{"id":6565,"date":"2018-06-09T20:01:47","date_gmt":"2018-06-09T20:01:47","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/sevillanas-folclore-o-flamenco\/"},"modified":"2019-02-17T09:59:00","modified_gmt":"2019-02-17T08:59:00","slug":"sevillanas-folklore-or-flamenco","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/sevillanas-folklore-or-flamenco\/","title":{"rendered":"SEVILLANAS, Folklore or flamenco?"},"content":{"rendered":"<div class=\"paragraph\">\n<p>With the good weather, comes fair time. And fairs in Spain mean sevillanas. For much of the world\u2019s population, including many flamenco followers from abroad, sevillanas are seen as flamenco.<\/p>\n<p>However, it\u2019s more like a folk form on its way to possibly becoming flamenco one day. The choral nature of most of the singing, the set choreography of the dance executed in couples and which evolved from\u00a0<i>seguidillas<\/i>\u00a0(not to be confused with\u00a0<i>seguiriyas<\/i>), the musicality and other characteristics, are markers that tell us that despite the obvious cohabitation with flamenco, sevillanas continues to be a folkloric form. And yet\u2026<\/p>\n<p>Nearly everyone except the most rigid flamenco fans or snobs will admit to enjoying sevillanas, especially during fair-time. After all, flamenco does embrace other folkloric elements such as verdiales or abandolao forms and fandangos de Huelva. Pretty women in frilly dresses and handsome men who lose their inhibitions to dance sevillanas with their ladies\u2026it\u2019s a rite of spring hard to resist. In Jerez de la Frontera, we just had the Feria del Caballo as it\u2019s called, and each year locals grumble that there\u2019s far more sevillanas than buler\u00edas.<\/p>\n<p>As early as 1910 la Ni\u00f1a de los Peines had recorded sevillanas accompanied by Ram\u00f3n Montoya, and in later years as well, but this did not play a part in the renaissance that took place decades later. In the nineteen-sixties, sevillanas had been circulating for a very long time, but hadn\u2019t achieved the extreme popularity we see today. Some fifty years ago, the Hermanos Toronjo made one of the first recordings of the new wave of sevillanas, and shortly afterwards came the Hermanos Reyes, and a major social phenomenon was born. In those early years, during the April fair, as new sevillanas were churned out each day, street hawkers would sell bulletins with the latest verses hot off the press.<\/p>\n<p>Initially, sevillanas were in major or minor key, but as they proliferated, there were no longer any limits. The musical sophistication, orchestral accompaniment and harmonized voices caused sevillanas to lose much of their primitive charm, and a slick silky sound became the norm. Los Amigos de Gines, formed in 1969, were among the first groups of four male voices, and in 1975 they went on to record one of the best-known sevillanas of all time: \u201c<i>Algo se muere en el alma cuando un amigo se va<\/i>\u201d (known as\u00a0<i>El Adi\u00f3s<\/i>). More groups of 4 or 5 male voices appeared such as Los Marisme\u00f1os, Los Romeros de La Puebla, Ecos de las Marismas, Cantores de H\u00edspalis, Sal Marina and many others. The sevillanas corraleras of Lebrija sung in large groups, and the well-known chorus Raya Real have preserved a straightforward folk sound.<\/p>\n<p>Sevillanas would eventually become so popular, traditional flamenco singers had no reservations about recording them, most notably Camar\u00f3n, Turronero and Chiquetete, whose \u201c<i>Mis dos Amores<\/i>\u201d is a delight. Generally speaking, solo sevillanas singers offer more sophisticated interpretations than groups since they enjoy greater freedom of expression, which could actually be the most important difference between flamenco and folklore. My all-time favorites are Paco Palacios \u201cEl Pali\u201d, whose verses depict his memories and impressions of Seville, and Romero San Juan whose exquisite \u201c<i>Pasa la Vida<\/i>\u201d has been versioned by other groups, although none produced anything as moving as the original. Other interesting solo singers of sevillanas include Manuel S\u00e1nchez Pern\u00eda with his rich flamenco voice, and Rafael del Estad, whose music is so sweetly beautiful, it seems a shame to dance to it.<\/p>\n<p>And of course we mustn\u2019t forget the women who eventually joined in as well: soloists such as Mar\u00eda de la Colina and Mar\u00eda del Monte, the duo Las Carlotas and the trio Vuelo Blanco among others are noteworthy.<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>With the good weather, comes fair time. And fairs in Spain mean sevillanas.<\/p>\n","protected":false},"author":9,"featured_media":8820,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[68],"tags":[],"class_list":["post-6565","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-estela-flamenca"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>SEVILLANAS, Folklore or flamenco? - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/sevillanas-folklore-or-flamenco\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SEVILLANAS, Folklore or flamenco? - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"With the good weather, comes fair time. 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