{"id":6517,"date":"2018-10-22T15:05:52","date_gmt":"2018-10-22T15:05:52","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/ascenso-y-coronacion-de-maria-terremoto\/"},"modified":"2019-02-15T21:25:15","modified_gmt":"2019-02-15T20:25:15","slug":"ascent-and-coronation-of-maria-terremoto","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/ascent-and-coronation-of-maria-terremoto\/","title":{"rendered":"Ascent and coronation of Mar\u00eda Terremoto"},"content":{"rendered":"

Just over a year ago, on August 26 2017, as I was leaving the Fiesta de la Buler\u00eda, half-distracted after many hours of good solid flamenco, and thinking about the beer I was about to enjoy with friends waiting for me on the corner, a homeless man grabbed my arm and said: \u201cma\u2019am, please, they wouldn\u2019t let me inside, what was the best thing of the night?<\/i>\u201d Without skipping a beat, I quickly answered: \u201cthe siguiriya of Mar\u00eda Terremoto<\/i>\u201d. I heard the words come out of my mouth, but an inner voice said \u201cexcuse me?\u201d<\/p>\n

In the first place, at the Fiesta de la \u201cBu-le-r\u00eda\u201d, everyone\u2019s favorite flamenco form had been well-served throughout the long night, pretty hard to get it wrong with the best of Jerez participating. But that siguiriya\u2026it\u2019s spooky that someone so young, 17, would already know the way to flamenco, taking the siguiriya route no less, a song-form that no matter how much you know, no matter how great your voice and delivery are, if you don\u2019t get down inside yourself, it comes off worse than flat. It sounds boring and empty, a histrionic lament with no focus or objective.<\/p>\n

Based strictly on what I\u2019ve seen and heard live of this singer, her career until now can be outlined in four brushstrokes. In 2004, I met her at the Pe\u00f1a Terremoto where I interviewed her much-missed father, Fernando Terremoto. At just 4 years old, she kept whining \u201cpapa, how much longer?<\/i>\u201d. Her personality and temperament couldn\u2019t have been less flamenco. It was then I remembered what some Jerez people were saying at that time beneath their breath, that Fernando had broken the lineage and disappointed flamenco fans when he married a non-gypsy, thus depriving everyone of the natural continuity of\u00a0duende<\/i>, the way the admirable house of the Terremotos express it.<\/p>\n

Five years later, I\u2019ll never forget that night in 2009, once again at the Pe\u00f1a Terremoto, when Mar\u00eda, now 9 years old, sang to her father upon his return to performing. A very brief return \u2013 Fernando left us only a few months later at just 40. That night Mar\u00eda didn\u2019t want to sing, but her people encouraged her and insisted. She began timidly, but quickly found her surprising power, and we all saw a promising future in her. See for yourselves right\u00a0here<\/a><\/u>, but have tissues on hand, don\u2019t say I didn\u2019t warn you.<\/p>\n

One May night in 2015, when Mar\u00eda was already a young adult of 16, the Antonio Chac\u00f3n pe\u00f1a of Jerez filled to the rafters for a short recital of Mar\u00eda\u2019s. Looking like she was celebrating her first communion, timid and reserved, she sang a repertoire heavy on \u201clo-laylo\u201d choruses, and I believe, some fandangos and buler\u00edas that were more interesting. But generally speaking, it seemed our dreams had been dashed.<\/p>\n

Fast forward a couple of months to the Festival de Jerez 2016, and our singer\u2019s recital at the Palacio Villavicencio. That afternoon the heavens parted, a divine ray of light touched the daughter and granddaughter of the Terremotos, and it was clear Jerez flamenco had a convincing new voice.<\/p>\n

Her first recording, \u201cLa Huella de mi Sent\u00edo\u201d, with important collaborations, was officially presented last month at the Seville Bienal. But the Villamarta theater is an imposing symbol, and the October 13 presentation felt like the definitive consolidation of a star, thus validating the Giraldillo of the 2016 Bienal and the Venencia Flamenca of Los Palacios, both awarded some time back.<\/p>\n

The theater was nearly full, there was a complicit audience of friends, relatives and staunch followers. Mar\u00eda\u2019s got the sound, she\u2019s got the delivery, she\u2019s got the stage presence, she\u2019s got the power and most importantly, she manages to avoid imitation. The brassy trumpet sound when siguiriyas reaches critical mass, the contrast of the voice drawn inwards for malague\u00f1a, buler\u00edas that bubbles and boils\u2026the rhythm, the knowledge, the instincts, it\u2019s all there. You just want to run up on stage and thank her for giving us cante junkies something we\u2019re hungry for: a fresh take on classic cante, a difficult equilibrium this millennial pulls off with apparent ease.<\/p>\n

The last time I spoke to Fernando, we were in a crowd of people, there was lots of noise and we could barely converse, but he managed to shout: \u201cEstela, I have to talk to you about a new project of mine!<\/i>\u201d Soon afterwards, in February of 2010, all Fernando Terremoto\u2019s projects came to an end, although in his daughter Mar\u00eda, he left us the most beautiful and valuable one of all.<\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Just over a year ago, on August 26 2017, as I was leaving the Fiesta de la Buler\u00eda<\/p>\n","protected":false},"author":9,"featured_media":8271,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[68],"tags":[],"class_list":["post-6517","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-estela-flamenca"],"yoast_head":"\nAscent and coronation of Mar\u00eda Terremoto - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/ascent-and-coronation-of-maria-terremoto\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ascent and coronation of Mar\u00eda Terremoto - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"Just over a year ago, on August 26 2017, as I was leaving the Fiesta de la Buler\u00eda\" \/>\n<meta property=\"og:url\" content=\"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/ascent-and-coronation-of-maria-terremoto\/\" \/>\n<meta property=\"og:site_name\" content=\"Archivo Expoflamenco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ExpoFlamenco\" \/>\n<meta property=\"article:published_time\" content=\"2018-10-22T15:05:52+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-02-15T20:25:15+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2018\/10\/20181022_ascenso-y-coronacion-de-maria-terremoto.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1300\" \/>\n\t<meta property=\"og:image:height\" content=\"798\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Estela Zatania\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:site\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Estela Zatania\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/ascent-and-coronation-of-maria-terremoto\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/ascent-and-coronation-of-maria-terremoto\\\/\"},\"author\":{\"name\":\"Estela Zatania\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/b2b4ceb47802c5e3c98b75966c5ab4e1\"},\"headline\":\"Ascent and coronation of Mar\u00eda Terremoto\",\"datePublished\":\"2018-10-22T15:05:52+00:00\",\"dateModified\":\"2019-02-15T20:25:15+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/ascent-and-coronation-of-maria-terremoto\\\/\"},\"wordCount\":793,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/ascent-and-coronation-of-maria-terremoto\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2018\\\/10\\\/20181022_ascenso-y-coronacion-de-maria-terremoto.jpg\",\"articleSection\":[\"Estela Flamenca\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/ascent-and-coronation-of-maria-terremoto\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/ascent-and-coronation-of-maria-terremoto\\\/\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/ascent-and-coronation-of-maria-terremoto\\\/\",\"name\":\"Ascent and coronation of Mar\u00eda Terremoto - 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