{"id":9881,"date":"2019-03-08T23:38:43","date_gmt":"2019-03-08T22:38:43","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=9881"},"modified":"2019-03-08T23:50:24","modified_gmt":"2019-03-08T22:50:24","slug":"pedro-sierra-my-concept-of-flamenco-guitar-is-clear-foundations-riveting-falsetas-melodies","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/interviews\/pedro-sierra-my-concept-of-flamenco-guitar-is-clear-foundations-riveting-falsetas-melodies\/","title":{"rendered":"Pedro Sierra: \u00abMy concept of flamenco guitar is clear: foundations, riveting falsetas, melodies\u00bb"},"content":{"rendered":"

Photos: Samuel Carvajal<\/span><\/strong><\/p>\n

Pedro Sierra<\/a> is from Barcelona, but he\u2019s been living in Seville for decades, where he raised a family with the cantaora<\/em> La Tobala<\/strong>. Without any doubt, he\u2019s one of the most talented flamenco guitarists of our days, but he believes that Paco de Luc\u00eda<\/strong> is an unsurmountable wall. One day I say how that genius from Algeciras congratulated him in public for one of his albums, Decisi\u00f3n<\/em>, in front of other great guitarists. He didn\u2019t faint, just blushed. His latest album, ‘Llanto de la guitarra<\/em>\u2019 (\u2018Weeping of the Guitar<\/em>\u2019) is a very interesting musical work with the collaboration of giants such as Tomatito<\/strong> and Vicente Amigo<\/strong>. It may be one of the best albums of the year. Pedro is a very well-rounded artist, although he may lack ambition.<\/p>\n

 <\/p>\n

\u2013 Your latest album is titled Llanto de la guitarra<\/em>. Lorca used to say that the weeping of the guitar was monotonous, like the weeping of water. Hasn\u2019t your guitar ever laughed?<\/strong>
\n\u2013 The expression \u201cto make the guitar weep\u201d is used to signify that the guitar touches the heart of the listener and the performer. In my case, I try to make my guitar weep, and I also try to make it laugh with much joy.<\/p>\n

\u2013 What do you use to laugh about when talking about contemporary flamenco guitar? Or perhaps you feel like weeping, due to the little importance people give to guitarists in this country?<\/strong>
\n\u2013 I laugh about how little people know about flamenco guitar in our days. And I feel like weeping because the solo guitarists don\u2019t have much exposure. In a certain way, it makes sense, because when cantaores<\/em> or bailaores<\/em> are hired, the guitarists are often included in the contracts. Yet, it shouldn\u2019t be like that, because those of us who have squeezed our brains with musical ideas need to express them.\u00a0<\/strong><\/p>\n

\u2013 Your album is wonderful. We would expect that this would translate into a tight schedule of performances this year, although I imagine you don\u2019t have high hopes. <\/strong>Or maybe you do?<\/strong>
\n\u2013 Many thanks for the wonderful compliment. My schedule is what it is, and I have no complaints, although you suggest that I should be swamped with offers. Even so, I\u2019m content with what I have.<\/p>\n

\u2013 One day I saw how you blushed when Paco de Luc\u00eda congratulated you for one of your albums. Did you admire the genius of Algeciras that much?<\/strong>
\n\u2013 \u00a0You have a good memory Manuel, hahaha. Yes, that was when Paco de Luc\u00eda was awarded the Ni\u00f1a de los Peines<\/em> prize in Seville. He walked straight towards me and, in front of Vicente Amigo, Tomatito and Raimundo Amador, he congratulated me for my album Decisi\u00f3n<\/em>. I blushed more because of those around me than because of Paco\u2019s compliment. It was obviously a moment for blushing, because all the guitarists of our generation were musically born guided by the hand of the genius of Algeciras.<\/p>\n

\u2013 Is Paco still an unsurmountable wall, or a source of inspiration? <\/strong>
\n\u2013 For me, he\u2019ll always be a source of inspiration. Whoever thinks he can be surpassed is wrong and will always end up disappointed.<\/p>\n

