{"id":5953,"date":"2017-04-19T16:18:26","date_gmt":"2017-04-19T16:18:26","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/la-critica-y-los-jovenes-flamencos\/"},"modified":"2019-04-10T22:03:20","modified_gmt":"2019-04-10T20:03:20","slug":"critics-and-the-young-flamenco-artists","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/critics-and-the-young-flamenco-artists\/","title":{"rendered":"Critics and the young flamenco artists"},"content":{"rendered":"<p>How\u2019s the relationship between young artists and flamenco critics? It\u2019s a topic of particular interest for me, and I deal with it today in El Bordonazo in case it\u2019s also of interest for you, dear readers. When I started working as a flamenco critic, almost forty years ago, sometimes I\u2019d write about important flamenco artists, trying to get their attention. It was a way to make myself known among them, and to try to widen my readership. Sometimes I\u2019d get very pleasant surprises.<\/p>\n<p>Just imagine how much it would mean for a young critic of about 25 years old, having someone like\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!La-soledad-de-Manolo-Sanl%C3%BAcar\/c112t\/566a47510cf2391068765f14\">Manolo Sanl\u00facar<\/a>bothering to write me a letter, thanking me for a positive review, or someone like\u00a0<a href=\"http:\/\/www.expoflamenco.net\/single-post\/2017\/06\/18\/%E2%80%8B-Un-cuarto-de-siglo-sin-Camar%C3%B3n\">Camar\u00f3n de la Isla<\/a>\u00a0telling me that he used to listen to my radio show whenever he was in Seville. They were two of my idols, and still are, thirty something years later. I remember that\u00a0<a href=\"https:\/\/www.expoflamenco.com\/archivo\/blog-archivo\/un-saetero-monumental\">Manuel Mairena<\/a>, one of my favourite\u00a0<i>cantaores<\/i>\u00a0back then, got upset with me due to a negative review I had written about him and he stopped talking to me for some time because of it. Yet one morning he phoned me at home to thank me for an article I had written stating that he was the best\u00a0<i>saetero<\/i>\u00a0of his generation, which he appreciated. \u201cI want to let you know that, even as I have been upset with you, I admire your work\u201d, the younger of the Mairena brothers told me.<\/p>\n<p>Frankly I have no complaints about the relationship I have with today\u2019s artists, the youngest ones, who usually treat me with respect, perhaps because of my age. Some could have been my sons of daughters, and I\u2019ve seen them grow in\u00a0<i>cante<\/i>,\u00a0<i>baile<\/i>\u00a0and\u00a0<i>toque<\/i>. I like some of them, but others not much, because flamenco artists aren\u2019t like gold coins, which everyone likes. When I write, I\u2019m usually sincere: if I don\u2019t like something, I say so. A while back I stopped writing album reviews because I had some bad experiences with those self-professed geniuses of our days who aren\u2019t prone to modesty: \u201cDo you know anything about music, by any chance\u2026?\u201d, asked me one\u00a0<i>cantaor<\/i>\u00a0who\u2019s often out of tune, whose name I rather omit, lest I harm his reputation. \u201cWhere have you studied for your critic career?\u201d asked another. I could mention dozens of examples, but it\u2019s not worth it.<\/p>\n<p>Without generalizing, I think that some don\u2019t give any value to the experience of the critics who have been thirty years or more writing about flamenco in newspapers or talking about it in radio shows. Yet, that\u2019s just my opinion, of course. Indeed, the flamenco critic career can\u2019t be studied anywhere. Actually, I wanted to be a\u00a0<i>cantaor<\/i>, but I realized it wasn\u2019t for me, because I didn\u2019t had\u00a0<i>duende<\/i>\u00a0and lacked talent.<\/p>\n<p>I don\u2019t have a degree in Journalism, I\u2019m just a journalist by trade. I don\u2019t have a degree in Literature either, I just write because one day I discovered that writing was my best way to communicate and of telling the stories I needed to tell. In fact, I don\u2019t even have an elementary school certificate, because I dropped out of school when I was 12, to help ensuring that we\u2019d have at least one hot meal per week at home. In theory, I\u2019m a functioning illiterate. Rather, I was, because I\u2019ve learned one thing or two in all these years, about flamenco and about many other things, but I don\u2019t want to brag.<\/p>\n<p>Yet, it seems that for some of these young artists the academic degrees is all that really matters, not the experience of having listened to all the great artists of this genre, some of which were already great stars before my parents were born. Is that less important than having a doctorate in Flamenco, knowing how to read sheet music or being an expert in contemporary stage sets?<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>How\u2019s the relationship between young artists and flamenco critics?<\/p>\n","protected":false},"author":6,"featured_media":11542,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[66],"tags":[],"class_list":["post-5953","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-archivo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Critics and the young flamenco artists - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/critics-and-the-young-flamenco-artists\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Critics and the young flamenco artists - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"How\u2019s the relationship between young artists and flamenco critics?\" \/>\n<meta property=\"og:url\" content=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/critics-and-the-young-flamenco-artists\/\" \/>\n<meta property=\"og:site_name\" content=\"Archivo Expoflamenco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ExpoFlamenco\" \/>\n<meta property=\"article:published_time\" content=\"2017-04-19T16:18:26+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-04-10T20:03:20+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2017\/04\/20170419_la-critica-y-los-jovenes-flamencos.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1302\" \/>\n\t<meta property=\"og:image:height\" content=\"918\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Manuel Boh\u00f3rquez\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:site\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Manuel Boh\u00f3rquez\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/critics-and-the-young-flamenco-artists\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/critics-and-the-young-flamenco-artists\\\/\"},\"author\":{\"name\":\"Manuel Boh\u00f3rquez\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/608d65b2c159f7b5b632f1365c15030f\"},\"headline\":\"Critics and the young flamenco artists\",\"datePublished\":\"2017-04-19T16:18:26+00:00\",\"dateModified\":\"2019-04-10T20:03:20+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/critics-and-the-young-flamenco-artists\\\/\"},\"wordCount\":687,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/critics-and-the-young-flamenco-artists\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2017\\\/04\\\/20170419_la-critica-y-los-jovenes-flamencos.jpg\",\"articleSection\":[\"Blog El Bordonazo\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/critics-and-the-young-flamenco-artists\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/critics-and-the-young-flamenco-artists\\\/\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/critics-and-the-young-flamenco-artists\\\/\",\"name\":\"Critics and the young flamenco artists - 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