{"id":6615,"date":"2018-11-23T12:04:52","date_gmt":"2018-11-23T12:04:52","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/aquella-seguiriya-de-manuel-de-la-tomasa\/"},"modified":"2019-02-16T12:57:46","modified_gmt":"2019-02-16T11:57:46","slug":"that-seguiriya-of-manuel-de-la-tomasa","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/chronicles\/that-seguiriya-of-manuel-de-la-tomasa\/","title":{"rendered":"That seguiriya of Manuel de la Tomasa"},"content":{"rendered":"

By Luis M. P\u00e9rez. Seville, November 23, 2018. Photos: Quico P\u00e9rez-Ventana\u00a0<\/span>
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 For Quico P\u00e9rez-Ventana\u00a0<\/span><\/em><\/p>\n

My friend Quico says that I have to explain everything slowly. He was referring to my bouncing heart as Manuel de la Tomasa sang that seguiriya. We experienced it yesterday side by side in our chairs. He, with his camera, so he’s better at watching than at listening, so much so that he was able to capture all my emotions with the corner of his eye, as I did my thing.<\/p>\n

It’s the second time this happens to me. No, not the teary eyes, but the bouncing heart. I looked ahead, behind and sideways, and I saw people making like a kind of nest with their hands, putting them on their laps, as if trying to hold their entrails after being gone by a bull, top to bottom. Manuel is a sweet Gypsy, a blond kid with the ability to cradling\u00a0sing\u00a0<\/i>and even putting it to sleep. With his fists clenched, his puppy face turned intro to fierce lion as he raised his voice. His emotion became our emotion, until our mouths tasted like blood. Looking down, we would have noticed the open wound left by that\u00a0double male\u00a0<\/i>of Curro Dulce. We had not heard it for so long, the one recorded by Caracol:\u00a0as they have redoubled, they have redoubled …\u00a0<\/i><\/p>\n

Tomasa is accompanied by\u00a0Manuel Parrilla\u00a0<\/b>, who came without strings. From Sangre street, he took us from Santiago to La Plazuela, with our belts fastened. It’s impossible to get off beat with Manuel by our side. Together with the\u00a0palms\u00a0<\/i>of\u00a0The Pirulo\u00a0<\/b>and\u00a0Marcos Carpio\u00a0<\/b>, joined by\u00a0The L\u00faa\u00a0<\/b>, a human metronome, the two Manuels impregnated this flamenco temple in Seville with the flavor of Jerez. We were pleasantly surprised by the\u00a0short buler\u00edas\u00a0<\/b><\/i>, where the great-great-grandson of Manuel Torre showed off his vast repertoire of traditional lyrics. Even more so with his\u00a0buler\u00edas por sole\u00a0<\/i>where 19 -year old\u00a0Manuel Georgio Fern\u00e1ndez\u00a0<\/b>(aka Manuel de la Tomasa) used his most masculine voice to adapt with his own forms and nuances the songs of Antonio la Pe\u00f1a, Mar\u00eda la Moreno and Rosal\u00eda de Triana.<\/p>\n

He sang more things, like the\u00a0tarantas\u00a0<\/i>of Manuel Torres, although not as well as in other opportunities, just like the\u00a0ton\u00e1s\u00a0<\/i>. I also sang a wonderful thing in the form of a\u00a0sole\u00e1\u00a0<\/i>, which I dedicated to\u00a0Manuel Boh\u00f3rquez\u00a0<\/b>, who moments earlier had delighted us with a splendid lecture about Ni\u00f1a de los Peines and her relationship with the Alameda de H\u00e9rcules district. Destiny had it that November 22 was also the birth date of the unforgettable\u00a0cantaora\u00a0<\/i>Tomasa Soto D\u00edaz,\u00a0La Tomasa\u00a0<\/i>, great-grandmother of this\u00a0cantaor\u00a0<\/i>and mother of the master Jos\u00e9 de la Tomasa, who was also around, looking very nervous.<\/p>\n

Event notes:<\/p>\n

Series:\u00a0Cultural Week Pastora Pav\u00f3n 2018\u00a0<\/i><\/b>
\nEvent:\u00a0Manuel de la Tomasa Recital\u00a0<\/b>
\nPlace and date:\u00a0Pe\u00f1a Flamenca Torres Macarena\u00a0<\/b>, Seville. November 22, 2018
\nSing\u00a0<\/i>:\u00a0Manuel de la Tomasa\u00a0<\/b>
\nGuitar:\u00a0Manuel Parrilla\u00a0<\/b>
\nPalms\u00a0<\/i>:\u00a0Marcos Carpio, El Pirulo de Jerez\u00a0<\/b>
\nInvited artist:\u00a0The Lua\u00a0<\/b>(\u00a0palms\u00a0<\/i>)<\/p><\/blockquote>\n

 <\/p>\n

\"\"\"\"\"\"\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

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