{"id":7929,"date":"2018-03-15T19:17:07","date_gmt":"2018-03-15T19:17:07","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/que-pasaria-si-pasara-el-flamenco-y-las-risas-a-compas\/"},"modified":"2019-03-14T22:36:52","modified_gmt":"2019-03-14T21:36:52","slug":"flamenco-and-laughter-a-compas","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/chronicles\/flamenco-and-laughter-a-compas\/","title":{"rendered":"Flamenco and laughter \u201ca comp\u00e1s\u201d"},"content":{"rendered":"

By Luis M. P\u00e9rez. Seville, March 14, 2018 (Photos by Paco Lobato)\u00a0<\/span><\/p>\n

How nice is\u00a0tanguillo<\/i>.\u00a0Tanguillo<\/i>\u00a0is lots of fun. That\u2019s the voice of\u00a0David Palomar<\/b>, who rehearses \u201cAquellos duros antiguos\u2026<\/i>\u201d from the stage where the four artists are each surrounded by a circle of soft light on the floor. A litany of four different monologues start one after the other until becoming unintelligible. What a great angel, says David, and the four voices get mixed up once again in a great ruckus. Syria\u2019s hell, refugees wandering aimlessly, senseless violence, the country\u2019s corruption. \u201cWhen I sing\u00a0por seguiriyas<\/i>, I can taste blood.\u201d<\/p>\n

They\u2019re already telling us where this is all going, although not quite. The\u00a0seguiriya<\/i>\u00a0makes its way among the confusion, with the\u00a0comp\u00e1s<\/i>, set by four pairs of hands and one pair of celestial feet, those of Juan Jos\u00e9 Ja\u00e9n Arroyo\u00a0El Junco<\/b>\u00a0(born in C\u00e1diz in 1975), standing about 6 feet tall. Tall like his nickname, chin up, with dozens of whistles and sticks falling from his huge hands. El Junco\u2019s hands seem infinite, they barely get above his head, he\u2019s a\u00a0bailaor<\/i>\u00a0with his own stamp. And yesterday he danced like never before. Palomar gets in tune, overflowing with wisdom as always, singing\u00a0seguiriyas de Francisco la Perla acompasadas<\/i>, while his brother in law, at the guitar, sounds brilliant and modern.<\/p>\n

Ricardo Rivera Mora<\/b>\u00a0(born in C\u00e1diz in 1979) starts his monologue while his three colleagues start reading the newspaper seating at the back, in Indian file, as if travelling on the subway. You know what? Riki is for sure the greatest artist of C\u00e1diz, if not of all Andalusia. He is a comprehensive artist. Last night he performed like a fish in the water, making full use of his comic talent, speaking his monologue before the great Manu S\u00e1nchez, who was sitting on first row. An argument against laziness, apathy and boredom; in favor of hard work, perseverance, passion. Critics for half the critics, the other half are my guests. Critics also for the artists, who tear themselves apart at the slight evidence of a colleague\u2019s success. All done hilariously, with the public cracking up with laugher and willing to be complicit.<\/p>\n

After his monologue, a\u00a0milonga<\/i>\u00a0comes out in David\u2019s voice, and Riki takes us to the Caribbean with an instrumental guajira which earned an standing ovation from the audience. Impressive. That set the tone for the whole show. We are before a surrealist comedy, committed, nit-picky and with a clear academic intent. That was evident in El Junco\u2019s monologue, full of wit. He\u2019s not just a dancer, as he also sings well and has the gift of a speaker. Dr. Time interacted with the public, who could not stop laughing, while Juan Jos\u00e9 cured our lack of rhythm, an illness which will affect one hundred percent of world population by the year 2020, according to the University of La Caleta.<\/p>\n

Then in was the turn of his brother\u00a0Roberto Ja\u00e9n<\/b>\u00a0(born in C\u00e1diz in 1980), who blamed that illness on the new technologies, the new media sources and the fast pace of modern life. Roberto is a much better percussionist than actor, as you may know, yet he looked after the whole rhythmical frame of the show in a brilliant way, if I may say so. \u201cIf we told people that the brain is an app, perhaps people would start using it. Maybe if we could spend some time with the artists from the old days\u2026\u201d<\/p>\n

Without missing a beat, they take a tin cup and start playing the\u00a0Ouija<\/i>\u00a0to call upon the spirits. There you are. Speak! It\u2019s Chano Lobato, speaking and singing through El Junco\u2019s mouth. Roberto Ja\u00e9n lends his throat to Juanito Valderrama,\u00a0por guajiras<\/i>\u00a0and David Palomar imitates Camar\u00f3n\u00a0por buler\u00edas<\/i>, like no other, leaving us all with the chills. Before that,\u00a0Susana Casas<\/b>, a truly wonderful\u00a0bailaora<\/i>, did a great performance honoring Lola Flores, who complained that it\u2019s always the same artists who perform in flamenco festivals.<\/p>\n

It\u2019s impossible to tell it all.\u00a0David Palomar<\/b>\u00a0(born in C\u00e1diz in 1977) is never below outstanding. He can both make a plea against flamenco purity as sing the most heartfelt\u00a0soleares<\/i>\u00a0of the season. His own, those of Chozas de Jerez, those of Paquirri el Guant\u00e9, one, two, three. That was after the act of the\u00a0duende<\/i>, where he ridiculed the false theories and hypothesis of traditional flamenco. \u201cI\u2019ve never known hunger\u201d, he says. \u201cTonight I want to sing\u00a0por sole\u00e1<\/i>\u00a0for you, and all I can do is trying my best, with all my heart\u201d. He did just that.<\/p>\n

He also performed some very personal and catchy\u00a0alegr\u00edas<\/i>\u00a0he brought from the East, which El Junco danced all over the stage until he got all the dust off it. \u201cDude, this guy can really dance\u201d, some next to me said. \u201cSuch powerful feet!\u201d. He dances in his own style, masculine, with lowered arms and the palms of his hands ironing every part of his shirt. David then sang\u00a0por sevillanas<\/i>\u00a0(they gave plenty of\u00a0ojana<\/i>\u00a0to the public, which didn\u2019t mind one bit) and even sang the\u00a0jota aragonesa<\/i>. And he made us laugh. My stomach still hurts.<\/p>\n

Event notes:<\/p>\n

Show:<\/b>\u00a0Qu\u00e9 pasar\u00eda si pasara<\/i>. Series:\u00a0Flamenco viene del Sur<\/i><\/p>\n

Place and date:<\/b>\u00a0Teatro Central de Sevilla. March 3, 2018<\/p>\n

Cante:<\/b>\u00a0David Palomar<\/p>\n

Baile:<\/b>\u00a0Juan Jos\u00e9\u00a0El Junco<\/i><\/p>\n

Guitar:<\/b>\u00a0Riki Rivera<\/p>\n

Percusi\u00f3n:<\/b>\u00a0Roberto Ja\u00e9n<\/p>\n

Invited artist in baile:<\/b>\u00a0Susana Casas<\/p>\n

 <\/p>\n

\"\"\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

David Palomar, El Junco, Riki Rivera and Roberto Ja\u00e9n brought their successful flamenco comedy to the Flamenco viene del Sur show seriesFlamenco viene del Sur<\/p>\n","protected":false},"author":7,"featured_media":10331,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[70,71],"tags":[],"class_list":["post-7929","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-shows"],"yoast_head":"\nFlamenco and laughter \u201ca comp\u00e1s\u201d - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/chronicles\/flamenco-and-laughter-a-compas\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Flamenco and laughter \u201ca comp\u00e1s\u201d - 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