{"id":6229,"date":"2018-02-25T20:27:03","date_gmt":"2018-02-25T20:27:03","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/el-ballet-nacional-y-manuel-linan-dos-grandes-aciertos-en-el-inicio-del-festival-2\/"},"modified":"2019-03-16T11:24:36","modified_gmt":"2019-03-16T10:24:36","slug":"the-ballet-nacional-and-manuel-linan-two-great-choices-opening-the-festival","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/chronicles\/the-ballet-nacional-and-manuel-linan-two-great-choices-opening-the-festival\/","title":{"rendered":"The Ballet Nacional and Manuel Li\u00f1\u00e1n: two great choices opening the Festival"},"content":{"rendered":"<p>Spain\u2019s Ballet Nacional opened the 22nd edition of the Festival de Jerez, confirming the good shape of this festival with a strong and intense start of activities, both official and parallel. Also, flamenco courses are full of foreigners coming to Jerez, wishing to learn baile, cante, toque and even palmas. Since last Friday, we\u2019ve been thoroughly enjoying the environment in this epicenter of the flamenco world. Friday\u2019s production was encouraging for the upcoming editions, as having the Ballet Nacional was proof of commitment and dependability. We were fortunate to enjoy the various dance styles from our land, from the escuela bolera, to classic dance and flamenco. Under the direction of Antonio Najarro, the cast was greatly applauded in each of its acts, although we have to admit that the part showcasing the handling of the mant\u00f3n was flimsier than the rest. The scenography and lightning were great, harmonious and subtle, all the result of great groundwork.<\/p>\n<p>&nbsp;<\/p>\n<p>The following day, Manuel Li\u00f1\u00e1n debuted his production \u201cBaile de autor\u201d (\u201cAuthor\u2019s Dance\u201d) in the Villamarta theater, with Manuel Valencia on the guitar, playing an outstanding solo por seguiriyas, and David Carpio adding his voice to the seguiriyas, sole\u00e1 de Triana and alegr\u00edas of this bailaor from Granada. Manuel displayed his proficiency in all acts, captivating great part of the audience with his final number, where he performed with the bata de cola, the mant\u00f3n, the fan and the cane. His production was well-liked and once again he achieved a great success in this festival.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-4816 size-full\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/manuel-linan-jfe-8739.jpg\" alt=\"\" width=\"602\" height=\"401\" srcset=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/manuel-linan-jfe-8739.jpg 602w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/manuel-linan-jfe-8739-600x399.jpg 600w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/manuel-linan-jfe-8739-300x200.jpg 300w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/manuel-linan-jfe-8739-128x86.jpg 128w\" sizes=\"auto, (max-width: 602px) 100vw, 602px\" \/><\/p>\n<div class=\"paragraph\">The moment of the guitar belonged to Antonio Rey, who presented his last album \u201cDos partes de m\u00ed\u201d (\u201cTwo parts of me\u201d) in the Gonzalez Byass cellars, reaping an emphatic success. Antonio is unique in his very personal way of telling stories with music, in his refined technique and, above all, in the music he carries in his soul, which leaves no room to doubt that he\u2019s the very best. That night he was joined by Mara Rey and Makarines, and had the very special collaboration of Joaqu\u00edn Grilo, who with just a short, 5-minute footwork, showed, with his great skill, why he has such a high standing.<\/div>\n<div><\/div>\n<div><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-4817 size-full\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/jfe-antonio-rey-8398.jpg\" alt=\"\" width=\"591\" height=\"394\" srcset=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/jfe-antonio-rey-8398.jpg 591w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/jfe-antonio-rey-8398-300x200.jpg 300w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/jfe-antonio-rey-8398-128x86.jpg 128w\" sizes=\"auto, (max-width: 591px) 100vw, 591px\" \/><\/div>\n<div><\/div>\n<div>In the series \u201cToca Toque\u201d, we were able to get know the guitarist David Carmona in greater depth, with his show \u201cUn sue\u00f1o de locura\u201d (\u201cA crazy dream\u201d), where he lets himself to be carried away by his deep feelings and clearly shows that nothing happens without good reason and everything makes sense and has a purpose. David\u2019s performance por sole\u00e1, por alegr\u00edas and por tarantas was well-liked, and he left us dazed with his new tientos tangos (composed at the last minute) and his seguiriyas, being joined by Luis \u201cEl Zambo\u201d in a moment where both achieved the ultimate pellizco.<\/div>\n<div><\/div>\n<div><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-4818 size-full\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/david-carmona-jfe-8642.jpg\" alt=\"\" width=\"573\" height=\"382\" srcset=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/david-carmona-jfe-8642.jpg 573w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/david-carmona-jfe-8642-300x200.jpg 300w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/david-carmona-jfe-8642-128x86.jpg 128w\" sizes=\"auto, (max-width: 573px) 100vw, 573px\" \/><\/div>\n<div><\/div>\n<div>One of the most anticipated performances in this Festival already took place, that of Vicente Soto, who presented \u201cCoplas del Desagravio. A la mujer\u201d (\u201cVerses of Atonement. For women.\u201d), with lyrics by Rafael Lorente. It was an evening of gala for the cante of Jerez. An evening where Vicente found shelter in his own home. An evening where we enjoyed the voices of Lela Soto y Melchora Ortega (por alegr\u00edas and por malague\u00f1as, respectively). An evening where we missed Tomasa \u201cLa Macanita\u201d, who couldn\u2019t attend due to health reasons. An evening where we listened to six virtuosos of flamenco guitar: Alfredo Lagos, Diego del Morao, Manuel Parrilla, Manuel Valencia, Nono Jero and Juan Diego Mateos. An evening where justice for the role of women in flamenco was made. An evening that we\u2019ll not forget.<\/div>\n<div><\/div>\n<div><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-4819 size-full\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/vicente-soto-sordera-jfe-9355.jpg\" alt=\"\" width=\"567\" height=\"378\" srcset=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/vicente-soto-sordera-jfe-9355.jpg 567w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/vicente-soto-sordera-jfe-9355-300x200.jpg 300w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/vicente-soto-sordera-jfe-9355-128x86.jpg 128w\" sizes=\"auto, (max-width: 567px) 100vw, 567px\" \/><\/div>\n<div><\/div>\n<div style=\"text-align: center;\"><em><span style=\"font-size: small;\">Juan Garrido (photos: Javier Ferg\u00f3 for Festival de Jerez)<\/span><\/em><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Spain\u2019s Ballet Nacional opened the 22nd edition of the [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":10502,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[70],"tags":[],"class_list":["post-6229","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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