{"id":9452,"date":"2019-03-01T23:07:50","date_gmt":"2019-03-01T22:07:50","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=9452"},"modified":"2019-03-01T23:07:50","modified_gmt":"2019-03-01T22:07:50","slug":"chronicles-of-jerez-the-sweet-personality-of-felipa-del-moreno","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/chronicles\/chronicles-of-jerez-the-sweet-personality-of-felipa-del-moreno\/","title":{"rendered":"Chronicles of Jerez: the sweet personality of Felipa del Moreno"},"content":{"rendered":"

Photos: Festival de Jerez \/ Javier Ferg\u00f3<\/span><\/strong><\/p>\n

The success of the 23rd<\/sup> Festival de Jerez continues, as we perceive a more focused emphasis on cante<\/em>. After the positive comments we made about Argentina, Lela Soto, Jos\u00e9 de la Tomasa<\/strong> and Israel Fern\u00e1ndez<\/strong>\u00a0in the previous chronicle of this festival, now it\u2019s time to highlight Felipa del Moreno<\/strong>, a true revelation for many and a vindication for others. \u201cOthers\u201d meaning the people of Jerez, because this Gypsy artists has always been beloved in her city. She has taken part in the great flamenco events of her birthplace, but she hasn\u2019t quite made it big elsewhere, what is surprising when we consider the way she performs her cantes <\/em>and, above all, her sweet personality.<\/p>\n

Yet, she achieved one of the greater successes we\u2019ve witnessed in this Festival so far. It all happened on the evening of Wednesday, February 27th<\/sup>, which incidentally was her birthday, at the Bodega Gonz\u00e1lez Byass <\/strong>venue. The public was both local and foreign, but all enjoyed it very much. It was a dream evening for this cantaora <\/em>who is imbued by the creative sources of her land: Terremoto, Manuel Moneo, Torta<\/strong> and the cantes<\/em> of La Paquera, T\u00eda Bolola<\/strong> and Lola Flores<\/strong>. It\u2019s a true pleasure listening to her singing sole\u00e1s, grana\u00ednas<\/em> or fandangos<\/em>, as well as buler\u00edas<\/em> or tangos<\/em>. She was accompanied by Manuel Valencia <\/strong>on the guitar, and what a guitar it was. Luis de Periqu\u00edn, Manuel Cantarote<\/strong> and Juan Diego Valencia<\/strong>, were in charge of palmas<\/em> and percussion. She also had as invited guests Rosario \u2018La Reina Gitana\u2019<\/strong> on the piano and Andr\u00e9s Pe\u00f1a<\/strong> in baile<\/em>. The public attended this important recital of Felipa and she gave it all, so it\u2019s only fair to highlight her performance as the best in this Festival so far.<\/p>\n

The Villamarta Theater<\/strong>, everyone\u2019s center of attention, was the stage for Jes\u00fas Carmona, Edu Guerrero<\/strong> and the Ballet Andaluz de Flamenco<\/strong>. The first of them, Jes\u00fas, was the best. Unlike what we often see in these productions which seem to gravitate towards the abstract and avant-garde, this bailaor<\/em> from Catalu\u00f1a proved having clear ideas and being able to perform them flawlessly. The public rules, and it granted Jes\u00fas the loudest cheers heard in this theater up to now, not just at the end of his performance but at any moment when he connected with his audience without any barriers. The ca\u00f1a<\/em> where he even broke the heel of his boot is now just a memory. Instead of stopping, he added more fuel to the fire. His show Amator<\/em> was sustained by the cante of Juan Jos\u00e9 Amador, Jes\u00fas Corbacho<\/strong> and Jonathan Reyes<\/strong>, as well as the impeccable guitar of Juan Requena<\/strong>. Less valued was Edu Guerrero<\/strong>\u2018s presentation of his show Sombra Ef\u00edmera<\/em> in Jerez. This bailaor<\/em> is rightfully at the height of his career. He has earned through hard work the merit of being one of the most in-demand artist in this festival and he has a loyal fanbase. We\u2019re not surprised to witness once again his potencial, efficiency and impressive physical qualities. He has comp\u00e1s<\/em>, aire<\/em> and personality. Yet, to be fair, this wasn\u2019t a show that stood out due to its quality. He attempts to ponder about the temporal space we live in from a sand mountain and some branches which later become a tree with garlands and a curtain of used clothing, but it\u2019s not quite clear what it all means. The BFA (Ballet Flamenco Andaluz<\/em>) managed to show up and defend its good reputation, which was a feat in itself, considering what it has experienced in the last few months, with the resignation and replacement of its director. Thanks to \u00darsula L\u00f3pez<\/strong>, and despite the limited time to prepare this production, we can say that the Ballet<\/em> honorably fulfilled the expectations of its show Naturalmente Flamenco<\/em>, which had the moral and choreographic support of Rub\u00e9n Olmo<\/strong>. It was a well-executed repertoire, with farrucas, romances, buler\u00edas, alegr\u00edas, tientos, seguiriyas <\/em>and ca\u00f1as<\/em> performed by either the whole corps the ballet<\/em> or by just \u00darsula herself. Positive vibes, and moving forward.<\/p>\n

