{"id":7950,"date":"2018-03-06T19:38:40","date_gmt":"2018-03-06T19:38:40","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/la-nueva-navidad-de-luis-de-periquin-2\/"},"modified":"2019-03-15T23:00:28","modified_gmt":"2019-03-15T22:00:28","slug":"cadiz-takes-over-the-festival-of-jerez-in-a-few-days","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/chronicles\/cadiz-takes-over-the-festival-of-jerez-in-a-few-days\/","title":{"rendered":"C\u00e1diz takes over the Festival of Jerez in a few days"},"content":{"rendered":"<p>The winds of C\u00e1diz arrived as a hurricane in the show \u201c<i>\u00bfQu\u00e9 pasar\u00eda si pasara?<\/i>\u201d (\u201c<i>What would happen if it happened<\/i>?) by the quartet formed by David Palomar, Riki Rivera, El Junco and Roberto Ja\u00e9n. The evening of March 2 will be remembered by the roars of laughter brought about by those performers from C\u00e1diz, half flamencos, half jesters. This production offered a contemporary perspective of those solemn expressions, myths and historical mysticisms about flamenco, making a mockery of so many \u201clies\u201d. Everything in good fun, that is. At the end of the show they wondered out loud if \u201cthat joke about Mairena would have offended anyone\u201d. They laugh off concepts such as \u201c<i>duende<\/i>\u201d, \u201c<i>jondo<\/i>\u201d, \u201c<i>pellizco<\/i>\u201d or \u201cpurity\u201d. They joke around about the Gypsy ways of Agujetas, or question if Marena was \u201csmoking something\u201d when he came up with his theory of \u201cincorporeal reason\u201d. The public wasn\u2019t shocked, because the context allowed it all. Among so much fun, Palomar sang\u00a0<i>martinetes<\/i>\u00a0and\u00a0<i>sole\u00e1<\/i>, and El Junco danced like crazy\u2026 They even used a Ouija board to summon the spirits of Juanito Valderrama, Chano Lobato or Camar\u00f3n, making a vocal imitation of those artists. All quite funny. Yet, was this really suitable for the Festival of Jerez?<em>&#8230;.<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-3452\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/cuarteto.jpg\" alt=\"\" width=\"549\" height=\"366\" srcset=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/cuarteto.jpg 549w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/cuarteto-300x200.jpg 300w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/cuarteto-128x86.jpg 128w\" sizes=\"auto, (max-width: 549px) 100vw, 549px\" \/><\/p>\n<p>That same evening we attended the debut show of Gema Moneo, bailaora from the Plazuela district of Jerez who became the most (and best) talked about artist in this Festival. With a simple and very flamenco show, she captivated the audience who acclaimed her performances por seguiriyas, romeras, bueler\u00edas and sole\u00e1. She was supported by a first-class cast of cantaores such as Manuel Ta\u00f1\u00e9, Miguel Lavi, Jes\u00fas Corbacho and Luis Moneo, the later leaving the imprint of the family\u2019s echo, which already misses, Manuel, Juan, Moneo and El Torta. She was also supported by the guitars of Jes\u00fas Agarrado \u2018El Guardia\u2019 and the great Juan Campallo. \u201cEl Sonido de mis d\u00edas\u201d (\u201cThe Sound of my Days\u201d) as the show was titled, is among the best-liked events in this Festival.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-3453\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/gema-moneo.jpg\" alt=\"\" width=\"537\" height=\"358\" srcset=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/gema-moneo.jpg 537w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/gema-moneo-300x200.jpg 300w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/gema-moneo-128x86.jpg 128w\" sizes=\"auto, (max-width: 537px) 100vw, 537px\" \/><\/p>\n<div class=\"paragraph\">Saturday brought back C\u00e1diz elegance with the baile of Edu Guerrero, who had a double performance. In the morning, at the Gonzalez Byass venue, he presented \u201cFaro\u201d, with Manu Soto and Anabel Rivera in cante, and Javier Ib\u00e1\u00f1ez at the guitar. Once again, he was outstanding with his particular way to move on the stage, creating a unique language and able to communicate unhindered with a public who thoroughly enjoyed his performance. He danced por ca\u00f1as, alegr\u00edas and buler\u00edas.<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-3454\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/eduardoguerrerofaro.jpg\" alt=\"\" width=\"530\" height=\"353\" srcset=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/eduardoguerrerofaro.jpg 530w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/eduardoguerrerofaro-300x200.jpg 300w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/eduardoguerrerofaro-128x86.jpg 128w\" sizes=\"auto, (max-width: 530px) 100vw, 530px\" \/><\/p>\n<p>In that same eveing, Edu took part in the show \u201cLas Puertas de Gades\u201d (\u201cGades\u2019 Doors\u201d) by Ercarna Anillo, an extremely versatile cantaora who proved to be one of the essential artists of C\u00e1diz. Rather than going back in time in esthetic and form, she showed herself modern and elegant, singing malague\u00f1as y alegr\u00edas with very good taste. She made a musical journey through the Atlantic ocean until reaching the shores of the American continent and bringing up the music of Argentina and Chile, leading into the cantes de ida y vuelta. She was another acclaimed artist in this Festival.