{"id":6142,"date":"2018-06-02T19:30:00","date_gmt":"2018-06-02T19:30:00","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/la-situacion-flamenca-en-la-puente-ii\/"},"modified":"2019-02-13T20:41:38","modified_gmt":"2019-02-13T19:41:38","slug":"flamenco-in-puente-genil-ii","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/articles\/flamenco-in-puente-genil-ii\/","title":{"rendered":"Flamenco in Puente Genil (II)"},"content":{"rendered":"<p><i>\u2026Continued from<\/i>\u00a0<a href=\"https:\/\/www.expoflamenco.com\/archivo\/articulos-archivo\/la-situacion-flamenca-en-la-puente\"><i>Flamenco in Puente Genil (I)<\/i><\/a><\/p>\n<p>When it comes to\u00a0<b><i>pe\u00f1as<\/i><\/b>, we dwell into the delicate topic of flamenco associations, which is rather peculiar in Puente Genil. People in towns and cities have a natural need to socialize in associations to share similar interests and tastes, and that\u2019s the main goal of\u00a0<i>pe\u00f1as<\/i>\u00a0and similar organizations. In Puente Genil, due to its very strong Holy Week traditions, such need is satisfied with its unique\u00a0<i>cuarteles<\/i>\u00a0or\u00a0<i>biblical corporations<\/i>. These\u00a0<i>cuarteles<\/i>(literaly \u201cheadquarters\u201d or \u201cbarracks\u201d) are houses used as meeting venues for each of the\u00a0<i>biblical corporations<\/i>, which are small brotherhoods that perform in the Holy Week processions of Puente Genil. There are more than seventy\u00a0<i>cuarteles<\/i>, with an average of thirty-five members each, which are the main axis of social life (parties, experiences, hobbies, traditions, etc.), so that all flamenco activity is completely affected by them. For this reason, it\u2019s very difficult for any\u00a0<i>pe\u00f1a flamenca<\/i>\u00a0to become solidly established. There isn\u2019t any\u00a0<i>pe\u00f1a<\/i>\u00a0honoring the master Fosforito, for example, and currently there are two\u00a0<i>pe\u00f1as<\/i>\u00a0which have Town Council\u2019s commendable and essential financial collaboration, honoring two local cantaores:\u00a0<i>Pe\u00f1a Frasquito<\/i>\u00a0and\u00a0<i>Pe\u00f1a Vicente C\u00e1ceres<\/i>, the latter located in Sotogordo, one of our hamlets. I belong to the board of directors of the former (which has great merit, as it recently celebrated its 30th anniversary) and I can assure you that we are barely able to survive. Regarding the nearby hamlets, we shall note that historically they nurtured Puente Genil with aficionados and artists, besides organizing each year a good festival with various flamenco events. Concerning taverns, the few left are no longer places where the\u00a0<i>arte jondo<\/i>\u00a0is performed, very much unlike in the old days. Taverns such as those belonging to\u00a0<i>La Rana<\/i>,\u00a0<i>El Tiri<\/i>\u00a0or Perico Lavado, among others, will be forever in the collective memory of good aficionados as illustrious centers which promoted this wonderful art.<\/p>\n<p>We now conclude with the\u00a0<b>political class<\/b>, the sector within the whole flamenco tangle with the bigger play, as a consequence of what this musical genre has become in Andalusia: a subsidized art, whether we like it or not. There is nothing inherently wrong with this, as long it\u2019s all based on an equitable and responsible system of allocation, based on knowledge and common sense, not on backscratching, politics, ignorance and incompetence. The different Town Councils of Puente Genil have always backed flamenco, assigning a fair share of financial resources to it, firmly believing (I think so) that flamenco is a cultural manifestation which defines us as a community. The current Town Council is no exception, something praiseworthy which we all are thankful for. However, one thing is the attitude and another, quite different, is the aptitude, that is, intention has nothing to do with capability. Since the last few years, there has been a Council for the Promotion and Development of Flamenco in Puente Genil, entrusted with managing institutional flamenco, focused specifically on organizing the\u00a0<i>Festival de Cante Grande Fosforito<\/i>, the\u00a0<i>Membrillo de Oro<\/i>\u00a0contest of\u00a0<i>cante<\/i>\u00a0and, this year, a contest of\u00a0<i>saetas<\/i>. Previously, this role was undertaken by the Council of Festivities. The least important thing is the name of the municipal delegation in charge of managing flamenco, of course, since what matters is its content, and Puente Genil\u2019s Town Council, at least at this moment, doesn\u2019t have a consistent, serious, well-thought and well-structured annual flamenco programming, a palpable reality discussed among many aficionados in this town. There is a lot of short-term improvisation just to get by. Not to mention the minimal publicity that Town Council gives to the events it organizes. Regarding the\u00a0<i>Membrillo de Oro<\/i>\u00a0contest, which in its current edition wisely increased