{"id":7651,"date":"2018-08-31T17:04:23","date_gmt":"2018-08-31T17:04:23","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/manuel-peralta-y-fernando-canela-juegan-al-toro-en-mairena\/"},"modified":"2019-02-16T12:53:26","modified_gmt":"2019-02-16T11:53:26","slug":"manuel-peralta-and-fernando-canela-play-around-in-mairena","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/chronicles\/manuel-peralta-and-fernando-canela-play-around-in-mairena\/","title":{"rendered":"Manuel Peralta and Fernando Canela play around in Mairena"},"content":{"rendered":"<div class=\"paragraph\">\n<div class=\"paragraph\">\n<p>The second day of the <b>Festival de Cante Jondo <i>Antonio Mairena<\/i><\/b> was devoted to the <b>Bienal de Arte Flamenco Canela de San Roque<\/b>, which will take place between October 4th and October 27th. In a gesture of brotherhood between one of the oldest flamenco festivals and one of the newest, Juan Carlos Ruiz, the mayor of San Roque, in C\u00e1diz province, presented the second edition of the festival, named in honor of the great <i>cantaor<\/i> Alejandro Segovia Camacho \u201c<b>Canela de San Roque<\/b>\u201d, who sadly passed away three years ago.<\/p>\n<p>After this act, <b>Antonio P\u00e9rez<\/b>, the town\u2019s chronicler, presented his book \u201c<i>Donde habita la claridad (Poes\u00eda Flamenca)<\/i>\u201d, giving way to a recital by two young <i>cantaores<\/i> from San Roque, Fernando Canela and Manuel Peralta. The scheduled guitarist was originally Antonio Peralta \u201c<i>El Kuko<\/i>\u201d, brother of Manuel, but he was replaced by the young Rub\u00e9n Lara, who would become the recital\u2019s sensation.<\/p>\n<p>His full name is <b>Rub\u00e9n Lara Cruces<\/b>, and he\u2019s from Ca\u00f1ete la Real, a little town in M\u00e1laga with a population of just fifteen hundred people. He\u2019s 25 years old. \u201cJust watch how well this kid plays!\u201d, whispered the old aficionados from Mairena who packed the beautiful Patio del Pozo, a hidden corner in the imposing <i>Casa Palacio de los Duques de Arcos<\/i>, where each detail seems to have been conceived with flamenco in mind. A bust of Antonio Mairena to the left of Rub\u00e9n hinted an approving smile for his masterful <i>toque<\/i>.<\/p>\n<p>The palace\u2019s wooden beams creaked at the start of the recital, with a \u201cmano a mano\u201d <i>por martinetes<\/i>. The anvil was taken over by <b>Fernando<\/b>, the younger brother of Jos\u00e9 Canela, who fanned the flames of the family forge from a corner. Fernando started with <i>martinete<\/i> and <i>ton\u00e1 chica de los olivaritos del valle<\/i>, evoking Tom\u00e1s Pav\u00f3n. Really Good, but sadly his flame faltered from then on. His fellow <i>cantaor<\/i> <b>Manuel Peralta<\/b> (b. 1985) more than earned his day\u2019s pay emulating the master of Alcores. In that precise moment, although a bit strident at the beginning, he got his boots on, and gave it all, singing the <i>ton\u00e1 grande<\/i>, the <i>ton\u00e1 del Cerrojo<\/i> to be precise, with its usual finish. The evening was looking good.<\/p>\n<p>With all the artists now on stage, the two <i>cantaores<\/i> alternated, accompanied by the same guitarist. They alternated lights and shades and Rub\u00e9m illuminated the patio with his <i>falsetas<\/i>. Fernando Canela, son of Canela de San Roque, was up to the challenge. His voice is rounded, sweet, gifted, his chest is like a vault and he has <i>comp\u00e1s<\/i> to spare. Yet, just like Manuel Peralta, he\u2019s a <i>cantaor<\/i> with a lot of feeling. He was a bit scattered <i>por alegr\u00edas<\/i>, alternating between Aurelio and Camar\u00f3n, and rather irregular <i>por sole\u00e1<\/i>, one of his signature <i>palos<\/i> and his family\u2019s specialty. He did fine with the <i>cantes de la Serneta<\/i> in the style of Tom\u00e1s Pav\u00f3n, finishing much better in the styles of El Mellizo and Joaqu\u00edn el de la Paula. It\u2019s not possible to nail it every time, singing from the inside to the outside. I\u2019ve seen him doing better, we all have.