{"id":9216,"date":"2019-02-27T06:49:54","date_gmt":"2019-02-27T05:49:54","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=9216"},"modified":"2019-02-27T07:08:52","modified_gmt":"2019-02-27T06:08:52","slug":"lela-soto-and-maria-pages-the-first-great-successes-in-the-23rd-festival-de-jerez","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/chronicles\/lela-soto-and-maria-pages-the-first-great-successes-in-the-23rd-festival-de-jerez\/","title":{"rendered":"Lela Soto and Mar\u00eda Pag\u00e9s, the first great successes in the 23rd Festival de Jerez"},"content":{"rendered":"

Photos: Javier Fergo \/ Festival de Jerez<\/span><\/strong><\/p>\n

Joaqu\u00edn Grilo<\/strong>\u00a0\u2018s gala La calle de mis sue\u00f1os<\/em>\u00a0lifted the curtain of the Villamarta Theater<\/strong>, the scenic lung of the Festival de Jerez<\/strong>, which this year celebrates its 23rd<\/sup> edition and which,\u00a0judging by what we\u2019ve seen in this first few days, continues to be a global reference for the lovers of baile <\/em>and flamenco dance. It\u2019s a pleasure walking in this city during the 17 days of this event and see how its streets become rivers of art, with everything shining \u201ca comp\u00e1s<\/em>\u201d, a little more than usual. If it\u2019s true that, for many years, there have been parallel events in their own right such as La Guarida del \u00c1ngel\u2019s \u201cOff Festival<\/em>\u201d<\/strong>, we must also acknowledge that the quality and the epicenter of it all originates from the official program. Yet, we must highlight the performance of Israel Fern\u00e1ndez<\/strong>\u00a0accompanied by Diego del Morao<\/strong> which took place in this venue on the evening of Monday, February 25th<\/sup>. This young cantaor<\/em> has hoisted his flag and we recommend keeping track of him, as he has plenty of talent and a message that easily reaches his audience. He has what it takes.<\/p>\n

Yet, let\u2019s go back to the Villamarta theater, where Joaqu\u00edn,\u00a0El Grilo de Jerez<\/em>, as we could also call him, delighted his audience once again with a more daring production than what we\u2019ve come to expect of him, although it was rather typical of our days. We already know that coming on stage with a traditional baile<\/em> performance is increasingly unusual these days, although I don\u2019t really know why, because whoever knows how to dance por derecho<\/em>, in the traditional way, needs no script or plot to succeed. The same happened with Eva la Yerbabuena<\/strong>, two days after Joaqu\u00edn, who appealed to Japanese culture to offer a well-cared production, precisely balanced on the emotional level, but lacking the baile flamenco<\/em> we would have preferred. Joaqu\u00edn danced exquisitely por sole\u00e1<\/em> with the cante <\/em>of Jos\u00e9 Mijita<\/strong>, making it clear that few can surpass him in these things. Thus, this honorable bailaor<\/em> of Jerez took to the stage the deepest dreams of his life, with his characteristic emotion and with admirable preparation and good sense, also taking good care of the technical aspects such as lightning and music. Yerbabuena even included the singing of Anna Sato, in an amazing intercultural blend. We were left wanting more baile flamenco<\/em> in the Cuentos de az\u00facar<\/em>\u00a0(\u201cSugar Tales<\/em>\u201d) brought to us by this great bailaora<\/em>. But it was Maria Pag\u00e9s<\/strong>\u2019 Una oda al tiempo <\/em>(\u201cAn ode to time<\/em>\u201d) on the evening of Saturday, February 23rd<\/sup>, what moved us more deeply up to now, for being a well-aimed production where this maestra de baile<\/em> makes good use of her vast talent, setting aside her weaker points. In that manner she coils her body in a spiral of movements at the rhythm of vital beats, with bailes<\/em> of classic aesthetic and a superb accompanying dance corps. Concha Jare\u00f1o<\/strong>\u00a0was Monday\u2019s protagonist in the coliseum of Jerez, with her Recital Flamenco<\/em> which, as the name suggests, left aside the anxiously complex creativity of our days to dance as always, in a clear, traditional production. Tangos, soleares por buler\u00edas, guajiras, malague\u00f1as, martinetes<\/em>\u2026 Some of the styles were performed with the outstanding musical accompaniment of Canito<\/strong>\u2019s guitar.<\/p>\n