the monetary value of its prizes, I\u2019ve been told by several contestants that in the last few years its organization has left a lot to be desired, and the number of contestants has dropped by more than fifty percent. Besides, the first prize has continuously been changed (giving the opportunity of either recording an album or performing in the Festival) showing a surprising lack of ideas regarding the purpose of this contest. Regarding the\u00a0<i>Festival de Cante<\/i>, the jewel in the crown of flamenco in Puente Genil, while it\u2019s true that the artistic quality has been maintained, no one seems to know what\u2019s the criteria used to define its lineup, and in the last few years\u00a0<i>pe\u00f1as<\/i>\u00a0haven\u2019t been allowed to take part. This festival, by the way, uses the traditional format, that is, one single evening for as long as the spectators can endure, and it uses a substantial share of the annual municipal budget allocated to flamenco. Last year, according to information advertised by the Town Council itself, the significant amount of 76,000 euros was spent on a lineup which in my opinion was bloated (six cantaores plus\u00a0<i>baile<\/i>) and repetitive. Wouldn\u2019t it be more convenient to lower the budget assigned to this festival and allocate the difference to the design of more flamenco content (educational concerts, seminars, lectures, etc.) during the rest of the year? Regarding the contest of\u00a0<i>saetas<\/i>, in my opinion Puente Genil doesn\u2019t need such event, because\u00a0<i>saetas<\/i>\u00a0here are already quite healthy in quantity and quality and require no further promoting. The resources available for this contest should be allocated to existing events which haven\u2019t quite matured yet, that is, consolidating the\u00a0<i>Membrillo de Oro<\/i>\u00a0contest, to strengthen and turn it, little by little, in the contest that Puente Genil deserves. By the way, as the years pass by, this town still lacks (despite the stale and continuous electoral promises) a place or venue where, with the proper resources, flamenco can be promoted and nurtured from an intellectual perspective, besides showcasing Puente Genil\u2019s rich flamenco tradition. A few years ago,\u00a0<i>Sala Fosforito<\/i>\u00a0was opened with grand pomp and ceremony by the Town Council, which promised to equip it for such purposes. Up to this day, however, it remains just a lifeless music hall with no use other than touristic.<\/p>\n<p>Definitely, my dear friends, as the biblical proverb goes, I supposed that what I state here is\u00a0<i>nothing new under the sun<\/i>, as all of this roughly reflects similar situations in most other flamenco municipalities. It\u2019s what it is.<\/p>\n<p>Flamenco Greetings.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4712\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/01\/alvaro3c-bw_3-1.jpg\" alt=\"\" width=\"122\" height=\"178\" \/><\/p>\n<p><em><strong>\u00c1lvaro de la Fuente Espejo<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2026Continued from\u00a0Flamenco in Puente Genil (I) When it comes [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":6099,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[67,258],"tags":[],"class_list":["post-6142","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","category-signature"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Flamenco in Puente Genil (II) - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/articles\/flamenco-in-puente-genil-ii\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Flamenco in Puente Genil (II) - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"\u2026Continued from\u00a0Flamenco in Puente Genil (I) When it comes [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/expoflamenco.com\/archivo\/en\/articles\/flamenco-in-puente-genil-ii\/\" \/>\n<meta property=\"og:site_name\" content=\"Archivo Expoflamenco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ExpoFlamenco\" \/>\n<meta property=\"article:published_time\" content=\"2018-06-02T19:30:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-02-13T19:41:38+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2015\/11\/velada-el-cristo-2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"641\" \/>\n\t<meta property=\"og:image:height\" content=\"428\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Expoflamenco\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:site\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Expoflamenco\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/articles\\\/flamenco-in-puente-genil-ii\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/articles\\\/flamenco-in-puente-genil-ii\\\/\"},\"author\":{\"name\":\"Expoflamenco\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/41b6521f4897a6811872f1e2a0554083\"},\"headline\":\"Flamenco in Puente Genil (II)\",\"datePublished\":\"2018-06-02T19:30:00+00:00\",\"dateModified\":\"2019-02-13T19:41:38+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/articles\\\/flamenco-in-puente-genil-ii\\\/\"},\"wordCount\":1081,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/articles\\\/flamenco-in-puente-genil-ii\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2015\\\/11\\\/velada-el-cristo-2.jpg\",\"articleSection\":[\"Articles\",\"Signatures\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/articles\\\/flamenco-in-puente-genil-ii\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/articles\\\/flamenco-in-puente-genil-ii\\\/\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/articles\\\/flamenco-in-puente-genil-ii\\\/\",\"name\":\"Flamenco in Puente Genil (II) - Archivo Expoflamenco\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/articles\\\/flamenco-in-puente-genil-ii\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/articles\\\/flamenco-in-puente-genil-ii\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2015\\\/11\\\/velada-el-cristo-2.jpg\",\"datePublished\":\"2018-06-02T19:30:00+00:00\",\"dateModified\":\"2019-02-13T19:41:38+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/articles\\\/flamenco-in-puente-genil-ii\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/articles\\\/flamenco-in-puente-genil-ii\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/articles\\\/flamenco-in-puente-genil-ii\\\/#primaryimage\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2015\\\/11\\\/velada-el-cristo-2.jpg\",\"contentUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2015\\\/11\\\/velada-el-cristo-2.jpg\",\"width\":641,\"height\":428},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/articles\\\/flamenco-in-puente-genil-ii\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Inicio\",\"item\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Flamenco in Puente Genil (II)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#website\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/\",\"name\":\"Archivo Expoflamenco\",\"description\":\"Portal de arte flamenco: noticias, entrevistas, blogs, cr\u00edticas, investigaci\u00f3n\",\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\",\"name\":\"Expoflamenco\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/banner-cabecera-mobile.jpg\",\"contentUrl\":\"https:\\\/\\\/www.expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/banner-cabecera-mobile.jpg\",\"width\":299,\"height\":75,\"caption\":\"Expoflamenco\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/ExpoFlamenco\",\"https:\\\/\\\/x.com\\\/expoflamenco1\",\"https:\\\/\\\/www.instagram.com\\\/expoflamenco\\\/\",\"https:\\\/\\\/www.youtube.com\\\/expoflamenco\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/41b6521f4897a6811872f1e2a0554083\",\"name\":\"Expoflamenco\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/9d843cd005fbb7439019d77d9d525d9a5177f873994fbb60a14dab6df3a60f72?s=96&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/9d843cd005fbb7439019d77d9d525d9a5177f873994fbb60a14dab6df3a60f72?s=96&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/9d843cd005fbb7439019d77d9d525d9a5177f873994fbb60a14dab6df3a60f72?s=96&r=g\",\"caption\":\"Expoflamenco\"},\"description\":\"Portal global de arte flamenco. El conocimiento y la pasi\u00f3n. La jondura y la pena. El pellizco y la fiesta. Patrimonio Cultural de la Humanidad.\",\"sameAs\":[\"http:\\\/\\\/wwww.expoflamenco.com\"],\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/author\\\/expoflamenco\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Flamenco in Puente Genil (II) - Archivo Expoflamenco","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/expoflamenco.com\/archivo\/en\/articles\/flamenco-in-puente-genil-ii\/","og_locale":"en_US","og_type":"article","og_title":"Flamenco in Puente Genil (II) - Archivo Expoflamenco","og_description":"\u2026Continued from\u00a0Flamenco in Puente Genil (I) When it comes [&hellip;]","og_url":"https:\/\/expoflamenco.com\/archivo\/en\/articles\/flamenco-in-puente-genil-ii\/","og_site_name":"Archivo Expoflamenco","article_publisher":"https:\/\/www.facebook.com\/ExpoFlamenco","article_published_time":"2018-06-02T19:30:00+00:00","article_modified_time":"2019-02-13T19:41:38+00:00","og_image":[{"width":641,"height":428,"url":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2015\/11\/velada-el-cristo-2.jpg","type":"image\/jpeg"}],"author":"Expoflamenco","twitter_card":"summary_large_image","twitter_creator":"@expoflamenco1","twitter_site":"@expoflamenco1","twitter_misc":{"Written by":"Expoflamenco","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/expoflamenco.com\/archivo\/en\/articles\/flamenco-in-puente-genil-ii\/#article","isPartOf":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/articles\/flamenco-in-puente-genil-ii\/"},"author":{"name":"Expoflamenco","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/person\/41b6521f4897a6811872f1e2a0554083"},"headline":"Flamenco