We also heeded the call of Vanesa Coloma<\/strong>\u00a0at the Sala Compa\u00f1\u00eda<\/strong> venue with Flamenkl\u00f3rica<\/em>, a multifaceted version of this bailaora<\/em> who displayed plenty of strength and power, with a flamenco performance that captivated the audience. Less fortunate was another Vanesa, Aibar<\/strong>. She presented Sierpre<\/em>, serpent movement. Perhaps appealing to such animal for inspiration jinxed it all. This bailaora has talent to spare, but her message was a bit bothersome and too dense. Yet, the trio made of Leonor Leal, Antonio Moreno<\/strong> y Alfredo Lagos<\/strong> was able to captivate the public, who piled at the Sala Pa\u00fal<\/strong> venue to find out about the messages of Nocturno<\/em>. Without cante, a lot of percussion and celestial music by Alfredo, Leonor finds her own ego before going to sleep, and in that moment silence takes over the stage and the mind focuses on creating tranquility and safety. It\u2019s a reasonable, relatable and digestible show. Besides, the message was clear, which is a big novelty in our days.<\/p>\n

<\/div>\n
<\/div>\n
\n
\"Vanesa

Vanesa Coloma, Festival de Jerez. Photo: Javier Fergo<\/p><\/div>\n

 <\/p>\n

\"Jes\u00fas

Jes\u00fas Carmona, Festival de Jerez. Photo: Javier Fergo<\/p><\/div>\n

 <\/p>\n

\"'Sierpe',

‘Sierpe’, de Vanesa Aibar. Festival de Jerez. Photo: Javier Fergo<\/p><\/div>\n

 <\/p>\n

\"'Naturalmente

‘Naturalmente Flamenco’, Festival de Jerez 2019. Photo: Javier Fergo<\/p><\/div>\n

 <\/p>\n

\"El

The trio Leonor Leal, Antonio Moreno and Alfredo Lagos. Festival de Jerez 2019. Photo: Javier Fergo<\/p><\/div>\n

 <\/p>\n

\"'Sombra

Edu Guerrero’s ‘Sombra Ef\u00edmera’. Festival de Jerez 2019. Photo: Javier Fergo<\/p><\/div>\n

 <\/p>\n

\"'Naturalmente

‘Naturalmente Flamenco’, Festival de Jerez 2019. Photo: Javier Fergo<\/p><\/div>\n<\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

The success of the 23rd Festival de Jerez continues, as we perceive a more focused emphasis on cante.<\/p>\n","protected":false},"author":8,"featured_media":9401,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[70],"tags":[],"class_list":["post-9452","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles"],"yoast_head":"\nChronicles of Jerez: the sweet personality of Felipa del Moreno - Archivo Expoflamenco<\/title>\n<meta name=\"description\" content=\"The success of the 23rd Festival de Jerez continues, as we perceive a more focused emphasis on cante. 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