{"id":7636,"date":"2018-09-17T17:02:10","date_gmt":"2018-09-17T17:02:10","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/nace-un-festival-flamenco-con-esencia-de-mujer\/"},"modified":"2019-02-16T12:56:26","modified_gmt":"2019-02-16T11:56:26","slug":"a-festival-with-female-essence-is-born","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/articles\/a-festival-with-female-essence-is-born\/","title":{"rendered":"A festival with “female essence” is born."},"content":{"rendered":"
Texto: Carmen Arjona<\/h6>\n

 <\/p>\n

Two years of work and a lot of excitement. This simple recipe has made possible the 1st Festival de Mujeres Flamencas \u201cLa Roezna\u201d<\/i>, an initiative of the women of Alcal\u00e1 de Guada\u00edra who decided to say loud and clear what they have to say about flamenco in this beautiful town in the Alcores region. We must name the associations that made all this possible: the Asociaci\u00f3n de Voluntarios del Castillo de Alcal\u00e1 de Guada\u00edra<\/i> and the Asociaci\u00f3n de Mujeres de Alcal\u00e1<\/i>.<\/p>\n

A group of people full of excitement piles up at the entrance of the Guti\u00e9rrez de Alba theater, the traditional venue in Alcal\u00e1, where this event will take place. The organizers are excited, too, as the show is expected to sell out. They have always lived around flamenco, and that\u2019s why they believe Alcal\u00e1 has still a lot to give.<\/p>\n

Ana Corripio, the presenter, states conclusively: \u201cthis is not a festival just for women\u201d, it\u2019s for everyone, without exceptions, the men and women in the public, and the men and women on stage, sharing life as equals. Because that\u2019s what feminism is all about, and this still needs to be explained.<\/p>\n

The event starts with a documentary honoring Dolores Tinoco Fern\u00e1ndez \u201cLa Roezna<\/i>\u201d. The stage background recreates the narrow streets of the San Miguel district, while the stage itself is virtually devoid of any decoration, having just the festival\u2019s poster and a guitar resting in one corner.<\/p>\n

After this prologue, the performance starts with the young Yaisa Trigo dancing to the ca\u00f1a<\/i> that comes out in the voice of Saray de Alcal\u00e1, accompanied by the guitar of Joaqu\u00edn Barrera. There is self-wareness and responsibility in the little body of this girl who is aiming very high.<\/p>\n

The presenter reminds us of the time when the Gypsies of Triana went to San Miguel, the time of the Frascos, the Fern\u00e1ndez, Gordo and de la Paula, and then is time for Saray\u2019s cante<\/i> once again. The sole\u00e1 de Alcal\u00e1<\/i> vibrates in her Gypsy voice, as Gypsy as the wind of the San Miguel castle. She sings in the style of Joaqu\u00edn el de la Paula and Manolito de Mar\u00eda, evoking La Roezna with the verses \u201cquisiera verte y no hablarte\u2026<\/i>\u201d. No apologies, as that\u2019s the tradition she has lived in her home. She continues with seguiriyas<\/i> and buler\u00edas<\/i>. The women wear rosemary leaves in their hair. The same rosemary where the key was hidden.<\/p>\n

It\u2019s the time to thank the representatives of this initiative, Soraya Rodr\u00edguez and Patrocinio Segura, for their perseverance and great effort despite all the obstacles, as well as the support of the City Council, represented by the mayor Ana Isabel Jim\u00e9nez. Their only goal is to promote \u201cthe integrity of men and women towards culture\u201d. The bailaora<\/i> Eli Jara completes the moment with her presence on stage.<\/p>\n

It\u2019s time for the energetic baile<\/i> of the Vila\u00fa sisters. The endless sole\u00e1<\/i> footwork by Mar Villa\u00fa earns her a standing ovation, while the baile<\/i> of Paqui Villa\u00fa wonderfully demonstrates the Seville school por alegr\u00edas<\/i>. Macarena Jurado, al cante<\/i>, is accompanied by guitar, flute, percussion and palmas<\/i>.<\/p>\n

Now it\u2019s the moment for the guitar solo by Mar\u00eda Jos\u00e9 Dom\u00ednguez, who can brag about being the first person to ever get a flamenco guitar degree. She surprises and delights the public with a sweet media grana\u00edna<\/i> sparkled with touches of Ni\u00f1o Ricardo, as well as with her humble gratefulness and that essence of humanity which always surrounds her. Her great toque<\/i> prompts a standing ovation by the appreciative public.<\/p>\n

Rosa La Divi dedicates her buler\u00edas por sole\u00e1<\/i> and tientos tangos<\/i> to all women. \u201c\u00a1Ole Divi!<\/i>\u201d, someone among the public shouts. We can listen to her cante<\/i> at seven and a half, powerful and self-assured, with a great comp\u00e1s<\/i>. Her guitarist, Maria Jos\u00e9 Dom\u00ednguez, had to change her guitar to accompany the precise notes demanded by the cantaora<\/i>.<\/p>\n

We approach the end of this fast-paced festival, despite the multitude of artists, as there are more performers than those announced in the festival\u2019s poster. The grand finale is baile por seguiriya<\/i> by the special guest Teresa V\u00e1zquez \u201cLa Debla\u201d. Cante<\/i> is performed by Natalia Mar\u00edn and Juan de Mairena, in a mano a mano<\/i> over the masterful notes of Antonio G\u00e1mez. Flute and sax complete the instrumentation. The nana del caballo<\/i> is performed for La Debla to shows us all her sensuality and handwork.<\/p>\n

Natalia Mar\u00edn and Antonio G\u00e1mez bid us farewell with a tribute to Lola Montoya and tangos<\/i> which leave a happy aftertaste in our souls.<\/p>\n

It was agreed that this festival should be held around October in the future, like the other two traditional festivals of this town, one honoring Joaqu\u00edn el de la Paula and the other Manolito de Mar\u00eda. With the same comp\u00e1s<\/i>, but with a \u201cfemale essence\u201d. We whish them many successful years.<\/p>\n

 <\/p>\n

Event notes:<\/b><\/i><\/p>\n

Cante<\/i>:<\/b> Saray del Alcal\u00e1, Natalia Mar\u00edn, Macarena Jurado, Juan de Mairena.
\nGuitars:<\/b> Mar\u00eda Jos\u00e9 Dom\u00ednguez (soloist), Antonio G\u00e1mez, Joaqu\u00edn Barrera, David Villa\u00fa.
\nbaile<\/i>:<\/b> Yaiza Trigo, Mar and Paqui Villa\u00fa. Special guest: Teresa V\u00e1zquez \u201cLa Debla\u201d
\npalmas<\/i>:<\/b> Alicia Garc\u00eda, Alba Su\u00e1rez, Mar\u00eda Villa\u00fa, Jes\u00fas Borrego, Lorena Ter\u00e1n.
\nPercussion:<\/b> Jes\u00fas Pozo.
\nFlute and saxophone:<\/b> Juan Carlos Passas.<\/p><\/blockquote>\n

 <\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Two years of work and a lot of excitement. 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