in Puente Genil (II)","datePublished":"2018-06-02T19:30:00+00:00","dateModified":"2019-02-13T19:41:38+00:00","mainEntityOfPage":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/articles\/flamenco-in-puente-genil-ii\/"},"wordCount":1081,"commentCount":0,"publisher":{"@id":"https:\/\/expoflamenco.com\/archivo\/#organization"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/articles\/flamenco-in-puente-genil-ii\/#primaryimage"},"thumbnailUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2015\/11\/velada-el-cristo-2.jpg","articleSection":["Articles","Signatures"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/expoflamenco.com\/archivo\/en\/articles\/flamenco-in-puente-genil-ii\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/expoflamenco.com\/archivo\/en\/articles\/flamenco-in-puente-genil-ii\/","url":"https:\/\/expoflamenco.com\/archivo\/en\/articles\/flamenco-in-puente-genil-ii\/","name":"Flamenco in Puente Genil (II) - Archivo Expoflamenco","isPartOf":{"@id":"https:\/\/expoflamenco.com\/archivo\/#website"},"primaryImageOfPage":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/articles\/flamenco-in-puente-genil-ii\/#primaryimage"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/articles\/flamenco-in-puente-genil-ii\/#primaryimage"},"thumbnailUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2015\/11\/velada-el-cristo-2.jpg","datePublished":"2018-06-02T19:30:00+00:00","dateModified":"2019-02-13T19:41:38+00:00","breadcrumb":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/articles\/flamenco-in-puente-genil-ii\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/expoflamenco.com\/archivo\/en\/articles\/flamenco-in-puente-genil-ii\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/expoflamenco.com\/archivo\/en\/articles\/flamenco-in-puente-genil-ii\/#primaryimage","url":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2015\/11\/velada-el-cristo-2.jpg","contentUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2015\/11\/velada-el-cristo-2.jpg","width":641,"height":428},{"@type":"BreadcrumbList","@id":"https:\/\/expoflamenco.com\/archivo\/en\/articles\/flamenco-in-puente-genil-ii\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Inicio","item":"https:\/\/expoflamenco.com\/archivo\/en\/"},{"@type":"ListItem","position":2,"name":"Flamenco in Puente Genil (II)"}]},{"@type":"WebSite","@id":"https:\/\/expoflamenco.com\/archivo\/#website","url":"https:\/\/expoflamenco.com\/archivo\/","name":"Archivo Expoflamenco","description":"Portal de arte flamenco: noticias, entrevistas, blogs, cr\u00edticas, investigaci\u00f3n","publisher":{"@id":"https:\/\/expoflamenco.com\/archivo\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/expoflamenco.com\/archivo\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/expoflamenco.com\/archivo\/#organization","name":"Expoflamenco","url":"https:\/\/expoflamenco.com\/archivo\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/logo\/image\/","url":"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/banner-cabecera-mobile.jpg","contentUrl":"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/banner-cabecera-mobile.jpg","width":299,"height":75,"caption":"Expoflamenco"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/ExpoFlamenco","https:\/\/x.com\/expoflamenco1","https:\/\/www.instagram.com\/expoflamenco\/","https:\/\/www.youtube.com\/expoflamenco"]},{"@type":"Person","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/person\/41b6521f4897a6811872f1e2a0554083","name":"Expoflamenco","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/9d843cd005fbb7439019d77d9d525d9a5177f873994fbb60a14dab6df3a60f72?s=96&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/9d843cd005fbb7439019d77d9d525d9a5177f873994fbb60a14dab6df3a60f72?s=96&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/9d843cd005fbb7439019d77d9d525d9a5177f873994fbb60a14dab6df3a60f72?s=96&r=g","caption":"Expoflamenco"},"description":"Portal global de arte flamenco. El conocimiento y la pasi\u00f3n. La jondura y la pena. El pellizco y la fiesta. Patrimonio Cultural de la Humanidad.","sameAs":["http:\/\/wwww.expoflamenco.com"],"url":"https:\/\/expoflamenco.com\/archivo\/en\/author\/expoflamenco\/"}]}},"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/6142","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/comments?post=6142"}],"version-history":[{"count":2,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/6142\/revisions"}],"predecessor-version":[{"id":6174,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/6142\/revisions\/6174"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/media\/6099"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/media?parent=6142"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/categories?post=6142"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/tags?post=6142"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}