\u2013 Among today\u2019s young guitarists, who do you think could represent in the future what Paco represented in the world?<\/strong>
\n\u2013 Nowadays, no one. Paco was someone exceptional, the context, the moment. Flamenco guitar was well represented by geniuses such as Ram\u00f3n Montoya, Sabicas and Ni\u00f1o Ricardo. Yet, Paco added freshness, new ideas, without ever getting off the rails. Today there is no need to look for a substitute of Paco. What we have to do is stay on solid foundations and understand what he projected in his early days.<\/p>\n

\u00abFlamenco is nowadays in uncharted territory. I think that there is so much information that the new artists get confused\u00bb<\/em><\/p><\/blockquote>\n

\u2013 Sell us your album. Tell us why we should buy it and how we should listen to it. I listened to it in my car and almost got off the road. Your music, from this album, moves me. <\/strong>
\n\u2013 To sell an album, the best presentation is to make people listen to it, because I worked on it building pieces with musical coherence, unifying all pieces to make a complete work which can then be performed live on stage.<\/p>\n

\u2013 Do you think that having renowned contributors like those in your album are necessary to sell it or to make it reach thousands of aficionados?<\/strong>
\n\u2013 The collaborations in this album are timely. These are colleagues that wanted to contribute to this album. If that results in we all helping each other to reach more aficionados, then that\u2019s great. For example, I\u2019m a friend of Tomatito since the Bienal of 1984. Likewise with Vicente Amigo, we attended the courses of Manolo Sanl\u00facar in that same Bienal and we all have good memories of those days.<\/p>\n

\u2013 What did you mean to tell, if you meant to tell anything with this new CD?<\/strong>
\n\u2013 It\u2019s true that whenever an artist records a CD, it\u2019s to tell something. My concept of flamenco guitar is very clear: flamenco foundations, riveting falsetas, melodies and, above all, pieces that become whole.<\/p>\n

\u2013You live off flamenco but, be sincere: is it a good life?<\/strong>
\n\u2013 I live off flamenco, but I\u2019ve always thought I should not depend on the guitar. That\u2019s why I also have my own record label, besides teaching at the Fundaci\u00f3n Cristina Heeren<\/em> since the year 2005.<\/p>\n

\u2013 Is flamenco in bad shape, or much worse than what you\u2019ll tell me, although you don\u2019t want to admit it?<\/strong>
\n\u2013 Flamenco is nowadays in uncharted territory. I think that there is so much information that the new artists get confused. We must be able to take advantage of all that information and manage to digest it. Intuition is also lacking. And we must never forget the foundations from where we\u2019re from. That\u2019s not the same as imitating.<\/p>\n

\u2013 What do you expect from the new government of Andalusia? If you expect anything at all, of course.<\/strong>
\n\u2013 I don\u2019t believe in politics. The authorities must be respected, but politics have not given a solution to humanity\u2019s problems, no matter how good intentions are.<\/p>\n

\u2013 Do you have any dream you may be able to confess? Tell us what you would like to do with your guitar.<\/strong>
\n\u2013 I\u2019m very satisfied with my career. Besides, guitar and flamenco are not my life priorities. The guitar is the instrument with which I earn my living, with whom I\u2019m satisfied, because it\u2019s a profession where you can make people feel good, while I myself feel good.<\/p>\n

\u2013 I could ask you about Rosal\u00eda, but I won\u2019t. You can say whatever you feel like. \u00a0<\/strong>
\n\u2013 Hahahaha. If I answer that, I\u2019m sure it will make headlines, and I don\u2019t think that girl needs further publicity, so I\u2019ll keep my opinion about Rosal\u00eda for myself.<\/p>\n

\u2013 Many thanks for your patience.<\/strong>
\n\u2013 I give you thanks you for your very kind words about Pedro Sierra\u2019s Llanto de la guitarra<\/em> and my artistic career.<\/p>\n

 <\/p>\n

Translated by P. Young<\/span><\/p>\n

 <\/p>\n

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