{"id":9091,"date":"2019-02-20T08:11:59","date_gmt":"2019-02-20T07:11:59","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=9091"},"modified":"2019-02-20T08:11:59","modified_gmt":"2019-02-20T07:11:59","slug":"squandering-talent","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/squandering-talent\/","title":{"rendered":"Squandering talent"},"content":{"rendered":"<p>What does it mean to sing well? I\u2019m asking this question because it\u2019s very hard to answer. We have great singers in our days, but this doesn\u2019t mean we now have the best singers in history, although that\u2019s just my opinion. Naturally, it\u2019s impossible to know how people used to sing before recording technology existed, but we can have an idea by listening to those old wax cylinders. I think Chac\u00f3n probably sang like Silverio, and Manuel like Tom\u00e1s El Nitri, even as he never listened to him. Oddly, El Nitri died on the same street in the San Miguel district of Jerez, \u00c1lamos Street, where Torres was born, although El Nitri died two years before Tomasa Loreto Vargas gave birth to Manuel.<\/p>\n<p>Talking one day with an old <i>cantaor<\/i> about this topic, taking advantage of talent, he told me that there were <i>cantaores<\/i> who wasted very good voices, while there were others who were able to make good use of their limited talent. He used himself as an example, and I objected when he said he didn\u2019t have much innate talent because he didn\u2019t have a great voice, even as his voice was great. We shouldn\u2019t confuse talent with the strength of the voice. Every <i>cantaor<\/i> has a collection of talents. Having a good voice is a talent, but there are other talents such as having good tuning, vocalization, rhythm, steadiness\u2026<\/p>\n<p>Fregenal was a big fan of Vallejo, but he believed he squandered his voice in the endings (<i>remates<\/i>) and made the verses unnecessarily long. Fregenal also boasted of having good lungs when it came to the <i>remate<\/i> of his personal fandangos, and almost everyone who tries to sing them end up failing miserably. This <i>cantaor<\/i> from Fregenal de la Sierra was a prodigy of technique and was able to retain his breath in an astonishing way, which allowed him to finish off unbelievable verses and finish his fandangos without ever messing up the melody. He was a clear example of someone who knew how to take advantage of his talent.<\/p>\n<p>In our days there are <i>cantaores<\/i>, particularly young ones, who make good use of their technical and vocal abilities. Rancapino Chico is a clear example, and also his father, who still sings and, even as his voice is very worn out, is still able to link verses like in his heyday. And little Alonso is a true prodigy: without having a big voice, which is not necessary, he\u2019s able to finish his <i>cantes<\/i> admirably, moving everyone who listens.<\/p>\n<p>Other <i>cantaores<\/i> waste their talent, for example, singing <i>palos<\/i> that are too demanding and not suited to their voices. Others sing \u201cblowing\u201d, that is, releasing too much air at once in one verse, and then when they have to finish it, they struggle, beating their chests with great drama. They call it to fight with <i>cante<\/i> (as in daring or challenging <i>cante<\/i>). If the <i>cantaor<\/i> sings properly, with a good technique, taking advantage of their abilities and talents, it\u2019s not necessary to fight with <i>cante<\/i>. There\u2019s a story of one <i>cantaor<\/i> who asked Pepe Marchena to work in his company, and he kept telling him that he was able to fight all <i>cantes<\/i>. When Marchena listened to him and saw his performance, he told him \u201cyou fight so much with these <i>cantes<\/i> that they get mad at you\u201d.<\/p>\n<p>Singing well is very difficult, not to say impossible. And in some periods of flamenco history there have been such good singers, such as Chac\u00f3n, Pastora, Manuel Torres, Cayetano Muriel, Mojama and Vallejo that we\u2019re eager compare them with today\u2019s <i>cantaores<\/i>. Incidentally, in our days there are a dozen young <i>cantaores<\/i> who sing wonderfully, regardless if they\u2019re properly using their talent or not.<\/p>\n<p><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>What does it mean to sing well? I\u2019m asking [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":9089,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[66],"tags":[],"class_list":["post-9091","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-archivo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Squandering talent - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/squandering-talent\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Squandering talent - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"What does it mean to sing well? 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