{"id":6650,"date":"2018-06-06T12:09:10","date_gmt":"2018-06-06T12:09:10","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/omega-huracan-de-resistencia-electrica\/"},"modified":"2019-04-04T22:58:11","modified_gmt":"2019-04-04T20:58:11","slug":"omega-hurricane-of-electric-resistance","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/opinion\/omega-hurricane-of-electric-resistance\/","title":{"rendered":"Omega, hurricane of electric resistance"},"content":{"rendered":"<div class=\"paragraph\">\n<p>April 4, 1998, Munster stage of the now-extinct\u00a0<i>Esp\u00e1rrago Rock <\/i>music festival of Granada, whose slogan that year was\u00a0<i>En Memoria de Federico<\/i>. It was mid-afternoon when the first accords of Omega were heard; it seemed as if something was about to explode, unconstrained. That was quite a jolt. Even today, listening to Omega invariably induces an experience bordering the supernatural.<\/p>\n<p>Manuel Jobois used precise words in the booklet included with the wonderful Morente documentary DVD: \u201cThe first verses in this album, in its namesake first track, belong to [Lorca\u2019s poetry book]\u00a0<i>Poeta en Nueva York: as the night is endless when it leans on the sick \/ and ships crave to be seen, so they can sink in peace<\/i>. The trance doesn\u2019t stop there. Omega\u2019s explosion is so strong that it\u2019s automatically rejected by so-called tradition; this happens with faith, with sex, with politics, with art; as it always happens whenever evolution achieves unusual speed, our first reaction is to shield ourselves\u201d.<\/p>\n<p>That is what Omega did to us that afternoon, an afternoon in Granada of such unexpected epiphany: it blew our minds, no matter how much we had tried to shield ourselves\u2026 until I came across Don Enrique Morente, a flamenco\u00a0<i>cantaor<\/i>\u00a0who identified symmetry with death and unorthodoxy with life, heartbeat, horizon.<\/p>\n<p>Morente\u2019s relationship with Granada\u2019s rock goes back to the early 1980s. It was a relationship of mutual admiration and respect: with the bands\u00a0<i>091<\/i>,\u00a0<i>Lagartija Nick<\/i>\u00a0and, much later,\u00a0<i>Los Planetas<\/i>. And with Antonio Arias since the very beginning, of course. It was hallucinating: the shabby punk rockers loved the master in all his integrity; Morente loved the power of rock made by those kids and by 1982, in Sacromonte, he took the first step towards electricity. Still in 1982, there is an anecdote, precise, definitive and lovingly prophetic: we were on the stage of the Rock-Ola, temple of the \u201cMadrid Scene\u201d and its reportedly endless nights (as those who experienced it claim to remember);\u00a0<i>091<\/i>,\u00a0<i>TNT<\/i>,\u00a0<i>KGB<\/i>\u00a0and\u00a0<i>Los Cero<\/i>, plus two bands of early punk rock, also from Granada, performed together Morente\u2019s\u00a0<i>La Estrella<\/i>. That is, Omega is not some random whim, or a senseless experiment dreamed off in some bar, where the protagonists of this story of Granada met and chatted with love and curiosity. That, too; but, in essence, Omega is a quest, and I quote Luis Garc\u00eda Montero:<\/p>\n<p>\u201cEnrique had the strength of a creator who knew his trade, who considered himself an heir of the past and walked with freedom to put that heritage in the present time. Enrique was not just a follower of Pepe La Matrona or the author of albums such as\u00a0<i>Cante flamenco<\/i>\u00a0and\u00a0<i>Cantes antiguos del flamenco<\/i>, published by Hispavox in the late 1960s. He wasn\u2019t just the author of\u00a0<i>Homenaje a Don Antonio Chac\u00f3n<\/i>. He also probed new roads and produced theatrical and musical experiences willing to explore different cultures and break molds.\u201d<\/p>\n<p>And that\u2019s basically what we wanted: to break molds. Enrique Morente and\u00a0<i>Lagartija Nick<\/i>\u00a0helped us to break quite a few, essentially inside our own universe of Pop Culture.<\/p>\n<p>Morente is large as life itself. Bob Dylan was also yelled at, accused of being a sellout and a traitor. And so what? Both sang for everyone, from Granada to New York, like Lorca (or Cohen); they belong, by their own merit, to the collective heritage of poetry and noise, tradition and risk-taking. Just like Omega: it\u2019s all of this, and its total opposite. Pure pop.<\/p>\n<p>It\u2019s fascinating that, even today, there are heated flamenco discussions whenever the name of Enrique Morente is mentioned. Personally, as I still don\u2019t have a clue about flamenco, I don\u2019t see any problem with either Morente or\u00a0<i>Sonic Youth<\/i>\u00a0(although its contribution is just a footnote, comparing with the huge imperial greatness of Omega). The truth is that I would die to be able to witness that moment when, as Morente watched\u00a0<i>Sonic Youth<\/i>\u2019s sound check, he blurted out to Eric Jim\u00e9nez: these guitars are a bit out of tune, aren\u2019t they, Eric?<\/p>\n<p>Paraphrasing both Kiko Veneno and Enrique, music should be listened with universal ears and, now and then, we should annoy a little, as it\u2019s not fair that\u2019s just us being annoyed. Or: tighten the strings to create something more beautiful, more savage, more authentic. Lorca would have loved it. As Morente\u2019s song goes, Oye, esta no es manera de decir adi\u00f3s (\u201cLook, this is not how you say goodbye\u201d).<\/p>\n<\/div>\n<hr \/>\n<div class=\"paragraph\" style=\"text-align: right;\"><span style=\"font-size: small;\"><em>Original photo by Paco Manzano<\/em><\/span><\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3904 alignnone\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2015\/11\/hipolitocbws.jpg\" alt=\"\" width=\"134\" height=\"170\" \/><\/p>\n<p><strong><em>Hip\u00f3lito Borreguero S\u00e1nchez<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paraphrasing both Kiko Veneno and Enrique, music should be listened with universal ears and, now and then, we should annoy a little, as it\u2019s not fair that\u2019s just us being annoyed.<\/p>\n","protected":false},"author":4,"featured_media":8947,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[73,258],"tags":[],"class_list":["post-6650","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-opinion","category-signature"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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