Besides the Villamarta theater, there are other venues for smaller dance companies or recitals of cante<\/em>. Argentina<\/strong>\u00a0opened this edition at the Gonz\u00e1lez Byass<\/strong>\u00a0cellars with her superb voice, achieving great success with her committed audience. Her recital was based on traveling through the different regions where cante <\/em>which developed unique styles, performing them in her own way. With her voice, freshness and spice, she managed to conquer this \u201cbeloved land\u201d, evoking La Paquera <\/strong>in several instances. <\/strong>Yet, Saturday evening was special. The Sordera<\/strong> family got on the stage of this cellar to accompany the revelation of this lineage, Lela Soto<\/strong>, in a round of ancient cantes<\/em>. Enrique Soto<\/strong>, the elder, with\u00a0Vicente<\/strong>, father of Lela, and Jos\u00e9<\/strong>, the most progressive of the family, paid tribute to the cante <\/em>of Jerez, to the strength of the family and to the mystery of the generations.\u00a0 Lela maintained a great level during this performance which allowed her to cement her reputation in her own land. The public liked her bamberas<\/em>, as well as her initial milonga <\/em>with lyrics by Rub\u00e9n Dar\u00edo<\/strong>, and her buler\u00eda por sole\u00e1\u2026 <\/em>She also committed herself with the seguiriya de\u00a0Paco la Luz<\/strong><\/em>. She\u2019s still young, but she’s already on her way. The following day, two good cantaores<\/em> perfumed with their duende<\/em> this same venue. Sunday, February 24th<\/sup> was the turn of the master Jos\u00e9 de la Tomasa, <\/strong>with the cleanest voice and the knowledge of the elected few, and Perico El Pa\u00f1ero<\/strong>, who keeps in himself the memories of cante<\/em>. Both performed sole\u00e1s<\/em>, and also seguiriyas<\/em>. Heartfelt verses that those Gypsies can\u2019t help but sing here. The cantaor<\/em> from Algeciras was accompanied by Antonio Carri\u00f3n<\/strong>, and Tomasa by\u00a0Jos\u00e9 G\u00e1lvez<\/strong>. The public was greatly pleased by the presence of these two cantaores<\/em> who need space and time for inspiration and managed to make the best out of the short half an hour allocated for their recitals.<\/p>\n

That small format we mentioned could be seen with Cristian Lozano<\/strong> \u2014 flamenco dancer, as defined in the notes \u2014 who used the famous and legendary architect from Catalunya, Antonio Gaud\u00ed<\/strong>, as inspiration to express his passion for nature, religion, architecture and his native land. He used impossible movements with careful aesthetics to build his own building of baile <\/em>with a risky message, although well stated.<\/p>\n

 <\/p>\n

\"Eva

Eva Yerbabuena. Festival de Jerez. Photo: Javier Fergo<\/p><\/div>\n

 <\/p>\n

\"Argentina.

Argentina. Festival de Jerez. Photo: Javier Fergo<\/p><\/div>\n

 <\/p>\n

\"Joaqu\u00edn

Joaqu\u00edn Grilo. Festival de Jerez. Photo: Javier Fergo<\/p><\/div>\n

 <\/p>\n

\"Concha

Concha Jare\u00f1o. Festival de Jerez. Photo: Javier Fergo<\/p><\/div>\n

 <\/p>\n

\"Jos\u00e9

Jos\u00e9 de la Tomasa. Festival de Jerez. Photo: Javier Fergo<\/p><\/div>\n

 <\/p>\n

\"Lela

Lela Soto. Festival de Jerez. Photo: Javier Fergo<\/p><\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

It\u2019s a pleasure walking in this city during the 17 days of this event and see how its streets become rivers of art, with everything shining \u201ca comp\u00e1s\u201d, a little more than usual.<\/p>\n","protected":false},"author":8,"featured_media":9186,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[70],"tags":[],"class_list":["post-9216","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles"],"yoast_head":"\nLela Soto and Mar\u00eda Pag\u00e9s, the first great successes in the 23rd Festival de Jerez - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/chronicles\/lela-soto-and-maria-pages-the-first-great-successes-in-the-23rd-festival-de-jerez\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lela Soto and Mar\u00eda Pag\u00e9s, the first great successes in the 23rd Festival de Jerez - 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