jun 08, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"Mar\u00eda\n <\/a>\n <\/div>\n
\n
\n
\n La Serrana en la Casa Cantaora de Paco la Luz<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n Jun 01, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"Manuel\n <\/a>\n <\/div>\n
\n
\n
\n La Casa de los Cagancho<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n May 25, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Frasco el Colorao, la pieza clave (y 2)<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n May 18, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Frasco el Colorao, la pieza clave (1)<\/a>\n <\/h5>\n <\/div>\n
\n
\n \t\n May 11, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div> <\/div>
\n
\n <\/a>\n
\n 1<\/a>\n\n 2<\/a>\n\n <\/div>\n <\/a>\n <\/div>\n<\/div>
\n
<\/div>\n<\/div><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row css=\u00bb.vc_custom_1550519671227{background-image: url(https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/02\/cabecera-twitter.jpg?id=8010) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full-width.php","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-19478","page","type-page","status-publish","hentry"],"yoast_head":"\nSerie Oro - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/serie-oro-clasicos-cante-jondo\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Serie Oro - 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