{"id":6078,"date":"2018-12-17T13:44:37","date_gmt":"2018-12-17T13:44:37","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/esos-suenos-de-juventud-que-van-y-vienen\/"},"modified":"2019-02-13T20:41:22","modified_gmt":"2019-02-13T19:41:22","slug":"those-dreams-of-youth-that-come-and-go","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/articles\/those-dreams-of-youth-that-come-and-go\/","title":{"rendered":"Those dreams of youth that come and go"},"content":{"rendered":"<p>There are days when it\u2019s better to stay home because the news may harass and disturb our souls, already afflicted by the inescapable passing of time. It\u2019s a good thing that our bodies don\u2019t give up, feeling all is lost, but that\u2019s the hard reality facing us each morning. Today I woke up with the news of the death of one of my good friends, someone with whom I\u2019ve kept a strong fraternal friendship. With my\u00a0<i>primo<\/i>\u00a0Antonio Chiquetete I shared moments of glory, but we\u2019ve also been together in difficult moments when life beat and shook us to exhaustion, and we\u2019ve learned that there is no hope without pain, that purity is also found in the wounded light that wanders aimlessly through life, and that there is no salvation without love.<\/p>\n<p>I first met Chiquetete in the 1960s when he had just formed a music ensemble with Manuel Molina and Manolo Dom\u00ednguez called\u00a0<i>Los Gitanillos del Tard\u00f3n<\/i>. Three great artists born in the midst of misery and prejudice. At that time, Chiquetete was starting to sing for\u00a0<i>baile<\/i>\u00a0at the\u00a0<i>tablao<\/i>\u00a0Los Gallos, in Seville\u2019s Santa Cruz District. Yet, Antonio loved his Triana, and there, at Taberna El Morapio, on Pelay Correa Street, we spent evenings of wine and\u00a0<i>cante<\/i>\u00a0together with all the wise people who showed up there, like Tragapanes (related to the Cagancho dynasty), El Pati, El Titi, El Maera, Esperanza, La Talegona, La Perla, El Herj\u00edas, the L\u00e9ridas, Oliver, El Arenero and so many others that stopped by that tavern-university. These were hard times, after the Spanish Civil War, when poverty and speculation worn down that neighborhood until finishing off Cava de los Gitanos and Cava de los Civiles, starting its disintegration, which was the whole point all along.<\/p>\n<p>From then on, our relationship was always warm and fluid, to the point that Chiquetete even sang in the party celebrating one of my daughters\u2019 baptism. In other opportunity when I visited Seville with my students, he joined us and amazed them with his humility. Yet, his most outstanding quality was his boundless generosity and solidarity with the less privileged. In several occasions I proposed visiting Asprosub (now\u00a0<i>Fundaci\u00f3n Personas<\/i>), an association for the families of the mentally disabled, and he didn\u2019t think twice about coming to perform for the residents, even organizing several fundraising festivals, all for free. When we talked on the phone, something we did rather frequently, he always asked me about his people in the\u00a0<i>Fundaci\u00f3n<\/i>, expressing his wish to share a table with them once again, as they had impacted him deeply. Besides being an artist, he was also a great friend, always ready to help in whatever I needed and taking part in charity festivals completely for free. The first time he performed in Zamora, at Barrio de Olivares, he was absolutely brilliant, having a committed public which he fully corresponded. Yet, in his two following performances, he had misunderstandings with some colleagues, besides suffering from a poor organization.<\/p>\n<p>His sweet, melodious voice, also very\u00a0<i>flamenca<\/i>, will always be remembered by good aficionados, despite the fact that we now miss an artist who contributed to\u00a0<i>cante gitano<\/i>\u00a0that sorrow that drowns the throat with a deep urge to cry, in the words of Manuel Mart\u00edn. With Chiquetete we also learned to dream, to fly away from the emotion of his\u00a0<i>cante<\/i>. Today I want to remember that voice with some loose verses by our Claudio Rodr\u00edguez: \u201c<i>Hay un suspiro donde ya no hay aire,\/ s\u00f3lo el secreto de la melod\u00eda\/ haci\u00e9ndose m\u00e1s pura y dolorosa<\/i>\u201d. (\u201c<i>There\u2019s a whisper where there isn\u2019t air anymore \/ Just the secret noon \/ becoming more pure and painful.<\/i>\u201d)<\/p>\n<div id=\"attachment_4559\" style=\"width: 483px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4559\" class=\"size-full wp-image-4559\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2015\/11\/chiquetete3.jpg\" alt=\"\" width=\"473\" height=\"688\" srcset=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2015\/11\/chiquetete3.jpg 473w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2015\/11\/chiquetete3-206x300.jpg 206w\" sizes=\"auto, (max-width: 473px) 100vw, 473px\" \/><p id=\"caption-attachment-4559\" class=\"wp-caption-text\">Chiquetete en el 22 Festival de Zamora (1992)<\/p><\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3908 alignnone\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2015\/11\/joseiprimoc_4.jpg\" alt=\"\" width=\"132\" height=\"167\" \/><\/p>\n<p><em><strong>by Jos\u00e9 Ignacio Primo<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>There are days when it\u2019s better to stay home [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":6079,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[67,258],"tags":[],"class_list":["post-6078","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","category-signature"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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