{"id":9682,"date":"2019-03-03T22:47:59","date_gmt":"2019-03-03T21:47:59","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=9682"},"modified":"2019-03-03T22:52:15","modified_gmt":"2019-03-03T21:52:15","slug":"those-who-quit-traditional-flamenco","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/those-who-quit-traditional-flamenco\/","title":{"rendered":"Those who quit traditional flamenco"},"content":{"rendered":"<p>No performer of <em>cante<\/em> has the obligation of spending their whole lives singing in the traditional way, only with guitar accompaniment, without faking it and sticking to previously-established patterns. It\u2019s nice when they do that, but it\u2019s not an obligation. That\u2019s what the <em>cantaora<\/em> from Huelva <strong>Roc\u00edo M\u00e1rquez<\/strong> seems to believe, that we are trying to prevent her from \u201cevolving\u201d. <strong>Antonio Mairena<\/strong> revolutionized <em>cante<\/em>, but he didn\u2019t destroy anything, on the contrary: he made great everything he sang. There seem to be professionals of <em>cante<\/em>, <em>baile <\/em>and <em>guitar<\/em> who believe that we, the critics, are part of a cabinet for the control of flamenco purity or something.<\/p>\n<p>I don\u2019t really care about what Roc\u00edo M\u00e1rquez sings, frankly. I lost interest in her a while ago, and I don\u2019t like her anymore, either. I\u2019m just saying what I feel, without trying to create any controversy. I feel this way not just about this artist from Huelva, but about many others, too. Yet, this is not their problem, but my problem, exclusively. I like <em>cante jondo<\/em>, not the cute, nice little singing. I feel like listening to Roc\u00edo\u2019s last album because it looks promising, although I\u2019ve been finding her boring for a while. It\u2019s not that I need her or anyone else to change my mind.<\/p>\n<p>Artists must please their public, and their public only. Roc\u00edo has said that she wants to please herself, which I think is rather foolish, because it\u2019s the public who has made her successful, and they\u2019ll kick her down when they no longer like what she does. This woman, whom I greatly praised many years ago, should stop giving interviews, because she only says nonsense. Seriously, it\u2019s incredible. Her egotism makes her think that we\u2019re all just waiting to find out what she\u2019s doing, while that\u2019s not the case, and I know this for a fact. I\u2019m more concerned about <strong>Tom\u00e1s Pav\u00f3n<\/strong>, in case he comes back from the dead one day and releases a new album, than about anything she might do.<\/p>\n<p>Her remarks are so repetitive that it gets boring. I\u2019m really sorry about this, because she has the talent to record wonderful songs, due to her beautiful, sweet voice. She has quit <em>cante<\/em>, and that\u2019s OK because others have come to stay. She shouldn\u2019t think that we\u2019re all going to throw ourselves from a cliff because she has given up flamenco, because we don\u2019t really care. And she should stop trying to justify herself, because she seems to try justifying herself every single day by saying she\u2019s trying to do something that was already tried by <em>cantaoras<\/em> in the 19<sup>th<\/sup> century. Or maybe she actually believes she\u2019s doing something completely new?<\/p>\n<p>I understand when some artists quit traditional flamenco, because it\u2019s hard to live off <em>duendes<\/em> and <em>pellizcos<\/em>. Only a handful have been able to make a living off that, and even them have had their moments. Yet, I adore that handful who left us their interpretative purity. I adore <strong>Isabelita de Jerez<\/strong> and <strong>Fernanda de Utrera<\/strong>. And <strong>Mayte Mart\u00edn<\/strong>, who is an innovator, although she got bored of flamenco. And I got bored of the flamenco-ish singers who believe they are revolutionizing <em>cante<\/em>.<\/p>\n<p style=\"text-align: right;\"><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I understand when some artists quit traditional flamenco, because it\u2019s hard to live off \u2018duendes\u2019 and \u2018pellizcos\u2019. Only a handful have been able to make a living off that, and even them have had their moments.<\/p>\n","protected":false},"author":6,"featured_media":9675,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[256],"tags":[],"class_list":["post-9682","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bordonazo-new"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Those who quit traditional flamenco - Archivo Expoflamenco<\/title>\n<meta name=\"description\" content=\"No performer of cante has the obligation of spending their whole lives singing in the traditional way, only with guitar accompaniment, without faking it and sticking to previously-established patterns. It\u2019s nice when they do that, but it\u2019s not an obligation. That\u2019s what the cantaora from Huelva Roc\u00edo M\u00e1rquez seems to believe, that we are trying to prevent her from \u201cevolving\u201d. Antonio Mairena revolutionized cante, but he didn\u2019t destroy anything, on the contrary: he made great everything he sang. There seem to be professionals of cante, baile and guitar who believe that we, the critics, are part of a cabinet for the control of flamenco purity or something.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/those-who-quit-traditional-flamenco\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Those who quit traditional flamenco - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"No performer of cante has the obligation of spending their whole lives singing in the traditional way, only with guitar accompaniment, without faking it and sticking to previously-established patterns. It\u2019s nice when they do that, but it\u2019s not an obligation. That\u2019s what the cantaora from Huelva Roc\u00edo M\u00e1rquez seems to believe, that we are trying to prevent her from \u201cevolving\u201d. Antonio Mairena revolutionized cante, but he didn\u2019t destroy anything, on the contrary: he made great everything he sang. There seem to be professionals of cante, baile and guitar who believe that we, the critics, are part of a cabinet for the control of flamenco purity or something.