<\/p>\n<p><b>Manuel Peralta<\/b> is also from a flamenco family, and just like Fernando, he had come to the Festival de Mairena to give it all. The public in this town is quite demanding and very knowledgeable. Manuel had trouble getting out of the predicament he got into, singing the <i>media grana\u00edna<\/i>, after doing fine with Enrique el Mellizo\u2019s <i>malague\u00f1a doble<\/i>. From then on, he was able to get rid of the ballast and started to connect with the public\u2019s hearts. \u201cYou\u2019re looking a bit serious\u201d, said the <i>cantaor<\/i> to the ferocious spectators, who remained stone-faced. Yet, when he finished his round of <i>seguiriyas<\/i> with the <i>cabal del Tuerto de la Pe\u00f1a<\/i>, the public yielded and eagerly embraced the <i>cantaor<\/i>.<\/p>\n<p>From here on, Peralta excelled, singing <i>buler\u00edas por sole\u00e1<\/i>, together with Fernando Canela, who was still unable to find his way, no matter how much he tried to appeal to the spirit of Tom\u00e1s. They also sang <i>buler\u00edas de Jerez<\/i> in memory of Antonio Mairena, with Fernando now warmed up and doing as well as Manuel, earning the acclaim of the public.<\/p>\n<p>&nbsp;<\/p>\n<blockquote><p><i>Event notes<\/i>:<\/p>\n<p>Show: <b>Presentation of the <i>2nd Bienal de Arte Flamenco \u201cCanela de San Roque\u201d<\/i><\/b><br \/>\nSeries: <b>52nd <i>Festival de Cante Jondo \u201cAntonio Mairena\u201d<\/i> 2018<\/b><br \/>\nPlace: <b>Casa Palacio de los Duques de Arcos<\/b>, Mairena del Alcor, Sevilla.<br \/>\nDate: <b>August 28th, 2018<\/b><br \/>\n<i>Cante<\/i>: <b>Manuel Peralta<\/b> and <b>Fernando Canela<\/b><br \/>\nGuitar: <b>Rub\u00e9n Lara<\/b><br \/>\n<i>Palmas<\/i>: <b>Miguel \u201cNene\u201d<\/b> and <b>Fernando Canela \u201cSobrino\u201d<\/b><\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<\/div>\n<hr \/>\n<div class=\"paragraph\"><span style=\"font-size: xx-small;\">Photos: Festival of Cante Jondo Antonio Mairena \/ Delegation of Culture of the City Council of Mairena del Alcor<\/span><\/div>\n<\/div>\n<div><\/div>\n<div><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3289 aligncenter\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/recitalx_orig.jpg\" alt=\"\" width=\"1125\" height=\"382\" srcset=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/recitalx_orig.jpg 1125w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/recitalx_orig-600x204.jpg 600w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/recitalx_orig-300x102.jpg 300w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/recitalx_orig-768x261.jpg 768w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/recitalx_orig-1024x348.jpg 1024w\" sizes=\"auto, (max-width: 1125px) 100vw, 1125px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3291 aligncenter\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/fernandocanelax.jpg\" alt=\"\" width=\"389\" height=\"583\" srcset=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/fernandocanelax.jpg 389w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/fernandocanelax-200x300.jpg 200w\" sizes=\"auto, (max-width: 389px) 100vw, 389px\" \/><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The 2nd Bienal de Arte Flamenco \u201cCanela de San Roque\u201d was presented in the Festival de Cante Jondo \u201cAntonio Mairena\u201d with a recital by two young artists from San Roque. <\/p>\n","protected":false},"author":7,"featured_media":8499,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[70,71],"tags":[],"class_list":["post-7651","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-shows"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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