{"id":5936,"date":"2017-01-23T16:27:09","date_gmt":"2017-01-23T16:27:09","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/uncategorized\/anorando-aquellas-emociones\/"},"modified":"2019-03-26T21:26:01","modified_gmt":"2019-03-26T20:26:01","slug":"yearning-those-emotions","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/yearning-those-emotions\/","title":{"rendered":"Yearning those emotions"},"content":{"rendered":"<p>I don\u2019t know if it\u2019s just because I\u2019m getting old, but my interest in flamenco shows is decreasing day after day. I think that my mind keeps drifting to those days, forty years ago, when I would hear an aficionado singing in a tavern, without guitar or\u00a0<i>palmas<\/i>, and it would literally move me to tears. Back then, in those years, I would have never imagined that I would ever write about flamenco in a newspaper, and I just enjoyed that emotion produced by good\u00a0<i>cante<\/i>.<\/p>\n<p>Before I ever listened to professional\u00a0<i>cantaores<\/i>\u00a0on stages, I just would go to the bars and\u00a0<i>pe\u00f1as<\/i>\u00a0of Seville and listen to good aficionados, whom I would soon befriend to keep enjoying the party. These were bricklayers, car mechanics, cowboys, shopkeepers or waiters, who would get together in their free time to have fun. There was never a starting time, or an ending time. People didn\u2019t bother looking at their watches. Naturally, no one would charge for singing or for playing the guitar, and everyone would pay for their own drinks and food.<\/p>\n<p>Some of these bars where flamenco aficionados used to meet ended up becoming\u00a0<i>pe\u00f1as flamencas<\/i>, with a president, board of directors, a stage and (not always) a box office.\u00a0<i>cantaores<\/i>\u00a0and their guitarists would perform their recitals and, after they finished, the aficionados would hang out at the\u00a0<i>pe\u00f1a<\/i>\u00a0instead of going home, to keep the party going. The\u00a0<i>cantaor<\/i>\u00a0and the guitarist would generally leave, though, seldom staying to share with the humble aficionados, I guess because they were meant to keep to themselves.<\/p>\n<p>That\u2019s was the environment where I became an aficionado and I\u2019m starting to miss it a lot. Whenever I have the chance to have a good time with aficionados in the private room of some bar or\u00a0<i>pe\u00f1a flamenca<\/i>, I do it without thinking it twice, because I think that\u2019s where I have the best of times. I still enjoy going to the theatre to watch a good show, which is something I do often because I\u2019m a flamenco critic and that\u2019s part of my job. Sometimes I enjoy these shows just because flamenco is what I like the most, above anything else. Yet, before I get sidetracked, what I like less and less are those artists who like to put on a show, seeking applause and wanting to be adored like God.<\/p>\n<p>In one of my favourite movies, Billy Elliot, there is a sublime moment when the protagonist, a kid from a poor family who is auditioning at a London dance school for a scholarship, tells the judges that when he dances \u201cit\u2019s like if I disappeared\u201d. I never forget that line, because when I sang (as I tried to become a\u00a0<i>cantaor<\/i>before I became a flamenco critic) I felt the same way: as I started singing, with my eyes closed, I felt as if I had gone somewhere else, as if I were no longer there, as if were alone with myself.<\/p>\n<p>I think I\u2019ve written before about the loneliness of the\u00a0<i>cantaor<\/i>\u00a0when singing a profound style, such as\u00a0<i>soleares<\/i>or\u00a0<i>seguiriyas<\/i>. I no longer like the exhibitionist\u00a0<i>cantaores<\/i>\u00a0or the showy bailaores, if I ever liked them (I don\u2019t think so). I like those who, like Billy Elliot, disappear when they\u2019re on stage, when they sing, dance or play the guitar. Those who go who-knows-where, instead of strutting their stuff and parading around as if they were cabaret dancers.<\/p>\n<p>Good flamenco doesn\u2019t need to be a show, even if it\u2019s performed on a stage with people paying to watch it. Flamenco is not a show of skill, but finding ourselves. An old guitarist of Seville, Antonio Peana, long gone, once told me that one night he was warned that El Carbonerillo was singing alone, drunk, in a tavern in Macarena. He went to pick him up and bring him to his house, and when he asked the\u00a0<i>cantaor<\/i>\u00a0why he was there like that, alone, he answered him \u201cI\u2019m not alone, I\u2019m with myself\u201d. Peana told me that he had never heard\u00a0<a href=\"http:\/\/www.expoflamenco.net\/#!Recordando-a-El-Carbonerillo\/c112t\/56b81aa40cf2dc1600e907a6\">El Carbonerillo<\/a>\u00a0sing so beautifully, and he never recorded or performed on stage that unique way of crying\u00a0<i>por fandangos<\/i>.<\/p>\n<p><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I don\u2019t know if it\u2019s just because I\u2019m getting old, but my interest in flamenco shows is decreasing day after day. <\/p>\n","protected":false},"author":6,"featured_media":11020,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[66],"tags":[],"class_list":["post-5936","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-archivo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Yearning those emotions - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/yearning-those-emotions\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Yearning those emotions - 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