{"id":6082,"date":"2018-12-07T13:54:05","date_gmt":"2018-12-07T13:54:05","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/shocking-goal-puts-real-madrid-in-lead\/"},"modified":"2019-02-10T15:25:24","modified_gmt":"2019-02-10T14:25:24","slug":"a-street-named-after-parrilla-de-jerez-a-well-deserved-honor","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/articles\/a-street-named-after-parrilla-de-jerez-a-well-deserved-honor\/","title":{"rendered":"A street named after Parrilla de Jerez: a well-deserved honor"},"content":{"rendered":"<p>A street named after Parrilla de Jerez. That\u2019s the goal of the family of this brilliant guitarist, who is urging the local authorities to start the necessary paperwork to achieve this aim, particularly at this time of the year, the Christmas season, when every day we hear\u00a0<i>villancicos<\/i>\u00a0performed, in good measure, thanks to the efforts in preserving and promoting this sub-genre by Manuel Fern\u00e1ndez Molina, aka\u00a0<i>Parrilla de Jerez<\/i>, the son of\u00a0<i>T\u00edo Parrilla<\/i>. This Gypsy from Jerez\u2019s San Miguel district, born on 45 Campana Street in 1945, who left us in 2009 after a long illness, was brilliant as accompanist of\u00a0<i>cante<\/i>\u00a0with his guitar and a virtuoso as soloist, besides being a great music interpreter. He was the soul of a historic project started in 1982, launched by the\u00a0<i>C\u00e1tedra de Flamencolog\u00eda de Jerez<\/i>\u00a0with Juan de la Plata and the indispensable support by Jerez\u2019s editor and producer Juan Pedro Aladro. \u201c<i>As\u00ed Canta Nuestra Tierra en Navidad<\/i>\u201d (\u201c<i>That\u2019s How our Land Sings in Christmas<\/i>\u201d) started with a volume that showcased traditional and popular\u00a0<i>villancicos<\/i>, sung in chorus and with a sound essence that carefully conveyed the naturality and authenticity of those parties. Tracks such as &#8216;<i>Una pandereta suena<\/i>&#8216;, &#8216;<i>Al pasar por Casablanca<\/i>&#8216; or the so-called &#8216;<i>Villancico del Gloria<\/i>&#8216; are listed in the back cover, reclaiming what was being lost, or even what had already been lost. Neighborhood bastions and some\u00a0<i>pe\u00f1as<\/i>, such as \u2018<i>La Colchonera<\/i>\u2019 (Jerez\u2019s partners of\u00a0<i>Atl\u00e9tico de Madrid<\/i>, but born in Jerez, with much art) or \u2018<i>Los Cern\u00edcalos<\/i>\u2019, kept some vitality in that regard, because in those years businesses and local authorities didn\u2019t care much about this type of celebration during the Christmas season, declared\u00a0<i>Bien de Inter\u00e9s Cultural<\/i>\u00a0(Cultural Heritage) in the year 2015 .<\/p>\n<p>This idea that turned into an album series had the financial and moral support of Jerez\u2019s\u00a0<i>Caja de Ahorros<\/i>(Savings Bank), so it was much easier to execute the proposals agreed in the artistic aspects that were well understood by the true protagonist of this article. We must contextualize, though, particularly in these days when many people take the\u00a0<i>Zambomba<\/i>\u00a0for granted and many mistakes are made when it comes to protect a heritage which defines this land together with others in the province which created or shaped the lyrical body of Christmas in Lower Andalusia. The fact is that its fame is growing excessively, but the\u00a0<i>zambomba<\/i>(not \u201c<i>zambomba<\/i>\u201d or \u201c<i>zambombada<\/i>\u201d) is something else, not mass gatherings where few participate, most watch and everyone drinks. Yet, let\u2019s try to focus on the positive aspects!<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-4567\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2015\/11\/parrilla1.jpg\" alt=\"\" width=\"575\" height=\"383\" srcset=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2015\/11\/parrilla1.jpg 575w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2015\/11\/parrilla1-300x200.jpg 300w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2015\/11\/parrilla1-128x86.jpg 128w\" sizes=\"auto, (max-width: 575px) 100vw, 575px\" \/><\/p>\n<div class=\"paragraph\">\n<p>Buses arriving from other cities, businesses opening the whole day due to their huge sales volume, full parking lots, sold out musical and cultural events, hotels at twice the usual occupancy, taxi drivers thankful for the bonanza\u2026 all that due to the \u201cpopular, traditional, great, typical,\u00a0<i>flamenca<\/i>\u201d\u00a0<i>zambomba<\/i>. How many adjectives this celebration whose protagonist is a peculiar, humble home-made clay instrument has! Let\u2019s continue to highlight the potential of a party that provides jobs to dozens of artists and hundreds of people who never sing at any other time during the year, with nightclubs jumping on the wagon and organizing non-stop shows whose\u00a0<i>villancicos<\/i>\u00a0were first heard in the album series mentioned above.<\/p>\n<p>Parrilla has a lot to do with this because he always kept the rhythm in those recordings, giving a sound to Christmas in Jerez and recovering many lyrics that had already been forgotten in the 1980s. He was the one who \u2018persuaded\u2019 Paquera de Jerez to take part in this work, year after year, and also Macanita, T\u00edo Sordera, the brothers Curro and Fernando de la Morena, the brothers Jos\u00e9 and \u00c1ngel Vargas, Jos\u00e9 Merc\u00e9, and also the unique Torrito, Mora\u00edto&#8230; a family, after all. Parrilla took care of adding melody to verses and romances of old which today sound as if all of this were so easy, as is the case with &#8216;<i>Arc\u00e1ngel San Gabriel<\/i>&#8216;, inspired by a poem of Lorca, or more recent compositions, such as &#8216;<i>Gitanos de Santiago y San Miguel<\/i>&#8216; or &#8216;<i>De Vendimiar<\/i>&#8216;. That Manuel who in 2001 offered his school to perform in the Villamarta theater for a show organized by\u00a0<i>Pe\u00f1a La Buler\u00eda<\/i>, where he directed singers such as Diego Rubichi, Paca and Manuela, Fernando Soto or La Macanita, must not fall into oblivion. That made history and today everyone knows the lyrics premiered that night.<\/p>\n<p>We\u2019ll not drag on, mentioning all the other merits of this brilliant artists in all other of his \u2018<i>falsetas<\/i>\u2019 in life, because they\u2019re very well-known, but it\u2019s important that we don\u2019t forget Manuel, all through the year, but particularly during the Christmas season. Without the contribution of Parrilla and his team, nothing would be the same. From here we join the call to have a street, avenue or square in Jerez named after \u2018Parrilla de Jerez\u2019. \u200b<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A street named after Parrilla de Jerez. That\u2019s the [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":6392,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[172,67,73],"tags":[212],"class_list":["post-6082","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualidad-en","category-articles","category-opinion","tag-parrilla-de-jerez"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>A street named after Parrilla de Jerez: a well-deserved honor - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/articles\/a-street-named-after-parrilla-de-jerez-a-well-deserved-honor\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A street named after Parrilla de Jerez: a well-deserved honor - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"A street named after Parrilla de Jerez. 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