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/those-who-quit-traditional-flamenco\/\" \/>\n<meta property=\"og:site_name\" content=\"Archivo Expoflamenco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ExpoFlamenco\" \/>\n<meta property=\"article:published_time\" content=\"2019-03-03T21:47:59+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-03-03T21:52:15+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/03\/rocio-marquez-2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1300\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Manuel Boh\u00f3rquez\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:site\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Manuel Boh\u00f3rquez\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/those-who-quit-traditional-flamenco\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/those-who-quit-traditional-flamenco\\\/\"},\"author\":{\"name\":\"Manuel Boh\u00f3rquez\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/608d65b2c159f7b5b632f1365c15030f\"},\"headline\":\"Those who quit traditional flamenco\",\"datePublished\":\"2019-03-03T21:47:59+00:00\",\"dateModified\":\"2019-03-03T21:52:15+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/those-who-quit-traditional-flamenco\\\/\"},\"wordCount\":575,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/those-who-quit-traditional-flamenco\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2019\\\/03\\\/rocio-marquez-2.jpg\",\"articleSection\":[\"Bordonazo NEW\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/those-who-quit-traditional-flamenco\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/those-who-quit-traditional-flamenco\\\/\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/those-who-quit-traditional-flamenco\\\/\",\"name\":\"Those who quit traditional flamenco - Archivo Expoflamenco\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/those-who-quit-traditional-flamenco\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/those-who-quit-traditional-flamenco\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2019\\\/03\\\/rocio-marquez-2.jpg\",\"datePublished\":\"2019-03-03T21:47:59+00:00\",\"dateModified\":\"2019-03-03T21:52:15+00:00\",\"description\":\"No performer of cante has the obligation of spending their whole lives singing in the traditional way, only with guitar accompaniment, without faking it and sticking to previously-established patterns. 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Cr\u00edtico de flamenco, periodista y escritor. 40 a\u00f1os de investigaci\u00f3n flamenca en El Correo de Andaluc\u00eda. Autor de biograf\u00edas de la Ni\u00f1a de los Peines, Carbonerillo, Manuel Escacena, Tom\u00e1s Pav\u00f3n, Fernando el de Triana, Manuel Gerena, Canario de \u00c1lora...\",\"sameAs\":[\"http:\\\/\\\/www.manuelbohorquez.com\"],\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/author\\\/manuelbohorquez\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Those who quit traditional flamenco - Archivo Expoflamenco","description":"No performer of cante has the obligation of spending their whole lives singing in the traditional way, only with guitar accompaniment, without faking it and sticking to previously-established patterns. It\u2019s nice when they do that, but it\u2019s not an obligation. 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There seem to be professionals of cante, baile and guitar who believe that we, the critics, are part of a cabinet for the control of flamenco purity or something.","breadcrumb":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/those-who-quit-traditional-flamenco\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/those-who-quit-traditional-flamenco\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/those-who-quit-traditional-flamenco\/#primaryimage","url":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/03\/rocio-marquez-2.jpg","contentUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/03\/rocio-marquez-2.jpg","width":1300,"height":800},{"@type":"BreadcrumbList","@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/those-who-quit-traditional-flamenco\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Inicio","item":"https:\/\/expoflamenco.com\/archivo\/en\/"},{"@type":"ListItem","position":2,"name":"Those who quit traditional flamenco"}]},{"@type":"WebSite","@id":"https:\/\/expoflamenco.com\/archivo\/#website","url":"https:\/\/expoflamenco.com\/archivo\/","name":"Archivo Expoflamenco","description":"Portal de arte flamenco: noticias, entrevistas, blogs, cr\u00edticas, investigaci\u00f3n","publisher":{"@id":"https:\/\/expoflamenco.com\/archivo\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/expoflamenco.com\/archivo\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/expoflamenco.com\/archivo\/#organization","name":"Expoflamenco","url":"https:\/\/expoflamenco.com\/archivo\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/logo\/image\/","url":"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/banner-cabecera-mobile.jpg","contentUrl":"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/banner-cabecera-mobile.jpg","width":299,"height":75,"caption":"Expoflamenco"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/ExpoFlamenco","https:\/\/x.com\/expoflamenco1","https:\/\/www.instagram.com\/expoflamenco\/","https:\/\/www.youtube.com\/expoflamenco"]},{"@type":"Person","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/person\/608d65b2c159f7b5b632f1365c15030f","name":"Manuel Boh\u00f3rquez","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","caption":"Manuel Boh\u00f3rquez"},"description":"Arahal, Sevilla, 1958. 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Autor de biograf\u00edas de la Ni\u00f1a de los Peines, Carbonerillo, Manuel Escacena, Tom\u00e1s Pav\u00f3n, Fernando el de Triana, Manuel Gerena, Canario de \u00c1lora...","sameAs":["http:\/\/www.manuelbohorquez.com"],"url":"https:\/\/expoflamenco.com\/archivo\/en\/author\/manuelbohorquez\/"}]}},"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/9682","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/comments?post=9682"}],"version-history":[{"count":1,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/9682\/revisions"}],"predecessor-version":[{"id":9683,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/9682\/revisions\/9683"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/media\/9675"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/media?parent=9682"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/categories?post=9682"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/tags?post=9682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}