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-3455\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/encarna-anillo.jpg\" alt=\"\" width=\"519\" height=\"346\" srcset=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/encarna-anillo.jpg 519w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/encarna-anillo-300x200.jpg 300w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/encarna-anillo-128x86.jpg 128w\" sizes=\"auto, (max-width: 519px) 100vw, 519px\" \/><\/p>\n<p>On Sunday we attended a guitar performance by Santiago Lara. It was a charming concert, recalling masterpieces of other masters of flamenco guitar. From Ni\u00f1o Ricardo\u2019s sole\u00e1 to Mora\u00edto\u2019s buler\u00edas, passing through Ram\u00f3n Montoya\u2019s ronde\u00f1a and Sabicas\u2019 \u201cPunta y Tac\u00f3n\u201d, without forgetting Manolo Sanl\u00facar, Paco de Luc\u00eda or Vicente Amigo. An evening to remember!<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-3456\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/santiago-lara.jpg\" alt=\"\" width=\"521\" height=\"347\" srcset=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/santiago-lara.jpg 521w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/santiago-lara-300x200.jpg 300w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/santiago-lara-128x86.jpg 128w\" sizes=\"auto, (max-width: 521px) 100vw, 521px\" \/><\/p>\n<div class=\"paragraph\">From Sala Pa\u00fal, we came back to the Villamarta theater to enjoy the show \u201cLa Tourn\u00e9e\u201d by Pilar Ogalla and Andr\u00e9s Pe\u00f1a. It was a show with the same essence than the others, but with a different dressing. They have such an unique and personal way to dance, so flamenco, that having a plot topic in this show is unnecessary, since they are great in what they do, not in how they do it.<\/div>\n<div><\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-3457\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/andres-pena-pilar-ogalla.jpg\" alt=\"\" width=\"519\" height=\"346\" srcset=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/andres-pena-pilar-ogalla.jpg 519w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/andres-pena-pilar-ogalla-300x200.jpg 300w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/andres-pena-pilar-ogalla-128x86.jpg 128w\" sizes=\"auto, (max-width: 519px) 100vw, 519px\" \/><\/p>\n<div class=\"paragraph\">We should also mention the performance of the Ballet Andaluz de Flamenco (BAF), with Rafael Est\u00e9vez and Valeriano Pa\u00f1os as choreographers and protagonists, in a production that blends tradition and innovation, with love, respect and good taste. There weren\u2019t any extraordinary moments. The show maintained a high level, yet it didn\u2019t have any unforgettable minute. It\u2019s time to get going and polish some of the many numbers performed on the stage.<\/div>\n<div><\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-3458\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/baf.jpg\" alt=\"\" width=\"515\" height=\"343\" srcset=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/baf.jpg 515w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/baf-300x200.jpg 300w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/baf-128x86.jpg 128w\" sizes=\"auto, (max-width: 515px) 100vw, 515px\" \/><\/p>\n<p>With a simpler format, as expected, Alejandro Molinero presented his show \u201cADM\u201d at the Sala Compa\u00f1\u00eda venue, in a journey through stylized dance, folklore, classical dance and flamenco. Flamenco was the least intense part of it all, but it was convincing.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-3461\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2018\/03\/molinero.jpg\" alt=\"\" width=\"516\" height=\"344\" srcset=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2018\/03\/molinero.jpg 516w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2018\/03\/molinero-300x200.jpg 300w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2018\/03\/molinero-128x86.jpg 128w\" sizes=\"auto, (max-width: 516px) 100vw, 516px\" \/><\/p>\n<p>As there were no major performances at the Villamarta on Monday evening, the public attended the Sala Pa\u00fal venue to enjoy Jes\u00fas Fern\u00e1ndez\u2019s baile, a clean and fresh production which moved the audience with its simplicity, leaving a message easy to understand by the public: \u201csome people make brief appearances in our lives, but change them forever\u2026\u201d With his own shadow he played with different periods in his life where emotion and inspiration made him change until he became the bailaor he is now.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-3463\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2018\/03\/jesusfernandezanabelmoreno.jpg\" alt=\"\" width=\"521\" height=\"347\" srcset=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2018\/03\/jesusfernandezanabelmoreno.jpg 521w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2018\/03\/jesusfernandezanabelmoreno-300x200.jpg 300w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2018\/03\/jesusfernandezanabelmoreno-128x86.jpg 128w\" sizes=\"auto, (max-width: 521px) 100vw, 521px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The winds of C\u00e1diz arrived as a hurricane in the show \u201c\u00bfQu\u00e9 pasar\u00eda si pasara?\u201d (\u201cWhat would happen if it happened?)<\/p>\n","protected":false},"author":8,"featured_media":10432,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[70,71],"tags":[],"class_list":["post-7950","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-shows"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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