{"id":7086,"date":"2018-09-05T19:17:19","date_gmt":"2018-09-05T19:17:19","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/la-muerte-de-mi-tio-fue-un-palo-demasiado-gordo-para-todos\/"},"modified":"2019-02-16T12:29:33","modified_gmt":"2019-02-16T11:29:33","slug":"the-death-of-my-uncle-was-a-very-hard-blow-for-all-of-us","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/interviews\/the-death-of-my-uncle-was-a-very-hard-blow-for-all-of-us\/","title":{"rendered":"Antonio Cruz Madro\u00f1al: \u201cThe death of my uncle was a very hard blow for all of us\u201d"},"content":{"rendered":"

By Alberto Guill\u00e9n\u00a0<\/span><\/p>\n

Happily retired and relaxed at his home, which seems like a small museum, Antonio Cruz Madro\u00f1al (born in Mairena del Alcor in 1951), nephew of Antonio Mairena and heir and administrator of his legacy and intellectual property, as well as being this artist\u2019s personal assistant until his death, talks with ExpoFlamenco about that difficult day on September 5th, 35 years ago.<\/i><\/p>\n

Antonio Cruz swallows hard before answering. \u201cIt was a very hard moment, the death of my uncle was a very hard blow for all of us\u201d. The person who had been the compass and embodiment of what came to be called\u00a0cante gitano andaluz<\/i>\u00a0was no more, \u201cand, of course, many of us asked ourselves: now what? An immense void had been opened and many of us really didn\u2019t know what to do\u201d. He remembers when he got the call \u201cand we went to Seville with my aunts\u201d. Cruz, who at the time was in his early thirties, was facing not just a devastating emotional moment, but also the challenge to arrange the funeral of possibly the most important flamenco artist of that time. \u201cI recall\u201d, he continues, \u201cthat we had to go back to Mairena, to the cemetery, to see how and where we should bury him. We went to take a look with the mayor and we decided that the entrance was the most important place in the graveyard and we choose that spot, where he is now buried and a mausoleum was built\u201d.<\/p>\n

Cruz says that he remembers vividly \u201cthe images of the funeral chapel at City Hall\u201d, where he says he had \u201cnever seen so many wreaths in my entire life\u201d. He also remembers the amount of condolence messages that were received: \u201cthe other day I was scanning telegrams, incidentally, and I don\u2019t know how many we got, hundreds\u2026 There were notes from the Prime Minister, the Ministry of Labor, the\u00a0Junta de Andaluc\u00eda<\/i>, the Culture Council\u2026 I don\u2019t even know, there were really several hundreds\u201d, he states. He also remembers well \u201cthe crowds everywhere. The whole town of Mairena came to the funeral and many outsiders came too, flamenco personalities, aficionados\u2026 it was really impressive, the rivers of people filling the streets\u201d.<\/p>\n

Cruz, who until his retirement was the secretary of the\u00a0Fundaci\u00f3n Antonio Mairena<\/i>, created after the passing of this world-renowned\u00a0cantaor<\/i>, states, like many other artists have also said, that \u201cAntonio Mairena is still alive. He\u2019s alive in his works\u2026 There we have so many of his\u00a0cantes<\/i>\u00a0which are embraced by many young artists and lots of aficionados. He\u2019s still alive in all he wrote, and definitely in a wide array of contributions to flamenco\u201d. It is precisely Mairena\u2019s nephew the responsible and custodian of his intellectual property, which awaits for a proper place where it will be available for aficionados and all the people of Mairena. This is perhaps the one and only great aspiration of the artist\u2019s nephew, who has never disguised his eagerness to open a great museum devoted to the master of Los Alcores, a permanent space to dignify his works and his career.<\/p>\n

However, Cruz insists that this \u201ccannot be done in a rush\u201d. He explains that whatever is done has to be what is \u201cfair and best for the people of Mairena, which is what my uncle always wished, he wanted what was best for Mairena\u201d. Cruz doesn\u2019t deny that there have been \u201cgood intentions\u201d when it comes to approaching this fascinating project, yet he hasn\u2019t been fully convinced with the proposals at hand. He gives as an example the municipalities of \u201cAlgeciras and San Fernando, where they will open the museums of Paco de Luc\u00eda and Camar\u00f3n, respectively, where the first thing they did was to get in touch with the relatives, which is what has to be done\u201d. Because, he states, \u201cit would be natural for the whole legacy of my uncle to be gathered in this museum, but this cannot be done just like that, you can be sure of this, it has to be done the way that Antonio deserves\u201d.<\/p>\n

Talking about Mairena\u2019s legacy, perhaps one of the most valuable things that this\u00a0cantaor<\/i>\u00a0bestowed on the town he was born in was the\u00a0Festival de Cante Jondo Antonio Mairena<\/i>, the event which was established after he was awarded the third Golden Key of Cante and which has produced so many evenings of flamenco glory in Los Alcores. Antonio Cruz believes that this festival \u201cis in good health, as we could attest last weekend, when so many people attended.\u201d. Avoiding recent controversies, which he says he rather \u201cnot get involved into, to not give certain people more importance than they have\u201d and he prefers focusing on the good response of the people, \u201cafter a few years when attendance seemed to diminish, the public was once again packing Casa Palacio\u201d. Cruz was involved in this festival from its early days, but now his role is almost ceremonial, so he says: \u201cI don\u2019t judge a lineup, if I\u2019m told that this or that artist is coming to perform, I always say the same: that\u2019s great\u201d. Yet he states that \u201cwhat has to be clear is that renowned artists have always performed at the festival, and that\u2019s the way it should be, there\u2019s no other way\u201d.<\/p>\n

Although full of hope, he\u2019s less enthusiastic about the contest that was born parallel to the festival, and he admits that \u201cwe\u2019ve been for years trying to figure out a formula to give it new life. We may have to turn it around, I don\u2019t know, but we have to find a way to re-engage the aficionados and the town with the contest\u201d.<\/p>\n

The conversation with Antonio Cruz goes back to the beginning, evoking the sad moments of September 5th, 1985 and the days before Mairena\u2019s the tragic death. These were the days just before the Festival, but \u201cAntonio couldn\u2019t come because the doctors strongly advised against it\u201d. Cruz remembers that it was one of the best-attended editions ever and he recalls that \u201cCamar\u00f3n came that year, I think more than 3,000 tickets were sold. I remember that we had to run to bring in more chairs across the back fence\u201d. As we refuse to remember this master in effigy and prefer a living image, we ask Cruz to tell us some anecdote, and he evokes with sweet melancholy the days when \u201cAntonio would come to City Hall to pick me up and take care of whatever business we had to. Then I would accompany him on his way to take the bus to Seville. He was a very serious man, but he liked to mess up with me, he would play pranks on me and we laughed a lot\u201d.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

t\u2019s been 35 years since the passing of Antonio Cruz Garc\u00eda, Antonio Mairena, the most famous native of Mairena del Alcor and an undisputed genius of cante jondo.<\/p>\n","protected":false},"author":4,"featured_media":7528,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[72],"tags":[],"class_list":["post-7086","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews"],"yoast_head":"\nAntonio Cruz Madro\u00f1al: \u201cThe death of my uncle was a very hard blow for all of us\u201d - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/interviews\/the-death-of-my-uncle-was-a-very-hard-blow-for-all-of-us\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Antonio Cruz Madro\u00f1al: \u201cThe death of my uncle was a very hard blow for all of us\u201d - 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