{"id":7456,"date":"2019-02-08T20:41:31","date_gmt":"2019-02-08T19:41:31","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=7456"},"modified":"2019-02-09T20:50:17","modified_gmt":"2019-02-09T19:50:17","slug":"maria-vargas-on-the-rebound","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/maria-vargas-on-the-rebound\/","title":{"rendered":"Mar\u00eda Vargas on the rebound"},"content":{"rendered":"<p>The great, the one and only, the beautiful Mar\u00eda Vargas (Sanl\u00facar de Barrameda, 1947). She gave us thrills and chills in the nineteen-sixties and seventies with those recordings of hers, some twenty in all, as well as her performances in the heyday of the summer festivals and tablaos. With a luminous delivery, flamenco sound and a personality all her own, the vulnerable tension in her voice was, and continues to be nearly unbearable\u2026in the best flamenco sense of course, that pain is a good thing.<\/p>\n<p>Mar\u00eda is practically unknown to millenial flamenco fans, but older followers remember her as the ubiquitous young singer of a prodigious generation that included legendary singers such as Paquera, Fosforito, Perla de C\u00e1diz, Terremoto and Manuel Soto Sordera among others.<\/p>\n<p>As a youngster I took it for granted that female flamenco singers were elderly, wrinkly and large\u2026T\u00eda Anica, Rosal\u00eda de Triana, Juana la del Pipa (the elder)&#8230; A child\u2019s impression that reflected the social tradition of \u201c<i>nice girls don\u2019t sing flamenco<\/i>\u201d, they stay home taking care of the family and the house. The first time I saw Mar\u00eda Vargas on the cover of a record, I immediately thought \u201c<i>she can\u2019t be a flamenco singer, she\u2019s young and pretty!<\/i>\u201d She also wore make-up and a loose hair-do.<\/p>\n<p>The cousin of La Perla, aunt of Aurora Vargas, with a family line that can be traced back to Tom\u00e1s el Nitri, Mar\u00eda recently settled in Jerez because \u201c<i>I love this city<\/i>\u201d, with hopes of continuing to recuperate the career which, for personal reasons, had been put on the back burner for many years after she got married \u2013 a common story among flamenco women of an earlier era.<\/p>\n<p>Mar\u00eda began singing as a child, frequented the legendary Venta de Vargas, was discovered by Manolo Caracol and performed at his Madrid tablao, los Canasteros, for its opening. She was accompanied at one time or another by all the greatest guitarists of the era: Manolo Sanl\u00facar, Paco de Luc\u00eda, Paco Cepero, Melchor de Marchena and Manuel Morao, among many others, and she shared the stage with the best singers and dancers. Her knowledge of cante is vast: cantinas that are soaked with authentic flavor, siguiriyas that are rich and moving, wonderful fandangos, sole\u00e1\u2026a huge repertoire.<\/p>\n<p>The well-known flamenco critic and journalist Miguel Acal who passed away in 2002, once told me Mar\u00eda had run afoul of Antonio Mairena when, ignoring the maestro\u2019s rules, she sang fandangos at one of the festivals he directed or programmed. Now that we\u2019re neighbors in Jerez I\u2019ll have to ask what that was about.<\/p>\n<p>Last week I was delighted to see my idol of so many decades ago announced for an interview and mini recital at the Pablo Olavide University in Seville on Friday, February 1, so I jumped on the train and made my way out to the campus.<\/p>\n<p>Now seventy-something, Mar\u00eda Vargas still radiates exotic beauty, a dynamic mind and a coquettish personality. During the interview, she praised young singers such as Rancapino chico, Samuel Serrano and Mar\u00eda Terremoto, and also admitted to being a great admirer of Lola Flores, Frank Sinatra and \u201c<i>anyone who sings from the heart<\/i>\u201d.<\/p>\n<p>The recital in Seville consisted of sole\u00e1, alegr\u00edas, siguiriyas, fandangos and buler\u00edas, the siguiriyas being outstanding. Although showing the natural wear and tear of the years, her tense metallic voice continues to be strong and moving.<\/p>\n<p>Rediscovering Mar\u00eda Vargas was like taking flamenco vitamins intravenously, and it reminded me how much I love and need traditional flamenco.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-7459\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/02\/cartel-cicloflamenco-mariavargasmedium.jpg\" alt=\"\" width=\"557\" height=\"788\" srcset=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/02\/cartel-cicloflamenco-mariavargasmedium.jpg 557w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/02\/cartel-cicloflamenco-mariavargasmedium-212x300.jpg 212w\" sizes=\"auto, (max-width: 557px) 100vw, 557px\" \/><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rediscovering Mar\u00eda Vargas was like taking flamenco vitamins intravenously, and it reminded me how much I love and need traditional flamenco.<\/p>\n","protected":false},"author":9,"featured_media":7453,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[68],"tags":[139],"class_list":["post-7456","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-estela-flamenca","tag-maria-vargas-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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